Le déjeuner du 15 août

This gentle movie, about a middle-aged man left caring for some elderly relatives (and non-relatives) during a public holiday, is notable for some fine performances from a truly aged cast; at least one member was 94 when the film was made. It's quite perceptive about the way that old people interact; and it's younger male lead (played by the writer and director) is also shrewdly drawn. What there isn't is any real plot beyond the set-up: there's almost unlimited potential for disaster here, but none of it ultimately happens. The result is mild, in places amusing, but something short of riveting: rather like visiting an elderly aunt's for tea.

Simple and Beautiful. The story of a bachelor living in Rome with his aged mother. They struggle to make ends meet. Forced to take in three elder ladies to help pay the bills, the couple makes the best of the situation. The new "nuclear" family enjoys the dreaded August heat in Rome by sharing the simple joys of life.

A joy to watch.

True art when someone can make a story like this so memorable. If you tired of the big budget extravaganza films with too many special effects and big time actors and want to get back to the art of film, "Lunch in August" is a perfect alternative. In Italian.

Gianni is a man entering the later years of his life. He has no job,no wife,drinks perhaps a bit too much for his own good,but seems to be content in looking after the needs of his somewhat demanding mother. They both live in a flat in the centre of Rome,despite the fact that Gianni hasn't paid the rent in three years. The landlord offers to wave the rent money if Gianni will look after his equally aged mother for the weekend,which Gianni has no choice but to say yes to. Gianni ends up the care taker of a house full of elderly Italian ladies for the weekend (the landlord shows up with not just his mother,but her sister,as well). Add on top of that,his doctor manages to sweet talk Gianni into also looking after his aged mother. Gianni now has to play host,wet nurse & baby sitter,all rolled into one (eccentric behavior,hissy fits & other things figure into it)for four demanding women. All of this makes for a low key,loving homage to family love & respect for the aged. Gianni DiGregorio,screenwriter of the acclaimed Mafia drama,'Gamorra' from a few years back,wears three hats in the gentle comedy/drama,'Pranzo De Ferragosto' (released in most English speaking countries as,'Mid August Lunch' (director/co writer,with Simone Riccardini,as well as acts in the central role as Gianni). Gian Enrico Bianchi is the director of photography of this (mostly)chamber piece,with editing by Marco Spoletini. Most of the cast go by they're own names,with Valeria DeFranciscis,as Gianni's mother,Maria Cali,as Aunt Maria,Grazia Santagata as Grazia,Alfonso Santagata as Alfonso,Marinina Caccoiotti,as Alfonso's mother (yep,you guessed it), Marinina,with Maricello Ottolenghi,as the doctor,and Luigi Marchetti as Gianni's neighbour & friend,Viking. This is a film that will appeal to those who are tired of the usual glut of Hollywood bombast (car chases, explosions,graphic violence and sexual situations,not to mention vulgar language),and want a breezy,Italian comedy/drama that goes down like a nice piece of light,Italian puff pastry,with no ill effects. Not rated by the MPAA,this film serves up little that could offend,outside of much drinking of alcohol,and a bit of smoking. Would possibly bore most under the age of 35.

The cliché of the Italian bachelor living at home with a doting mother who waits on him and prepares his favorite meals is turned on it's head in the delicious Italian treat, "Mid-August Lunch." In this film, unemployed fifty-ish bachelor Gianni (Gianni Di Gregorio) shows respect for his ninety-something mother by taking good care of her and lovingly preparing their meals.

The small family has been living off of credit for some time and is months behind on their maintenance and electric bills for their ancient apartment. The landlord is willing to forgive the dept if they take in his mother so he can get away for the Mid-August holiday. The landlord drops off his mother AND his aunt. And soon the doctor's mother joins the mix. So Gianni must survive the weekend playing good host to four strong-willed shut-ins. What impressed me most was how he never loses his manners but treats these woman with the respect earned by those who have reached a certain age.

This is a film about the joys of entertaining. It illustrates the isolation that comes with aging and our continued need to socialize. There is an Italian saying, "A tavola no s'invecchia," that articulates the theme perfectly, "The passage of time is suspended with experiencing the pleasure of good food, good wine and company."

"Mid-August Lunch" dishes up "slice of life" humor with simple, authentic Italian flavors like those in the perch with potatoes, oregano and rosemary lovingly served at the holiday feast.

Movie Blessings! Jana Segal, Reel Inspiration

"Pranzo di ferragosto" is one delightful, insightful, funny and unpretentious little cinematic jewel, whose director, script writer and main actor, Gianni DiGregorio, proves to us that it doesn't take a huge budget, big stars, lots of witty dialogs or 120 minutes to make a masterpiece, and one which goes back to the golden age of the Italian comedy and Italian realism.

The story is very simple: Gianni, a middle-aged Roman who lives with his mother in an old Trastevere apartment, is first kind of "blackmailed" by his landlord to take the the latter's mother at his home for the Italian midsummer holiday. He gets more than he bargained for when the mother is accompanied by an unannounced aunt and when later his doctor also asks him to take his mother, in addition to Gianni's own mamma, of course. Each of the old ladies has her own personality, quirks, preferences, etc. and Gianni will have to do his best to keep them all happy. This will lead to a wholly enjoyable 75-minute ride for the viewer.

One thing that I loved about this movie is that it depicts old age in a respectful, humorous and optimistic light -the old ladies are not at all old in mentality and spirit, and they keep enjoying life to the most, each in her own style. I also enjoyed how the film is full of little sketches of very real everyday situations in which we can all see ourselves -sitting with a friend without needing or having any life-changing conversation, looking out to the city while smoking a cigarette, sitting with your family or people you care for, sharing a dinner, having small talk, the joy of reunion and togetherness and the joy of having a home... those scenes were very heart-moving and very meaningful to me.

My rating is 10/10 for a new instant favorite of mine.