IMDb RATING
4.9/10
3.3K
YOUR RATING
Against the backdrop of grisly murders and child abductions, a clan of cannibalistic savages which plague the North-east Coast since 1858, is after an unsuspecting family and their innocent ... Read allAgainst the backdrop of grisly murders and child abductions, a clan of cannibalistic savages which plague the North-east Coast since 1858, is after an unsuspecting family and their innocent baby girl. Do they have what it takes to survive?Against the backdrop of grisly murders and child abductions, a clan of cannibalistic savages which plague the North-east Coast since 1858, is after an unsuspecting family and their innocent baby girl. Do they have what it takes to survive?
Stephen Anthony Grey
- First Stolen
- (as Stephen Grey)
John Kochaney
- Cave Baby
- (as John Kochahney)
Jack Ketchum
- Max Joseph
- (as Dallas Mayr)
Emma Elizabeth Messing
- Baby Melissa
- (as Emma Messing)
Featured reviews
This is about a primitive family of people that are cannibals and live like cavemen. It could have been a real steaming pile and that is what I expected, but it was really good! There is LOTS OF GORE so it that isn't what your in the mood for, then pass on this one. I was really impressed with the special effects and they had a great cast! These people actually knew how to act which is rare in horror films. The hero in this story is actually a young, preadolescent boy. The antagonist lead is played by a woman. Those 2 things alone make this unique enough to kept me interested throughout the film. I also love that they weren't afraid to make the children killers or to kill them. As a horror movie it DEFINITELY deserves better than a 5. I have seen some real crap in the horror genre that was rated a 5. I wish that people that don't like the genre at all would just QUIT VOTING!! It isn't fair to true fans.
I was going to say that this film was lazy and incompetent independent film-making at its worst. I keep trying to make this point; low budgets needn't matter, and we don't mind the cheap special effects and the limited sets if the film is made with passion and conviction. It doesn't cost anything to get the plot right; just imagination and attention to detail. But that's exactly what this film seems to lack.
An update of the Scottish Sawney Beane legend and transplanting to Maine and the Canadian coast, it has some promising ideas and a couple of effective sequences, but it fails to establish them or develop them properly. What's with the lighthouse keeper? We get a glimpse of a newspaper clipping while the opening credits roll, and one of the characters makes a brief reference during the film, but this history deserved telling properly, even if only narrated by one of the characters, and could have added real mythic power to the plot. But it appears the film-makers just couldn't be bothered.
And then 76 minutes later, barely achieving the minimum respectable length for a feature film, it comes to an abrupt end, with several characters and plot lines unresolved. Please no, don't tell me you're leaving the door open for a sequel. (Adopt appropriate gravelly voice: Offspring 2 – the new generation!) In between, there's a load of confused stumbling around in night-time woods or on stretches of beach that look nothing like the earlier panoramic daytime shots we had of the coastline.
I was going to say all this, but then I glanced up at the technical information in this IMDb entry. 100 minutes, it says. A hundred! But my UK rented copy was only 76 minutes; both the sleeve and the DVD timer confirm it. That's a quarter of the film gone! No wonder the plot seems sketchy, and you can't follow what's happening.
It is entirely incomprehensible. It carries a UK 18 certificate, which is the most serious apart from the 18Rs that can only be bought from licensed sex shops, and I don't imagine they have anything in them that can't be seen for free on the internet. What on earth can the UK censors have found that required 24 minutes of cuts? If it really was originally 100 mins I frankly don't see what the point of releasing the film like this is. At the very least, this review stands as a warning to UK viewers; check the length. If it's the 76 minute version I saw, I'm certainly not recommending it.
Edit: Barely a couple of weeks after posting this, I read in my newspaper that "The Serbian Film" had received between four and five minutes of cuts at the hands of the UK censor, and that this made it the most cut UK film for sixteen years. If that's so, then I was wrong to blame the cut from 100 to 76 minutes on the censor. This makes it all the more baffling. Why would you voluntarily cut your own film to such a skimpy dog's dinner? In any case, it doesn't change my recommendation (or lack of it): just the attribution of blame.
An update of the Scottish Sawney Beane legend and transplanting to Maine and the Canadian coast, it has some promising ideas and a couple of effective sequences, but it fails to establish them or develop them properly. What's with the lighthouse keeper? We get a glimpse of a newspaper clipping while the opening credits roll, and one of the characters makes a brief reference during the film, but this history deserved telling properly, even if only narrated by one of the characters, and could have added real mythic power to the plot. But it appears the film-makers just couldn't be bothered.
And then 76 minutes later, barely achieving the minimum respectable length for a feature film, it comes to an abrupt end, with several characters and plot lines unresolved. Please no, don't tell me you're leaving the door open for a sequel. (Adopt appropriate gravelly voice: Offspring 2 – the new generation!) In between, there's a load of confused stumbling around in night-time woods or on stretches of beach that look nothing like the earlier panoramic daytime shots we had of the coastline.
I was going to say all this, but then I glanced up at the technical information in this IMDb entry. 100 minutes, it says. A hundred! But my UK rented copy was only 76 minutes; both the sleeve and the DVD timer confirm it. That's a quarter of the film gone! No wonder the plot seems sketchy, and you can't follow what's happening.
It is entirely incomprehensible. It carries a UK 18 certificate, which is the most serious apart from the 18Rs that can only be bought from licensed sex shops, and I don't imagine they have anything in them that can't be seen for free on the internet. What on earth can the UK censors have found that required 24 minutes of cuts? If it really was originally 100 mins I frankly don't see what the point of releasing the film like this is. At the very least, this review stands as a warning to UK viewers; check the length. If it's the 76 minute version I saw, I'm certainly not recommending it.
Edit: Barely a couple of weeks after posting this, I read in my newspaper that "The Serbian Film" had received between four and five minutes of cuts at the hands of the UK censor, and that this made it the most cut UK film for sixteen years. If that's so, then I was wrong to blame the cut from 100 to 76 minutes on the censor. This makes it all the more baffling. Why would you voluntarily cut your own film to such a skimpy dog's dinner? In any case, it doesn't change my recommendation (or lack of it): just the attribution of blame.
Offspring 2/19/2010
This is the third book by horror author Jack Ketchum to be made into a movie, the others being "Red" and "The Girl Next Door". "Offspring" published in 1980 was his first novel and deemed very controversial for it grotesque violence. The movie was made last year from Ketchums's own script and directed by relatively new director Andrew van den Houten.
The movie was obviously made on a very small budget and except for the violence and gore it really shows. Even though Ketchum is credited with writing the script, he should really stick to novels. The dialog is utterly comical, there is a paper thin plot and together with terrible acting it can be a chore to watch. This film can really only be endured by either hardcore horror fans or Ketchum Fans. This movie has clichés galore for every taste, the retired alcoholic cop, the small town police force, and the angry ex husband on a mission. Revealing past events in the form of old newspaper clippings is another one that is used in about 80% of all horror movies. The story, like the book, takes place in the coastal Maine town of Dead River (the ominously named town).
The story of "Offspring" involves a clan of feral savage. Think of Deliverance meets P.O.'d Native Americans. The reason I chose to write about this particular movie is for its depiction of the clan. This film is similar to the book in that it doesn't shy away from anything. This is a balls-to-the-wall bloody horror spectacle. It has kids killing adults, dead babies, cannibalism and so much more. Our main characters are quite one dimensional, like cattle being led to the slaughter. But they are not annoying like a lot of horror movies. With a bigger budget a lot more talent this could be a decent flick. For example, although the story takes place in Maine, an up close scene with a police car in the foreground is obviously from Michigan (which is were the film was shot). However, I did like how they used sound to heighten the suspense and creepiness.
The Clan members themselves which are mostly children, are well played. The actors really dug into these intensely psychotic roles. The violence and gore is also quite impressive and well done. Now that we know where all the money went, you can understand why the rest of the production is quite poor. Like I mentioned before if your not a hard core horror fanatic like myself I wouldn't bother with this one.
This is the third book by horror author Jack Ketchum to be made into a movie, the others being "Red" and "The Girl Next Door". "Offspring" published in 1980 was his first novel and deemed very controversial for it grotesque violence. The movie was made last year from Ketchums's own script and directed by relatively new director Andrew van den Houten.
The movie was obviously made on a very small budget and except for the violence and gore it really shows. Even though Ketchum is credited with writing the script, he should really stick to novels. The dialog is utterly comical, there is a paper thin plot and together with terrible acting it can be a chore to watch. This film can really only be endured by either hardcore horror fans or Ketchum Fans. This movie has clichés galore for every taste, the retired alcoholic cop, the small town police force, and the angry ex husband on a mission. Revealing past events in the form of old newspaper clippings is another one that is used in about 80% of all horror movies. The story, like the book, takes place in the coastal Maine town of Dead River (the ominously named town).
The story of "Offspring" involves a clan of feral savage. Think of Deliverance meets P.O.'d Native Americans. The reason I chose to write about this particular movie is for its depiction of the clan. This film is similar to the book in that it doesn't shy away from anything. This is a balls-to-the-wall bloody horror spectacle. It has kids killing adults, dead babies, cannibalism and so much more. Our main characters are quite one dimensional, like cattle being led to the slaughter. But they are not annoying like a lot of horror movies. With a bigger budget a lot more talent this could be a decent flick. For example, although the story takes place in Maine, an up close scene with a police car in the foreground is obviously from Michigan (which is were the film was shot). However, I did like how they used sound to heighten the suspense and creepiness.
The Clan members themselves which are mostly children, are well played. The actors really dug into these intensely psychotic roles. The violence and gore is also quite impressive and well done. Now that we know where all the money went, you can understand why the rest of the production is quite poor. Like I mentioned before if your not a hard core horror fanatic like myself I wouldn't bother with this one.
Apparently, some folk from Canada have decided to go all natural and became cannibals. Then, to everyone's dismay, they travelled down the deserted coast in the US. Food's aplenty there, where people like to live in isolated houses, have delicious babies and are surrounded by incompetent police.
That's about it. The movie is gruesome enough and the cannibals believable, if you ignore their origin story completely. I truly believe Pollyanna McIntosh was the reason why this movie didn't suck, as she plays the feral woman tribe leader. I mean, she was lovely even as a dirty violent almost inarticulate woman.
Even from the start, when the movie starts with newspaper clippings, weird music and special effected distribution names, the feeling is that the movie is bad. I blame the director for this. Quite a horror gem this could have been with just a little more attention to detail and a different cast.
The little boy was the only civilised person with a brain in the movie, the rest of the cannibal victims doing nothing but crying oh my god or holy s*** while they are eaten alive. If the premise of the movie was that people can sink to terrible lows, then why conclude that civilised westerners are not capable of directed violent behaviour when they are in trouble? Especially mothers with children, I mean I am afraid of those even in real life. That kind of thinking brought the movie down. That and the directing.
Bottom line: a good horror story (made after a book) with some gruesome graphics, but bad production values.
That's about it. The movie is gruesome enough and the cannibals believable, if you ignore their origin story completely. I truly believe Pollyanna McIntosh was the reason why this movie didn't suck, as she plays the feral woman tribe leader. I mean, she was lovely even as a dirty violent almost inarticulate woman.
Even from the start, when the movie starts with newspaper clippings, weird music and special effected distribution names, the feeling is that the movie is bad. I blame the director for this. Quite a horror gem this could have been with just a little more attention to detail and a different cast.
The little boy was the only civilised person with a brain in the movie, the rest of the cannibal victims doing nothing but crying oh my god or holy s*** while they are eaten alive. If the premise of the movie was that people can sink to terrible lows, then why conclude that civilised westerners are not capable of directed violent behaviour when they are in trouble? Especially mothers with children, I mean I am afraid of those even in real life. That kind of thinking brought the movie down. That and the directing.
Bottom line: a good horror story (made after a book) with some gruesome graphics, but bad production values.
Offspring first? What about Off Season? Well, I've read on the Offspring message board that the reason why Offspring was chosen for film before Off Season is because of some rights issue. There were probably a couple skirts who were not being paid as much as the hard-working durable men, so they made a fuss. Eh, whatever.
But enough of that garbage, let me tell you a little something about Offspring, the latest Jack Ketchum work brought to celluloid. Well, it wasn't much. Actually it's as average as average gets.
The flick revolves around the.....what's the word...ya know, children, er, no....products....ehhh. Offspring revolves around the...leftover brood (that works!) from Off Season and these rabid savages aren't done hassling the surrounding community. This go around the young savages have this idea that a regular baby will help them somehow. So that's the target while they bite, chomp and stab everyone they can. I really didn't see the logic there since they had their own baby, but I think they mentioned something about that theirs was cursed or haunted. I don't really remember as I was focusing more on the the ridiculous acting by the savages. Roooaaaarr!! So yep, it's basically a fight for your life type flick. Which is fine by me.
My issue isn't with the story. It's with just how plain old uninspiring it all felt. When it comes down to awesome horror writers, Mr. Ketchum is the man. He writes some awesome stuff. But almost all of his flicks have been severely lacking, with Red being the best. And this is no different. The acting is really just so damn noticeable. It's just flat-out amateur. It's not awful in the sense that you hate the movie because of it, but it is at times cringe worthy.
And what's most strange about this film is that Ketchum wrote the screenplay. And by God, I can't tell if it's just the amateur acting that makes the writing seem poor, or it's the writing itself. The more I think about Offspring the more I'm thinking the actors aren't to blame. Sure they stunk, but I hate to say it but Ketchum's screenplay writing isn't up to snuff. I also throw a lot of the blame on the director as well.
Even though I say the movie isn't anything special, cause it ain't, but it's not totally a mess either. There's some pretty brutal violence on display. And there's even some nudity to boot. I'm also a fan (sucker) of the wilderness type setting, and this has a cave setting, a beach setting, forest setting.....so it looks nice.
But for all the child violence scenes that gives you that quick moment of joy, there's that scene of chit-chat that makes you roll your eyes. The flick is as average as it gets, but at the same time it's still a Jack Ketchum movie, and that's reason enough to watch it.
But enough of that garbage, let me tell you a little something about Offspring, the latest Jack Ketchum work brought to celluloid. Well, it wasn't much. Actually it's as average as average gets.
The flick revolves around the.....what's the word...ya know, children, er, no....products....ehhh. Offspring revolves around the...leftover brood (that works!) from Off Season and these rabid savages aren't done hassling the surrounding community. This go around the young savages have this idea that a regular baby will help them somehow. So that's the target while they bite, chomp and stab everyone they can. I really didn't see the logic there since they had their own baby, but I think they mentioned something about that theirs was cursed or haunted. I don't really remember as I was focusing more on the the ridiculous acting by the savages. Roooaaaarr!! So yep, it's basically a fight for your life type flick. Which is fine by me.
My issue isn't with the story. It's with just how plain old uninspiring it all felt. When it comes down to awesome horror writers, Mr. Ketchum is the man. He writes some awesome stuff. But almost all of his flicks have been severely lacking, with Red being the best. And this is no different. The acting is really just so damn noticeable. It's just flat-out amateur. It's not awful in the sense that you hate the movie because of it, but it is at times cringe worthy.
And what's most strange about this film is that Ketchum wrote the screenplay. And by God, I can't tell if it's just the amateur acting that makes the writing seem poor, or it's the writing itself. The more I think about Offspring the more I'm thinking the actors aren't to blame. Sure they stunk, but I hate to say it but Ketchum's screenplay writing isn't up to snuff. I also throw a lot of the blame on the director as well.
Even though I say the movie isn't anything special, cause it ain't, but it's not totally a mess either. There's some pretty brutal violence on display. And there's even some nudity to boot. I'm also a fan (sucker) of the wilderness type setting, and this has a cave setting, a beach setting, forest setting.....so it looks nice.
But for all the child violence scenes that gives you that quick moment of joy, there's that scene of chit-chat that makes you roll your eyes. The flick is as average as it gets, but at the same time it's still a Jack Ketchum movie, and that's reason enough to watch it.
Did you know
- TriviaThe movie has two sequels revolving around the character of "The Woman", The Woman (2011) and Darlin' (2019). Pollyanna McIntosh reprises the character in both sequels and even wrote and directed the third installment.
- GoofsAlthough the setting is to be around Dead River, Maine (the characters point out the region around Machias), the scene where the police and former policeman/investigator George are discussing the whereabouts of the killers, the police cars in the scene are a sheriff's vehicle and a clearly marked Michigan police car - complete with the lower and upper peninsulas displayed on the front quarter panel.
- ConnectionsFollowed by The Woman (2011)
- SoundtracksMe and My Horse
Music by Ryan Shore
Lyrics by Andrew van den Houten
Performed by Andrew van den Houten and Ryan Shore
- How long is Offspring?Powered by Alexa
Details
- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 1.78 : 1
Contribute to this page
Suggest an edit or add missing content