Icarus

Businessman Edward Genn (Dolph Lundgren) is actually a former KGB agent who defected to the US just before the Soviet Union collapsed and has been making his real living as a hit-man-for-hire. Naturally, he didn't tell his ex-wife (Stefanie von Pfetten), who he has a daughter with. But she finds out soon enough when her family is in the crossfire of a mob war led by Eddie's old comrade Vadim (Bo Svenson). This is Lundgren's sixth effort as a director and, surprisingly, it is his worst effort behind the camera so far thanks mostly to a lame script and that pesky jittery camera work. The prospect of Dolph teaming with fellow Swede Svenson is enticing, but they really only have 5 minutes on screen. There are lots of fights/shootings but Dolph films them all terribly, which is strange given his penchant for well-shot action displayed previous to this. The worst is he has fallen into the Hollywood cliché of shaky-cam/crash zooms, even during quiet dialog scenes. Not as bad as Stallone did with THE EXPENDABLES, but still annoying.

It is entertaining, it is exactly what you should have expected with it when you ordered it, and it is not a classic. Lots of shootouts & killing, lots of testosterone, lots of close quarter combat fighting (with lots of fighting 'grunting' noises, though a bit too much shaky camera action), car chases & crashes, and lots of action go along with Dolph and his pictures. Synopsis: Dolph is an assassin, a former KGB operative with a new identity himself, it involves the KGB's old operatives, the Russian mafia, some nebulous oriental mafia group, the American 'crime syndicate', the CIA, and subgroups, with their own special interests, of the above. Dolph still loves his ex-wife & daughter but has a gorgeous hottie to help him make it from dusk to dawn. Suddenly Dolph finds himself a target from all the above groups without anyone to trust. In the end he is in conflict with a former KBG agent, who was a friend, and whose life he once saved. You have to love the infinite ammo cheat whenever it is called on, and that Dolph can be unarmed & can still kill multiple well trained & heavily armed advisories. Lots of dots were not connected and there were unanswered questions. hollywood follows its receipt for moneymaking: Guns, guns, & more guns (You have to question hollywood's integrity when they preach anti-2nd amendment but don't let their statements interfere with the box office gross), pinball speed action, a little skin, a dollop of 'love' to try to make it movie with some 'redeeming quaintly' (which this move does not have). Enjoy it for what it is worth.

First of all, some reviewers should keep their hopes and expectations in check; this is not "True Lies 2", it doesn't even tries to. This is not a multimillion dollar action comedy with state of the art effects, stunts and actors. But if you're looking for a decent, entertaining little action flic with a small budget a story ripped right out of a 80's/90's script of a Golan/Globus production, this is for you. The story is really easy to tell: former KGB-agent turned husband and father turned assassin for the Russian Mob becomes a target and got to save his own skin. The mediocre script works thanks to a charming leading man in Lundgren and a capable director (Lundgren again) who focuses enough on the action bits to make you forget about the plot holes or some of the cringe-worthy dialogue. What keeps this movie from being a great nostalgic action trip is the lack of money. There are no big explosions or chase sequences but mostly gunbattles and fistfights (at least Dolph seem to make most of the stunts himself). And while the titular hit-man seems to travel the whole world from china to Hollywood, everything looks like shot in good ol'Canada. But with a bigger budget I'm quite sure Lundgren could give his buddy Stallone a run for his money as an director of old fashioned, testosterone fueled action-cinema. So maybe I've got to see a big budget sequel to "Red Scorpion" anytime soon! ;-)

Well this wasn't a great movie by any means, very low budget and from what I understand straight to DVD which makes sense. Dolph gives a decent performance though in his role as a former KGB agent and sleeper spy, trying to break from his dark past and go straight. He's forced back into the killing game when his cover and career as a hit man is blown and he and his family (and girlfriend) targeted.

It is what it is, a low budget, B action flick. There are some OK fight scenes and shootouts, zero special effects though which limits things. And while I appreciated that this was in filmed in Vancouver and actually took place in Vancouver it was also fairly obvious that when Icarus/Eddie was supposed to be in Russia or China he was still in Vancouver.

Dolph does do a decent job with his role -he's better than anyone else in the movie which unfortunately isn't saying much and he's (still) very nice to look at. 1/13/16

It makes sense for somebody whose a veteran actor of a specific genre to eventually be a producer, writer or director for said movie. Many a genre stalwart-Angela Bettis, Robert Englund, and Bruce Campbell have all taken a part of directing films, for better or for worse. So for someone like Dolph Lungren, it makes sense, as he's been a veteran of macho action films for a long time, and has already directed some titles in said genre. Which leads to this film, "The Killing Machine."

Dolph stars as Edward Genn, a divorced father and investment broker, whose living a double life. You see, he also used to be a dangerous KGB assassin known as "Icarus." Well, the past comes back to haunt him in the Russian mob, and when they go after his family, it's time to strike back.

As you can tell, "The Killing Machine" is pretty much your meat and potatoes style action/revenge movie. Thankfully, said meal isn't unappetizing, though it's certainly not spectacular. This comes from Anchor Bay, who at least seem to have an eye when it comes to direct to DVD action fair, in that said movies have good production values. It's also got enough bloody violence to satiate fans of mindless action fare, and it's all done with relish without feeling like overkill. Lundgren himself does a fine job as the former assassin, doing what he can with the rather basic material (though I had to turn on the subtitles whenever he delivered a monologue), and it's always fun to see Bo Svenson, here acting with a very unconvincing Russian accent. That's just fine though, as it adds to the escapist tone of the whole thing.

If there are any problems, it's the direction and a few other performances. Sure, Lundgren will always be a convincing bad ass, but as a director, there isn't a whole lot about his style that sticks out (though it's nice to see someone not resort to hyperactive editing choices), as it's all done straightforward to the point of feeling a bit vanilla. Also, Stefanie Von Pfetten and Lindsay Maxwell deliver performances that could only be described as "unsatisfactory at best." They're really bad here, and kinda drag thing down whenever they show up, though they are pretty attractive.

As a whole, "The Killing Machine" isn't bad for a weekend afternoon action movie. It's serviceable enough, though it's more passable than it is exciting to be honest.