Icarus

Sad to say that I had initially set my expectations low for this movie. Why? Well, it is a Dolph Lundgren movie after all, both starring and directed by the hulking Swede. But I am surprised at how good this movie was, so a big thumbs up to Lundgren on his achievement here and for blindsiding us with this movie. I am not saying that his movies are usually bad, they just tend to be a replica of the movie that came before. So you know what you would get already.

The story in "Icarus" was actually quite good, and it managed to grasp the audience in a tight grip - or by gunpoint - and take them on a roller-coaster ride full of action.

The acting in the movie was quite alright. Dolph Lundgren is, of course, right at home in this genre, but his co-stars were doing good jobs as well.

"Icarus" is definitely a bright moment in the movie history of Dolph Lundgren, and it is well-worth watching regardless if you are a fan of him or not.

So this surprise of a movie is getting a six out of ten stars rating from me.

It is entertaining, it is exactly what you should have expected with it when you ordered it, and it is not a classic. Lots of shootouts & killing, lots of testosterone, lots of close quarter combat fighting (with lots of fighting 'grunting' noises, though a bit too much shaky camera action), car chases & crashes, and lots of action go along with Dolph and his pictures. Synopsis: Dolph is an assassin, a former KGB operative with a new identity himself, it involves the KGB's old operatives, the Russian mafia, some nebulous oriental mafia group, the American 'crime syndicate', the CIA, and subgroups, with their own special interests, of the above. Dolph still loves his ex-wife & daughter but has a gorgeous hottie to help him make it from dusk to dawn. Suddenly Dolph finds himself a target from all the above groups without anyone to trust. In the end he is in conflict with a former KBG agent, who was a friend, and whose life he once saved. You have to love the infinite ammo cheat whenever it is called on, and that Dolph can be unarmed & can still kill multiple well trained & heavily armed advisories. Lots of dots were not connected and there were unanswered questions. hollywood follows its receipt for moneymaking: Guns, guns, & more guns (You have to question hollywood's integrity when they preach anti-2nd amendment but don't let their statements interfere with the box office gross), pinball speed action, a little skin, a dollop of 'love' to try to make it movie with some 'redeeming quaintly' (which this move does not have). Enjoy it for what it is worth.

It makes sense for somebody whose a veteran actor of a specific genre to eventually be a producer, writer or director for said movie. Many a genre stalwart-Angela Bettis, Robert Englund, and Bruce Campbell have all taken a part of directing films, for better or for worse. So for someone like Dolph Lungren, it makes sense, as he's been a veteran of macho action films for a long time, and has already directed some titles in said genre. Which leads to this film, "The Killing Machine."

Dolph stars as Edward Genn, a divorced father and investment broker, whose living a double life. You see, he also used to be a dangerous KGB assassin known as "Icarus." Well, the past comes back to haunt him in the Russian mob, and when they go after his family, it's time to strike back.

As you can tell, "The Killing Machine" is pretty much your meat and potatoes style action/revenge movie. Thankfully, said meal isn't unappetizing, though it's certainly not spectacular. This comes from Anchor Bay, who at least seem to have an eye when it comes to direct to DVD action fair, in that said movies have good production values. It's also got enough bloody violence to satiate fans of mindless action fare, and it's all done with relish without feeling like overkill. Lundgren himself does a fine job as the former assassin, doing what he can with the rather basic material (though I had to turn on the subtitles whenever he delivered a monologue), and it's always fun to see Bo Svenson, here acting with a very unconvincing Russian accent. That's just fine though, as it adds to the escapist tone of the whole thing.

If there are any problems, it's the direction and a few other performances. Sure, Lundgren will always be a convincing bad ass, but as a director, there isn't a whole lot about his style that sticks out (though it's nice to see someone not resort to hyperactive editing choices), as it's all done straightforward to the point of feeling a bit vanilla. Also, Stefanie Von Pfetten and Lindsay Maxwell deliver performances that could only be described as "unsatisfactory at best." They're really bad here, and kinda drag thing down whenever they show up, though they are pretty attractive.

As a whole, "The Killing Machine" isn't bad for a weekend afternoon action movie. It's serviceable enough, though it's more passable than it is exciting to be honest.

Surprisingly good movie, but not box office material.

Decided to watch this over the weekend out of boredom and was semi-impressed. Not going to waste time over-analyzing an obvious B+ movie like some of the other reviewers.

Its like watching Family Man mixed with some assassin for hire type movie. Action isn't bad, good blood spatter. Actresses were deliciously beautiful. Some human elements in the film. Again, if you're looking for sophisticated plot, not the best place for a movie of this grade. The film does make a reasonable attempt at a story. Just enjoy the action film.

Businessman Edward Genn (Dolph Lundgren) is actually a former KGB agent who defected to the US just before the Soviet Union collapsed and has been making his real living as a hit-man-for-hire. Naturally, he didn't tell his ex-wife (Stefanie von Pfetten), who he has a daughter with. But she finds out soon enough when her family is in the crossfire of a mob war led by Eddie's old comrade Vadim (Bo Svenson). This is Lundgren's sixth effort as a director and, surprisingly, it is his worst effort behind the camera so far thanks mostly to a lame script and that pesky jittery camera work. The prospect of Dolph teaming with fellow Swede Svenson is enticing, but they really only have 5 minutes on screen. There are lots of fights/shootings but Dolph films them all terribly, which is strange given his penchant for well-shot action displayed previous to this. The worst is he has fallen into the Hollywood cliché of shaky-cam/crash zooms, even during quiet dialog scenes. Not as bad as Stallone did with THE EXPENDABLES, but still annoying.