2h22

It can be hit or miss for you, depending on your tastes, and depending on how much you read the other reviewers' comments here but I thought it was worth a look.

Definitely not your typical big budget Hollywood movie, but more of a slightly quirky indie tone, with its offbeat characters, few special effects and set locations, and plausible-but-never-encountered-in-typical-real-life interwoven professional-crime-crew storyline.

Beyond the story, there is something noteworthy I would like to point out - there are many examples on screen of a creative director with a definite taste for visual flair and creativity. For example, some scenes that stand out are:

• the opening scene with the cleaning-the-windshield set-up

• the blacked-out "through" shots as you see individual safe deposit boxes being pulled out, which then reveal someone's face in a multi-faceted pattern

• the two match cut scenes where someone strikes a lighter, and then later where Willie is getting hit and Finn is shown taking the fall

One thing that was slightly jarring, and reminded me that yes this was an indie effort, was how the sound sounded kind of "hollow" and "off" at times. Don't know if it was the miking or the sound editing/post-production.

Yes, the story could have been tightened up here and there but still a more-than-serviceable effort by some promising up-and-comers.

(p.s.- Who would have guessed that you would find 3 [!] exact title matches when searching for "2:22" on IMDb?!)

A heist movie that has some style but the disjointed editing and the unbelievable premise smear the situation so that the view is overcast and the place is overly populated. The setting is just not believable and is an imposing impediment.

Some quirky characters and visual gymnastics are a treat, but there is some superficial spoiling. There probably are a few to many psyches on display here that in the final analysis it's like a diagnosis dialed back from a 1-900 psychologist.

This has pieces of talent at work and some artistic flair. However, while the initial viewing is visceral enough, the complete work will eventually melt away like ice on a windshield.

A good effort from a low-budget crew and a feeling of better things to come.

...stupid a plot to involve good actors (most notably Val Kilmer as a crazy crooked gem cutter/cleaner: "They come in dirty. They go out clean." is his oft-repeated motto and mantra.) and clever camera work, creating a unique kaleidoscopic underworld atmosphere. Or is Toronto really such a one-horse cowtown that a luxury hotel full of stuffed safe deposit boxes doesn't have carousers coming and going at all hours all night on New Years' Eve?

The trouble with 2.22 is that it got bogged down in odd scenes that were going for a sort of Tarantino noir or suburban domestica after wetting the audience's appetite with daring deeds to come. And the cameras they used seemed tinted unnecessarily. I've given this movie a 6 for these reasons, but it's not a stupid movie. It's worth a look if you like portrayals of 'honest crime'.

The movie does have a nice compelling B-movie flair to it. It works on many levels (especially if you like the movies this was obviously inspired by), but mostly in single parts. Put together something seems to be missing to make this stand out. But you can see that the guys who made this might be up to something. So as another reviewer also stated, good things will probably are ahead of us.

The actors here are doing the best they can, but a real connection seems to be missing for the viewer. While the ideas themselves are well thought of, the piecing together of those ideas, might have been a bit faster than it should've been.