Pathfinders: Vers la victoire

I have never posted before, never seen the point as some one else tends to have said what I think already but after watching this film I felt compelled to say something.

The only positive comments seem to stem from the amount of time spent on the film and/or the small amount of money it cost so let me tackle this first.

Time spent on the film: If the film took this long then why did it look like it had been improvised the day before? The script was shocking. Why were the camera angles so bizarre and laboured? Where is the evidence of this?

Size of budget: I have not been able to find anything saying how big the budget was so cannot provide a definitive comparison. That said there are numerous examples of people taking small budgets and working them into something that the actors can say they have been in with pride. A small budget does not equal a poor film any more large budgets guarantee a good film. Money should not have made as much of an impact unless it meant that they obtained the services of a director, script writer, camera man etc really cheap because they were in a coma. I could have forgiven you a few small inaccuracies with kit due to a small budget but the deficiencies with the film far exceed anything to do with money.

I have seen excellent performances within theatre performed entirely by amateur dramatists that are on par with professional pieces. You have to take account the woeful script but big questions need to be asked of the person in charge of casting & the director. I'm not going to attack the actors here (though the performances were poor) because even the best performances possible would have been lost within the putrid mire of the rest of the production.

As said previously I would never tell someone not to watch a film but I would strongly recommend thinking again before watching this. Even 'Teeth' (normally my lowest marker) was better than this.

*Lousy acting (lots of unnecessary emoting) *Awful sound (muddled in parts, unnaturally sparse in others) *Questionable historical sets/settings (is that even France?) *No directing (everything is in close up!) *Laughable dialog ("Why, you're as ugly as soup!!") *Even the soundtrack is the wrong era (retro big band music??!).

This is just a bad community college play captured on film.

If this movie cost $50, someone spent $40 of it on hookers for the crew.

I understand that this is an Indy film and all, but come on, they made decent war movies in the 50s and 60s with small budgets on the back lot. Why can't these folks (in 2011) come up with at least a watchable film about such an important story?

The master plan for the invasion of Nazi-occupied France calls for a small group of pathfinders to set up radio beacons in order to guide the airborne assault. For reasons unknown, the Allied command decides that this mission is to be entrusted to a sorry bunch of third-rate soldiers gathered haphazardly from various units, hence the title "in the company of strangers". Fortunately, the German opposition is made up of utterly incompetent reservists with no combat experience whatsoever.

This movie might have been better as a comedy. A major and a captain discuss the details of the upcoming invasion in a pub! A member of the super-secret pathfinder force visits his girlfriend the day before D-Day! Paratrooper tells funny story involving explosive vomiting!

Not to mention -- weird colors, giving a subtle air of authenticity (or that's what the cinematographer thought, anyway) -- flat dialog -- flat delivery -- and flat combat scenes. Plus, for the true connoisseur, we show an English house in the 1940s with thermopane windows! and an American post-and-rail fence in Normandy!

Don't bother.

I wanted to like this movie, but I'm afraid I just couldn't - sorry. Here are my main faults.

1) Film-makers -here's a tip - the CLOSE-UP can be an effective tool in story telling, BUT if you ONLY use close ups and never any other angles, it just ends up feeling like you are trapped in a cardboard box with the actors.

2) The lighting - TOO DARK. I had to adjust the settings on my TV to make out the action and in the end I just couldn't tell who the different characters were. Which brings me to....

3) Characters - except for 3 or 4 guys I just didn't know who was who. There was not enough time spent developing any personalities before we head off to France and.....

4) France - and particularly Normandy. Had anyone involved in the film ever been to Normandy? The roads, fields and countryside used for filming look NOTHING like Normandy and what was with that brand new American style wooden fence. There is NOTHING like that in Normandy.

5) Acting - Now I know that I shouldn't expect Matt Damon and other A-listers in every film. But where did they find this lot? Bar a couple of exceptions they were all awful. Surely there are college actors out there who don't sound like they are reading everything off idiot boards? As I say, I wanted to like this film, I know some of the guys who were filmed jumping and others involved in the original concept. But, this truly is a piece of garbage. Well intended perhaps - but a piece of garbage nonetheless.

Sorry

From the first note of the opening song, this film blunders from anachronism to anachronism with the gay abandon of a film club of 10 year olds. Carefully chosen music that wouldn't be heard for 40 years; vehicles chosen perhaps for comfort rather than any likeness to anything that may have been seen in the US Military; a fascinating variety of guns, most of which bear more resemblance to plastic toys than actual weapons; military huts ordered direct from today's DIY catalogues; trees and casual wild life purportedly in England that never grew outside North America. In the end it's more a game of spot the idiocy than watch the film. Lighting and cameras compete with the director to find the most artistic shots, that of course don't work as art or film, and simply mystify as to their part in a plot which is harder to find than the Pathfinders' actual landing point. Tension is created more by having actors squabble than from real tension points. Characters you don't care about, in places that never existed, doing things that don't make sense ... badly. War films are just too well-researched and lovingly and accurately put together these days for this rubbish to shine in anything except ... well ... a rubbish dump! This is an insult to the real people who really suffered doing real heroic deeds.