A Love Song

Two people in their twilight years, both now widowed, meet up to see if their childhood attraction remains strong enough to lead somewhere all these decades later.

The setting is austere, and the few other characters in the film have hinted-at stories of their own.

Very low key, but nicely acted and with a strong sense of place.

Saw this back at the 2022 Sundance Film Festival.

The story is about two childhood sweethearts, both now widowed, share a night by a lake in the mountains. The narrative isn't anything special as we have seen similar stories like this presented in the past years of cinema. But due to Max Walker-Silverman's direction, the movie was still able to feel natural and touching at the same time. Silverman was able to keep the movie afloat with beautiful camerawork and some really good sound design. It makes the audience really feel like they are outside of the hills.

Actors Dale Dicky and Wes Studi in my opinion are some of the most underrated actors. Dicky and Studi's chemistry both help to keep the characters engaging with their performances helping to build their purpose. The nice atmosphere and soundtrack provided help to keep the movie like a melody. Storywise, it isn't anything special but I was still able to connect with this movie.

Rating: B.

As the clock of life ticks by, many of us begin to look back on our lives in terms of the opportunities we pursued and the regrets we hold over those we didn't. Those are the primary themes explored in writer-director Max Walker-Silverman's debut feature about a pair of childhood friends (Dale Dickey, Wes Studi) who reunite after many years apart at a remote Colorado campground. Their time together gives them a chance to reflect upon their lives, their memories and the loves they both lost. But where do they go from here now that they've reconnected? This tender, bittersweet arm's-length romance has its moments of humor, compassion and joyful reunion, as well as its elements of stilted awkwardness and protracted hesitation, reflecting the ambiguity the two principals are feeling after their long separation. It makes for some interesting dynamics set against the beautifully photographed backdrop of the Western wilderness. However, despite these strengths, the script feels a little thin with an underdeveloped narrative and back story, issues that are slightly exacerbated by the picture's slow but tolerable pacing. While it's true this offering proves that a film doesn't always need a complex, densely packed screenplay chock full of dramatic heft to be effective, it nevertheless seems that "A Love Song" could have benefitted from a little more substance. Still, this one has its merits, having deservedly earned Independent Spirit Award nominations for Dickey's lead performance and as a candidate for the competition's John Cassavettes Award. This is the kind of film that makes a good choice for a cozy weekend afternoon while curled up on the couch, and, thankfully, its economical 1:21:00 runtime is just long enough to make it enjoyable without becoming tedious - a nice little diversion without becoming tiresome.

A woman has parked her travel trailer in a Colorado park, waiting for a childhood friend to meet her there. The woman proceeds to meet a collection of odd residents/workders but no childhood friend for quiet a while. The film started out as a kind of Waiting for Godot setup, but it became a study in loneliness of people whose past lives seem to be disappearing. The film reminded me of Nomadland with its haunting loneliness and hopelessness of its characters, but A Love Song took a different turn and avoided the hopelessness. Still, the two main actors (Dale Dickey and Wes Studi) are recognizable from their innumerable background acting roles in past features and come across and relatable and true characters--i.e. Real human beings. This quiet indie film offered a lot of subtle thought-provoking ideas, particularly to people like me who are entering our 60's and 70's. It was a sweet film.

It's a 7 but it gets a bonus point for just being so damned sweet. The writing is dear. The direction tender without becoming syrupy. The acting is heartfelt perfection.

Elders reunite with all the same adolescent awkwardness of their youth. Time may have weathered bodies but their hearts are fresh as spring.

She says, "Come inside." So we get to go, go inside lives lived. Hearts beating. People gently reconnecting.

It's playful and tender and quiet and touching and beautiful in ways I did not expect.

I love a good story well-told. This is a good slice of life story told so well it captures the exquisite joy and sorrow, expectation and disappointment, truth and beauty, of life.