1 Day

Storyline: One young drug dealer tells his best friend 'You owe me a hundred bags of scrilla(?), I want it in two hours or I'll lick your head off, you get me blud?' Technically, a decent film. In every other aspect, garish, non-sensical, badly written, underdeveloped and frankly, embarrassing.

A film glamorising what, personally, I feel to be the Achilles heel of Britian, inner city gang culture. Absolutely no message here, no redeeming aspects of any of the thugs depicted (and all are thugs), who are constantly unlikable. I'd like to hear an argument that the filmmaker condemns the behaviour depicted here.

I felt that the hip-hop musical numbers scattered about the story actually contributed to the mood of the film, whether this is a good thing, I'm not sure. At one point, as mentioned by another reviewer, the gang perform a rap at a bunch of civilians sitting in a fast food restaurant, the gist of it being 'You clutch your handbags because you assume we'll rob you due to us being black'... Now, I feel I must mention that this gang have pistols in their belts whilst they rap this, not to mention a bag of drug money on one of their backs.

One type of person will go to see this at the cinema. The type depicted in this disgraceful film... and those cinemas should expect trouble, especially only rated at 15.

I apologise that this isn't an in-depth review, I simply refuse to give it any more time.

Poor acting this film could have been good it they just didn't have to break into a "rap" every couple minutes pure cringe! Keep away from this film it's a waste of time. Love a British film but this was so disappointing! The acting is terrible the defo tried to hard with this film and it's the worst film I've laid eyes on! I was expecting some decent film but turns out it was the worst watch I've ever seen! I get some people might enjoy it but wasn't for me hands down the most boring film Compared to other British gangster films shameful film! The can't rap to save the life it's so cringe ffs.

You could call this a 'hip-hopera', a mix of filmmaking and social work, or a shot in the arm for British independent cinema. Just don't call it Bugsy Malone with real bullets.

Sporting equal measures of guts and integrity, 1 Day is the latest project from writer-director Penny Woolcock, whose critically acclaimed CV encompasses everything from guerrilla-style films ('Macbeth On The Estate') to full-blown operatic adaptations (John Adams' controversial 'The Death Of Klinghoffer').

Those recalling the halcyon days of Channel 4 might also recall Woolcock's remarkable 'Tina Goes Shopping' from 1999, along with its follow-up, 'Tina Takes A Break'. Featuring lines like "Why is there a cow's head in the sink?!" and scenes in which a drug addict steals from his lover's handbag during a rowdy sex session, these bleakly funny dramas, shot on the most deprived estates in Leeds, make playwrite Jim Cartwright's 'Road' look like a teatime sitcom in comparison.

One of the factors that gives the pair of Tinas and their belated threequel Mischief Night a genuine edge over other 'urban' films is Woolcock's regular insistence on casting from the street ("no experience necessary!" as her fliers say) - sourcing her cast from local residents, and uncovering some real natural talent in the process. (Some of whom, like Tina's Kelli Hollis, have even gone on to star in things like 'Shameless.') It certainly proves there's more to community workshopping than just a bunch of hippies staging puppet shows about tolerance.

For 1 Day, Woolcock immersed herself in the Jamaican community in Birmingham, where she'd made 'Macbeth On The Estate' during the 1990s. "People scoot from London to Manchester or Glasgow and there's this big vibrant city in between that's completely ignored," she says. Then again, "I could have researched and shot this film in any town or city in the country, including 300 yards from where I live in London." As is often the case, the story behind the making of 1 Day sounds as intriguing as the film itself. Local rappers and musicians were sought out, then recalled for acting auditions. Lyrics were constructed around beats supplied by local producers, and a story based on real events organically emerged: a vivid, uncompromising saga of gangland warfare and drug dealing with "a clear moral message" states Woolcock, in which street hustler Flash (Dylan Duffus) desperately attempts to secure the money he owes his gang boss within 24 hours. On his tail is a rival gang, the cops, three bickering baby mothers - and Flash's churchgoing granny, played by the marvellous Monica Ffrench. Rather depressingly, it all ends up with a mass shoot-out in a Happy Shopper car park.

Superficially, comparisons might be drawn with another classic from the Channel 4 vaults, the documentary 'Feltham Sings' (2002), with whom 1 Day shares a producer in Amy Flanagan. Here, the poet Simon Armitage supplied young inmates with autobiographically-tailored lyrics to songs ranging from bearable to magnificent ("Your mum says she'll visit, and suddenly she'll can't/so you're sat for an hour in the corner like a caahnt"). In one instance, however, Armitage didn't have a say in things: Cass Galton's 'This Is Me' rap remains a high point of the show.

The difference here, of course, is that 1 Day's lyrics are entirely the rappers' own work. Due to the everyday syntax and rhythms of hip-hop and grime, it makes for a uniquely naturalistic musical, one featuring strikingly authentic and heartfelt performances from those with friends residing in the local graveyard.

Ironically, West Midlands police informed the crew that the area's crime rate had actually fallen during the filming, as everyone was so engrossed in the production; although this hasn't prevented Odeon and Vue cinemas in Birmingham from dropping it in the week of release, following, they say, discussions with the police. For their part, local police strongly deny any such conversations ever took place.

A treatment for a prequel to 1 Day called 'The Death Of El Presidente' has been prepared, along with 'Nobody Sleeps', a romance between a rapper and a soprano. Woolcock says she is "cautiously hopeful about making them both".

Seeing as we have plenty of drugs gangs in Britain, it was inevitable that someone would make a film set amongst drug gangs in a Black community in an inner-city. This film follows Flash as he tries to pay off a debt to a drug dealer. He must also deal with three children from three different women, and his mother, who is a very bossy sort. There is some rapping in the film, especially in the first half. At one point, it felt like a musical: the gang go into a takeaway, the customers reach for their wallet and look nervous, and the gang start to rap about how they're not out to burgle everyone. There is one rap between two women towards the end, which I felt disrupted the flow of the film as he neared its climax.

There is not much violence in the film, although the subject of guns is discussed at length in parts. I'm glad that it tried to be different from the numerous US gangland films. The film is made more distinctive through the slang used, which is typical of the Black community in Birmingham. It's worth seeing, but I've given it just 7/10 because it lacks a clear meaning. There's no special kick that makes it stay in your memory.

This movie covers the areas that have been missed by other film producers. The idea of using ex-gang members only makes the story more genuine and original. It's really well produced and the storyline is believable and it contradicts stereotypes associated with ex-gang members, as it shows another side to those who want to break free from the Birmingham gang lifestyle.

The soundtrack to the movie is also original and authentic. It sets the mood and elevates the scene, with cast members 'spitting rhymes' from the grime scene, a genre, which originated among such gangs.

Strongly recommend that you go and watch this film, it's an explosion of urban culture.