Les immortels de la nuit

Which goes for the plot, but also for the fact, that guy like Marc Dacascos would sign up for something like this. Of course it might have sounded better on paper (script). Still, if this were your first movie to see with him, you'd be excused if you thought, he shouldn't ever act again. That he actually has something to say, and also is not that bad in fighting (in movies), would be a fact that you'd miss out on. Maybe you should rent "Drive" instead.

Apart from the thin characters and the very cliché story (no surprises here), there's also the weak FX and the poor production values. While everyone is of course trying to do there best, there is quite a few other films out there, that are worth to be noticed.

Duh!!!!! How many times can do a genre & come up with something completely new lmao. It had it owns story first of all that I hadn't seen anywhere so kinda just sounds like the person was throwing bs against the wall to see what sticks. Nothing new here is getting old. Millions of movies have been made, and when your attacking a certain genre as a writer I'm sry but your gonna kinda have to do somethings that has already been done by default. But I'm sry, this isn't a rip off of anything which is what that lazy comment suggests. Been done before or nothing new here is so frustrating to hear, especially when it's total bs. Even when its somewhat true we should all come to expect it after ova century worth of a movie library in the millions but when this movie was clearly its own & believe me I have zero ties to the movie i get so aggravated because it's like these people must think their are an infinite number of plots available to come up with. No, the characters may change, their personalities, their jobs, the obstacles they face, but at a point no matter the movie you watch your gonna see something that you've seen before or reminds you of another movie. It's basic probability & odds really. Simple math. But they probably already knew that since they wanna appear to be smartest person in room

This was an extremely low budget film. I was very disappointed in this movie. I don't know how it received 4 stars. But it shouldn't never received that type of rating. This is a really poor movie: I only it gave it 2 stars because of the story line otherwise it should get a -10.

Jeremy London is a greedy real estate developer who falls victim to the curse of the werewolf. A lot of vampire backstory is discussed before the story gets off to an interesting start, but then plunges downhill in a bunch of vampire clichés that would embarrass Anne Rice.

The script is a muddled mess, full of full-blooded action scenes with predatory vampires guzzling on blood when they aren't trying to slay each other over the quest for some amulets. Everyone seems intent on overacting which only emphasizes the bad dialog.

In the course of learning how humans fight vampires on their own turf, our hero undergoes a reformation of sorts. He leaves us with the departing words: "There are more important things than making money. I'm off on a higher calling." Most outrageously hammy performance is delivered by YANCY BUTLER as Lilith. Most understated is RHETT GILES as Von Helsing.

As for Jeremy London, I couldn't help think what a strong resemblance he bears to Brendan Fraser. He's okay and even manages to get some humor from his role, but the characters are all cardboard and not really worth caring about.

In the underground war between vampires, some othe vampires, werewolves and people, neophyte human guy must learn to harness his newfound wolf powers to stop the extra bad vampires. There are some decent variations on the theme here and it's cool to see Mark Dacascos back in some sort of werewolf-adjacent movie after his superlative performance in Brotherhood Of The Wolf; although this is certainly more of a vampire movie than a werewolf movie in the traditional sense. Regardless the production values and most of the supporting performances are CW-tier. The sometimes-incisive dialogue can't salvage a plot that's about as formulaic as it gets.