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5.6/10
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An unfulfilled gay man in a stagnant relationship finds his life changed forever when he meets a struggling writer visiting the Redwoods Country.An unfulfilled gay man in a stagnant relationship finds his life changed forever when he meets a struggling writer visiting the Redwoods Country.An unfulfilled gay man in a stagnant relationship finds his life changed forever when he meets a struggling writer visiting the Redwoods Country.
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I've seen all four of the movies that this writer/director has written and they are all strangely compelling. So much so that I'll continue to follow his work and hope that he continues to improve.
When I was much younger I would cross a set of taconite dotted railroad tracks on the way to school. Taconite is a rough form of iron ore that contains valuable iron ore but in quantities so small that it was once deemed uneconomical to mine.
Thinking of this writer/director's work reminded me of that ore. There is good stuff here but with the abundance of other, more readily appreciated, options available today, most will fail to see the value in this.
This time around there were a number of adorable characters that had really sweet moments and some wonderful plot points surfaced that had great potential. But there were also a number of flaws that might have been fixed if the writer and director had been two separate people with individual perspectives.
It might be stretching things to call this a "diamond in the rough" but there were definitely brilliant, touching moments in this film. Enough so that I enjoyed it when I wasn't considering the "might have beens."
Personally, I've always been a bit fascinated by the taconite and I'll continue to follow this guy's work. Hopefully as his work becomes more refined, I'll find it even more compelling.
When I was much younger I would cross a set of taconite dotted railroad tracks on the way to school. Taconite is a rough form of iron ore that contains valuable iron ore but in quantities so small that it was once deemed uneconomical to mine.
Thinking of this writer/director's work reminded me of that ore. There is good stuff here but with the abundance of other, more readily appreciated, options available today, most will fail to see the value in this.
This time around there were a number of adorable characters that had really sweet moments and some wonderful plot points surfaced that had great potential. But there were also a number of flaws that might have been fixed if the writer and director had been two separate people with individual perspectives.
It might be stretching things to call this a "diamond in the rough" but there were definitely brilliant, touching moments in this film. Enough so that I enjoyed it when I wasn't considering the "might have beens."
Personally, I've always been a bit fascinated by the taconite and I'll continue to follow this guy's work. Hopefully as his work becomes more refined, I'll find it even more compelling.
This is a well-made and sincere film that avoids pat answers or schmaltzy sentiment in favor of asking interesting questions everyone faces in life - what makes happiness and what is its price - without relying on melodrama or exploitation. The story is very simple and the presentation very low-key with subtle, convincing performances and great chemistry between the leads.
One of the things I realized after seeing it is that the story could very easily be about heterosexuals. It in no way looks to the gay community to provide some unique positive or negative trait. Lots of films make the festival rounds relying on stereotypes to carry them along but this is simply about people and love and I think anyone can connect with the themes it presents. Highly recommended to anyone interested in a touching story regardless of orientation.
One of the things I realized after seeing it is that the story could very easily be about heterosexuals. It in no way looks to the gay community to provide some unique positive or negative trait. Lots of films make the festival rounds relying on stereotypes to carry them along but this is simply about people and love and I think anyone can connect with the themes it presents. Highly recommended to anyone interested in a touching story regardless of orientation.
I am sorry, I was really thinking hard about an other summary for this article, however there is nothing else I can say but that this film is just one of the worst movies I have ever seen...
Maybe it is just the sugar-sweetness of it. The looks the characters exchange, the way they are dressed, combed, the way the camera moves... it just gives me the creeps of surreality! The writing is mediocre and I wanted to stop watching it however kind of hoped it is going to get better during the movie... it did not. It just got more and more honey-romantic... without any substance. I cannot say that the characters were interesting or engaging. Brendan Bradley is just looking really weird with his puppy eyes and holding his elbow - which I suppose should be a character tick of some significance (maybe his insecurity and innocence) but it just makes me wanna shake that man to his senses! I kind of liked the way the writers put loopholes into the screenplay making it not all to laid out for us... oh, that was not intentional... ups... and there were like two or three moments of a light shining through the darkness of these dialogs but other than that - I had my vomit bucket prepared.
One amazing peace: the harmonica! OMG! If you please introduce an element within the writing, make sure there is a significance to it. Also, make your actors practice it, so at least the one character bringing it in, has an attachment to it!
Also, why the supporting cast was even there... no clue. This could have just been even cheaper movie without them. The mother and the B&B owner or even the brother (was he just signed up because he could get naked in front of the camera?). Oh, speaking of sex - I kind of surprisingly liked the undressing scene - it was kind of all what this movie was not - realistic.
I am not saying there only has to be realistic movies but this movie was so off the charts for me I could not give it more than 2 stars out of 10: one for the undressing and the other one for the nature.
Maybe it is just the sugar-sweetness of it. The looks the characters exchange, the way they are dressed, combed, the way the camera moves... it just gives me the creeps of surreality! The writing is mediocre and I wanted to stop watching it however kind of hoped it is going to get better during the movie... it did not. It just got more and more honey-romantic... without any substance. I cannot say that the characters were interesting or engaging. Brendan Bradley is just looking really weird with his puppy eyes and holding his elbow - which I suppose should be a character tick of some significance (maybe his insecurity and innocence) but it just makes me wanna shake that man to his senses! I kind of liked the way the writers put loopholes into the screenplay making it not all to laid out for us... oh, that was not intentional... ups... and there were like two or three moments of a light shining through the darkness of these dialogs but other than that - I had my vomit bucket prepared.
One amazing peace: the harmonica! OMG! If you please introduce an element within the writing, make sure there is a significance to it. Also, make your actors practice it, so at least the one character bringing it in, has an attachment to it!
Also, why the supporting cast was even there... no clue. This could have just been even cheaper movie without them. The mother and the B&B owner or even the brother (was he just signed up because he could get naked in front of the camera?). Oh, speaking of sex - I kind of surprisingly liked the undressing scene - it was kind of all what this movie was not - realistic.
I am not saying there only has to be realistic movies but this movie was so off the charts for me I could not give it more than 2 stars out of 10: one for the undressing and the other one for the nature.
The problem with most gay indie films is that they tend to be low-budget amateur productions. Amateur writing, amateur directing, amateur actors....they often come across as extended student films, but it is sadly the only way that most of these films would ever get made because the big Hollywood studios are still hesitant about "doing gay". Once in a blue moon we'll get a big studio release like Brokeback Mountain, but such films are few and far between.
Redwoods is very much a typical gay indie film in that it comes across as an amateur production made for a margin audience that still doesn't have much product in their niche marketplace to choose from. Perhaps "semi-professional" is a more polite term than "amateur", and given its obvious limitations it is by no means a terrible film, but it isn't a good film either. The script could have stood another rewrite or three (particularly to cut down on the number of times where the characters say each others names in their conversations, which sounds painfully false). The director could have rehearsed his actors more thoroughly (though better casting would have been preferable), and also gotten a bit more coverage from his cinematographer for a wider variety of shots to cut to, not to mention looking over his editor's shoulder and insisting on a few more cuts here and there to avoid the often dreary static effect that ruins many scenes. And I am certainly not a prude, but the full frontal nudity in the film was both out of place and completely unnecessary. Whether this was an attempt to titillate or to try to make the film more of an "arthouse" piece remains a mystery, but it was a desperate move regardless - and it shows. Of course, the writer and the director of this production are one and the same person, and so he must take the biggest share of the blame for the film's failings. As all artists should, hopefully he will learn from his mistakes and go on to make something better.
However, the biggest problem with the film is that, from beginning to end, it is a shameless rip-off of The Bridges of Madison County. Unfortunately, Brendan Bradley is no Meryl Streep, and making the story between two men rather than a man and a woman does not give this film enough of a distinction by itself. Had the film just loosely borrowed from "Bridges" rather than directly copying it, I might have been more forgiving, but a rip-off is a rip-off. In the film's favour, it at least gave the audience some decent photography of the redwood forests of northern California, though sadly this doesn't save the film from mediocrity. Perhaps it is unfair to be so critical of small independent films such as these due to their low budgets and often inexperienced personnel, although 2007's Shelter managed to rise above its humble indie beginnings and became a minor classic due to the sheer talent of its cast and crew. With better care, forethought and finesse from all involved, Redwoods could well have reached similar heights, but unfortunately it just doesn't make the grade.
Redwoods is very much a typical gay indie film in that it comes across as an amateur production made for a margin audience that still doesn't have much product in their niche marketplace to choose from. Perhaps "semi-professional" is a more polite term than "amateur", and given its obvious limitations it is by no means a terrible film, but it isn't a good film either. The script could have stood another rewrite or three (particularly to cut down on the number of times where the characters say each others names in their conversations, which sounds painfully false). The director could have rehearsed his actors more thoroughly (though better casting would have been preferable), and also gotten a bit more coverage from his cinematographer for a wider variety of shots to cut to, not to mention looking over his editor's shoulder and insisting on a few more cuts here and there to avoid the often dreary static effect that ruins many scenes. And I am certainly not a prude, but the full frontal nudity in the film was both out of place and completely unnecessary. Whether this was an attempt to titillate or to try to make the film more of an "arthouse" piece remains a mystery, but it was a desperate move regardless - and it shows. Of course, the writer and the director of this production are one and the same person, and so he must take the biggest share of the blame for the film's failings. As all artists should, hopefully he will learn from his mistakes and go on to make something better.
However, the biggest problem with the film is that, from beginning to end, it is a shameless rip-off of The Bridges of Madison County. Unfortunately, Brendan Bradley is no Meryl Streep, and making the story between two men rather than a man and a woman does not give this film enough of a distinction by itself. Had the film just loosely borrowed from "Bridges" rather than directly copying it, I might have been more forgiving, but a rip-off is a rip-off. In the film's favour, it at least gave the audience some decent photography of the redwood forests of northern California, though sadly this doesn't save the film from mediocrity. Perhaps it is unfair to be so critical of small independent films such as these due to their low budgets and often inexperienced personnel, although 2007's Shelter managed to rise above its humble indie beginnings and became a minor classic due to the sheer talent of its cast and crew. With better care, forethought and finesse from all involved, Redwoods could well have reached similar heights, but unfortunately it just doesn't make the grade.
This is a brilliant film for its budget limitations. It shows the growing up of this genre of film which focuses on same sex male relationships. But it is just a film, not a "gay film" because it is just about people dealing with life and possibilities and the unexpected. This could be a film with women or man and woman. It is not about coming out or the struggles to come to terms with sexuality and trying to find acceptance. It is just a good story.
I am sorry about one element of the end. Would have preferred if they had found a more constructive and intelligent way to deal with the conflicts of a relationship in trouble and a powerful new love plus the autistic child. Maybe too much in one story but then again it is life. Many things went unexplained and unexplored which would have needed a longer film. But as stated it needed a bigger budget.
However, I hail this film as a big step up. There are none of the usual clichés related to gay life. Bars, booze, drugs, smoking, hysteria, neuroses, prejudice, rejection, hatred, bigotry, drama queens. There is never the question or feeling that these people are anything but "normal" and accepted and supported by everyone. Possibly unrealistic for the present times but a better message.
It gives me hope for the future. I spent my life watching films about men and women, good films, some brilliant films but always a struggle and conflict because of identification models. In this type of film I feel in a world I fully know and am comfortable in. All the characters are kind, supportive and reasonable. Would have loved to have a brother like Shane.
I gave it a 9, maybe high but I think such a film needs support. Not a 10 due to its limitations. It could have been a 10 with a bigger budget and more complete and detailed script. The acting was competent and the emotions believable.
I am sorry about one element of the end. Would have preferred if they had found a more constructive and intelligent way to deal with the conflicts of a relationship in trouble and a powerful new love plus the autistic child. Maybe too much in one story but then again it is life. Many things went unexplained and unexplored which would have needed a longer film. But as stated it needed a bigger budget.
However, I hail this film as a big step up. There are none of the usual clichés related to gay life. Bars, booze, drugs, smoking, hysteria, neuroses, prejudice, rejection, hatred, bigotry, drama queens. There is never the question or feeling that these people are anything but "normal" and accepted and supported by everyone. Possibly unrealistic for the present times but a better message.
It gives me hope for the future. I spent my life watching films about men and women, good films, some brilliant films but always a struggle and conflict because of identification models. In this type of film I feel in a world I fully know and am comfortable in. All the characters are kind, supportive and reasonable. Would have loved to have a brother like Shane.
I gave it a 9, maybe high but I think such a film needs support. Not a 10 due to its limitations. It could have been a 10 with a bigger budget and more complete and detailed script. The acting was competent and the emotions believable.
Did you know
- TriviaThe film's plot owes a great deal to "The Bridges of Madison County," with which it has much in common.
- How long is Redwoods?Powered by Alexa
Details
Box office
- Budget
- $115,000 (estimated)
- Runtime
- 1h 22m(82 min)
- Aspect ratio
- 1.78 : 1
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