Mission Apollo 11, les premiers pas sur la Lune

In 2019 comparisons will inevitably be drawn between this film and First Man. If this film was made with the budget of First Man it would be a winner. It was more watchable than First Man. Armstrong's character is far more rounded than the morose and withdrawn character in the other film. You can believe in him much more here, and that connects you and draws you into the film. There is a fair amount of stock Nasa footage used which interestingly they have managed to lipsynch to the Nasa audio. This is a much vaunted feature of the upcoming Apollo 11 documentary. What really lets this film down are the silly mistakes. If you are not a space buff you probably won't notice, but if you are - prepare to be frustrated! The floating space pen has already been mentioned in other reviews, but for me the incorrect wristwatches (which got a far amount of screen time) and footwear made me roll my eyes. The DVD can be picked up very cheaply online and if you're into this stuff it's definitely worth a loo.

This was an OK production of the now-familiar story of the first manned landing on the moon. There are better versions, but this one was pretty good, I'd say about seven stars out of ten.

HOWEVER, I'm giving it a ten-star rating simply to counter the 3-star rating given by a dumbass who didn't know what the hell he was talking about. David Byrne got all bent out of shape about what he perceived as lazy and uninformed set design: "The final straw was when about half way thought the film, green 7-segment LED digital displays were in view. They were not even invented in 1969 and thus were not used in Apollo 11. I had to switch it off at that point - I had enough. "

Sorry to burst your indignant bubble Davie, but the Apollo DSKY (Display Keyboard) computer interface used aboard the Apollo Command Module did indeed have a green LED numerical readout, as even a cursory look on Google would reveal. No, LEDs were not in wide use in 1969, but you can chalk that up as yet another piece of cutting-edge technology developed or first used by the U.S. space program.

I had never heard about this 2009 TV movie titled "Moonshot" prior to sitting down to watching it. With it being a movie that I hadn't already seen, then it was actually sufficient to make me sit down and watch it. But the fact that Andrew Lincoln was on the cast list just helped sweeten the deal.

While the storyline in "Moonshot" certainly was entertaining enough for what it was, if you have an interest in American space aviation, then I was left with an overwhelming sensation of 'was this really a necessary story to re-create in a movie for the world?'. There is something around called history books and the Internet, so it is not like the events in the movie should prove alien and brand new to anyone.

I was familiar with three performer on the cast list, and that was James Marsters, Andrew Lincoln and William Hope. It should be noted, however, that the acting performances in the movie were generally good from everyone involved.

I have to say that I never have been a fan of movies where they incorporate stock footage. And they opted to do that in this movie. It just doesn't sit well with me, as it reeks of cutting corners and just lazy movie-making. Sure, I get that there would be a bigger demand for a budget if they had to recreate a lot of scenes, but it would have added a whole other layer of enjoyability to the movie. And to make matters worse, the stock footage was grainy and very poor quality, so it stood out in contrast to the digitally clean footage of the movie. No. Just no.

Visually, then "Moonshot" was okay, aside from the lousy stock footage.

Watchable for what it was, but hardly an outstanding movie experience. And it is definitely not a movie that will make a second landing on my screen, as there just simply wasn't sufficient contents to the script and storyline to support a second viewing.

My rating of director Richard Dale's 2009 TV movie "Moonshot" lands on a five out of ten stars.

Everyone knows the basic story, and when there is an anniversary there is a glut of documentaries. This dramatized version is different, in that it focuses mainly on the human relationships. It makes Buzz Aldrin into an ambitious and slightly abrasive character who would quarrel with Neil Armstrong, if only the the latter were not so easy-going (not to say bland). Well, that's how it's played here. I don't know how true it is.

It's entertaining and well acted. Daniel Lapaine has a good (moon) shot at Neil Armstrong - not an easy thing to do.

I'd only really criticize the structure of the film. It is packed with flashbacks, so much so that it's quite confusing at times.

With the fortieth anniversary of the Apollo 11 moon landing upon us it is no surprise that there would be a dramatization of that historic flight to accompany the anniversary. That film would be Moonshot, which is at least the third dramatization of the Apollo 11 Moon landing (the first two being the 1996 TV movie Apol1o 11 and the episode from the 1998 miniseries From The Earth To The Moon entitled "Mare Tranquilitatis"). While it covers much of the same ground Moonshot proves to be just as interesting and watchable as either of those efforts even with some drawbacks.

The acting of the film is fine stuff. The three astronauts were especially well cast with Daniel Lapaine as Neil Armstrong, James Marsters as Buzz Aldrin and Andrew Lincoln as Michael Collins. Lapaine in particular excels in the role of Armstrong and wonderfully captures the man who would go down in the history books as the first man on the Moon. They are supported by a fairly good supporting cast especially from the actresses playing their wives. Moonshot has some rather nice performances that are convincing without being potentially cliché or overly serious.

The film is also blessed with a nice script by writer Tony Basgallop. Despite dealing with a familiar story, Basgallop manages to bring in some new details into the story which shed a new light on events (such as the UFO sighting by the crew on the way to the Moon). Basgallop's script takes the viewer through the back story without taking too long or being underwhelming in building up the journey's of these three men before the flight itself. Basgallop also handles dialog well for the most part thought here are a few moments where the film delves a little too heavily into clichés such as argument between Armstrong and Aldrin after a simulator test goes wrong (a better handled version can be seen in From The Earth To The Moon's "Mare Tranquilitatis"). The script, despite some occasional dialog issues, is a nice one and serves as a nice basis for the film.

Where the film has the biggest drawbacks is in its production values. Depsite some well designed spacecraft interiors which could rival those used in Ron Howard's feature film Apollo 13 let alone the aforementioned previous film tellings of Apollo 11, the earthbound sets reflect the film's rather low budget. The sets of the NASA offices are bare and look as those that are thrown together rather quickly with little thoughts for personal touches that should be there such as pictures on the walls for example. In particular there is a set for one of the press conferences that is simply the astronauts sitting in front of a bare wall with an American flag hung behind them. The result is a dull looking set to be honest. There's also the astronauts suits which lack patches and sorted items that should be on the suits which hint at getting things right in broad strokes but not inn finer details. The film's single biggest drawback is an over reliance on archival materials. Once the Saturn V launches, everything not taking place relating to the astronauts is archival footage. all the mission control sequences are told from archival footage so there's not real characters from mission control as a consequence. Even during the landing and moonwalk the reliance on archival material continues to the point where the actors even end up lip-syncing to some of the original audio material. All that seems a shame especially in light of the film's rather nicely CGI work. Sadly these faults can be rather distracting at times from the fine acting and nice script which is a shame.

Despite the drawbacks of a low budget and an over reliance on archival material, Moonshot still makes for some interesting viewing. With some fine performances especially from the actors playing the three astronauts and a nice script by Tony Basgallop, the familiar story of Apollo 11 gets a nice retelling here. While it may be lacking in style in terms of production values (espeically in comparison with "Mare Tranquilitatis") it certainly isn't lacking in substance and that's what counts.