Twisters
- 2024
- Tous publics
- 2h 2m
Kate Carter, a retired tornado-chaser and meteorologist, is persuaded to return to Oklahoma to work with a new team and new technologies.Kate Carter, a retired tornado-chaser and meteorologist, is persuaded to return to Oklahoma to work with a new team and new technologies.Kate Carter, a retired tornado-chaser and meteorologist, is persuaded to return to Oklahoma to work with a new team and new technologies.
- Awards
- 35 nominations total
Summary
Reviewers say 'Twisters' is a mixed bag, drawing comparisons to the original 'Twister'. Praise is given for its visual effects, Glen Powell and Daisy Edgar-Jones' performances, and updated technology. However, criticisms include lack of originality, shallow plot, and underdeveloped characters. Action sequences and special effects are well-received, but the film's pacing and lead chemistry receive varied feedback. Despite its flaws, 'Twisters' is considered an entertaining, though not entirely satisfying, experience.
Featured reviews
Twisters is certainly well made with a talented core cast. It is far from a bad film, but I found the story to be familiar and predictable as far as disaster films go.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
I was happy to settle into something fun and entertaining; I don't think my expectations were too high, but I think Twisters was missing tension, which is a vital part of a film like this. At no point did I feel any of the central cast of characters were under real threat as they bounced between set piece stunts.
Glen Powell and Daisy Edgar-Jones are very watchable in the leads and Anthony Ramos does well to give dimensions to a difficult role. There are however, simply too many peripheral characters.
A large portion of the film's runtime focusses on the relationship between the two leads and, aside from Anthony Ramos, there is no time left to flesh out the rest of the supporting cast, who operate largely as comic relief.
I want to keep this brief because there really isn't so much to say about this film. The plot is beat to death, with the emotional and plot pivot beats being as predictable as a marvel movie. The film doesn't take itself all that seriously, which is certainly an upside considering how mediocre it is. Every now and then the humor is pretty good and Glen Powell's performance easily is the best out of the two leads. One huge shining mark for the film are the gorgeous wide shot visuals and awesome destruction and effects of the tornados. They did a great job of capturing the beauty of the American midwest.
Beisdes these things, it is an entirely predictable and forgettable film about finishing the job after a haunting tragedy. Despite how average it was, I still enjoyed the film, at least enough for a random Wednesday.
Beisdes these things, it is an entirely predictable and forgettable film about finishing the job after a haunting tragedy. Despite how average it was, I still enjoyed the film, at least enough for a random Wednesday.
So the graphics and visuals are outstanding! It looks like devastation is actually happening. Some of the scenes looking down on the towns were cool but the scenes in the air were incredibly detailed and beautiful. Beyond that I didn't care for it. I wanted to love it but just couldn't . I didn't care or root for any character. I wanted them to all be sucked up into the tornado! There was on scene, early in the movie , that disposed of a character that was awesome. All the performances were hackneyed and just trying to hard. Save your money and wait for it to come on TV or your favorite streaming service.
Have you noticed an epidemic of movies that don't take themselves seriously? They often involve knowing looks/winks at the camera and meta-jokes that break the fourth wall. (And maybe a Ryan Reynolds appearance.) Twisters is not that. In fact, it is the opposite of that. Twisters is a throwback to when summer blockbusters just went for it, and it is ridiculous in all the best ways. This movie builds on what made the original Twister fun, dials all of it up to 11, and makes absolutely zero apologies for it. Not coincidentally, I had an absolute blast. Everybody who walked into that theater knew what they were signing up for, and we all got it. Not only that, but these characters were way more well rounded than the original, so I understood their choices and cared more when the winds started swirling. It isn't perfect, and it certainly strains credulity throughout, but it was a thrill ride that treated its setting, characters, and audience like they deserved some respect. What's not to like about that?
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
PS - Powell and Edgar-Jones were absolutely tailor-made for this one.
Twisters is odd because it's not really a sequel to the original Twister (1996), nor is it a remake. It's its own thing. And that's kind of a good thing. This film is highly predictable, which takes away a lot of the suspense, but it still manages to present a few exciting moments. Also, I expected the visual effects to far surpass the ones from the 90s, but they honestly seem about the same. And there are far too many characters for me to care about any of them individually, except for Glen Powell, who is a whirlwind of charisma. Even with all its eye-rolling moments, I enjoyed watching Twisters.
Did you know
- TriviaJames Paxton: The son of Bill Paxton, appears during the rodeo scene as the angry hotel guest.
- GoofsIn the movie, tornadoes kept popping up and catching crowds unaware.
In Oklahoma TV stations compete aggressively to offer the best severe weather coverage. When conditions are right for potential severe each station would have at least three - if not more - teams of trained spotters deployed, a helicopter for each station, and multiple forms of advanced radar to track storms.
While there are a number of amateur, academic and even weather-tourism spotters around, the majority of spotters would be affiliated with television stations, and citizens know to be following weather reports, resulting in significant advanced notice of approaching storms.
- Crazy creditsThe Warner Bros and Amblin Entertainment logos have stormclouds in the background.
- SoundtracksSalio el sol
Written by Paul Irizarry, William Rivera, and Armando Rosario
Performed by Don Omar
Courtesy of Machete Music / VI Music
Under license from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Tornados
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $155,000,000 (estimated)
- Gross US & Canada
- $267,762,265
- Opening weekend US & Canada
- $81,251,415
- Jul 21, 2024
- Gross worldwide
- $372,262,265
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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