Incendies
Twins journey to the Middle East to discover their family history and fulfill their mother's last wishes.Twins journey to the Middle East to discover their family history and fulfill their mother's last wishes.Twins journey to the Middle East to discover their family history and fulfill their mother's last wishes.
- Nominated for 1 Oscar
- 41 wins & 20 nominations total
Summary
Reviewers say 'Incendies' is a powerful exploration of war, identity, and family secrets, with a non-linear narrative and masterful direction by Denis Villeneuve. Lubna Azabal's performance is particularly praised for its realism and intensity. The film's shocking ending and striking cinematography leave a lasting impact, though some criticize its pacing and historical context. Despite these issues, 'Incendies' is widely seen as a deeply moving and thought-provoking experience.
Featured reviews
Denis Villeneuve has created nothing less than a masterpiece. This film is revealing a great Director, especially when given an original story with such powerful dimensions.
Despite being skeptical as first of the film being shot in Jordan, when dealing with the very specific, multidimensional Lebanese drama, the geographic distance with the land of Lebanon is detaching the film from the strict reality of the place and taking it to whole other level of significance. Jordan's landscape especially with the film's photography, are somewhat surrealistic, as if the story was taking place in a deep level of the region's sub-conscious.
Villeneuve has managed to delicately craft a story with dimensions that a human mind in its normal condition is not prepared to understand and confront. And yet these things did happen, many times during the war and retelling them is a very not an easy task. Actually a quasi impossible one and yet Villeneuve did it.
This has to be the film representing Canada at the Oscars. And it will win.
Despite being skeptical as first of the film being shot in Jordan, when dealing with the very specific, multidimensional Lebanese drama, the geographic distance with the land of Lebanon is detaching the film from the strict reality of the place and taking it to whole other level of significance. Jordan's landscape especially with the film's photography, are somewhat surrealistic, as if the story was taking place in a deep level of the region's sub-conscious.
Villeneuve has managed to delicately craft a story with dimensions that a human mind in its normal condition is not prepared to understand and confront. And yet these things did happen, many times during the war and retelling them is a very not an easy task. Actually a quasi impossible one and yet Villeneuve did it.
This has to be the film representing Canada at the Oscars. And it will win.
To be honest, there is nothing left to say story-wise after this film. The tragedy, atmosphere and everything...
As an admirer of Dennis Villeneuve's filmography thanks to his work in past years, I was already familiar with how much of a brilliant storyteller he is. Yet, Incendies is no different. Beautifully structured script, visuals, soundtrack...
Lastly, the intro, along with Radiohead's "You and Whose Army?" is probably the one of the best I've ever witnessed easily.
As an admirer of Dennis Villeneuve's filmography thanks to his work in past years, I was already familiar with how much of a brilliant storyteller he is. Yet, Incendies is no different. Beautifully structured script, visuals, soundtrack...
Lastly, the intro, along with Radiohead's "You and Whose Army?" is probably the one of the best I've ever witnessed easily.
Want to see where one of the modern era's hottest directing streaks started? If you do, then Incendies in the film for you.
Directed by Denis Villeneuve, who went from this French/Canadian co-production to move onto Prisoners, Enemy, Sicario, Arrival and last year's brilliant sequel Blade Runner 2049, Incendies is the Oscar nominated film that put Villeneuve on the path he finds himself on now and remains a film of substantial power these years on from initial release.
Adapted from Wajdi Mouawad's play of the same name, Incendies is a multi-layered narrative that spans both numerous countries and numerous characters over various timelines but Villeneuve controls his film perfectly as the mystery that lays at the heart of this tale about family, war, life and death never gets muddled as we're drawn further and further into a film that wraps us up in its web and refuses to let us go.
There's not the abundance of filmmaking and visual flair that Villeneuve has started to become known for over his more recent Hollywood productions but Incendies power comes almost exclusively from Villeneuve's deft hand with his performers, his handling of a script that other filmmakers would struggle to bring to life and his ability to slowly ebb out more information as we go, that by the time we come to realise just what lays in store for the films characters, the power of Incendies becomes even more apparent.
Saying to much about this story would be a disservice to a film that takes many various turns and pivots. Essentially at its core, a story of both twins Jeanne and Simon Marwan trying to uncover the secret of their father they've never met and find a brother they never knew they had after their Middle Eastern born mother Nawal passes away, Incendies becomes so much more than a typical family drama as it showcases time in the conflict of the Israeli and Palestinian Holy Wars, as well as the twins journey back to their country of nationality.
The film in many ways showcases a different side to Villeneuve and proves the director is just as at home handling a $150 million plus Sci-Fi for a major Hollywood studio as he is behind the camera of a small intimate drama that is driven purely by its narrative and characters. Proof the filmmaker is a man of many talents and a director to be cherished by those that love cinema.
Final Say -
For any fans of Villeneuve's work, world cinema or powerful character driven dramas, then Incendies should be a film you seek out as soon as possible. Losing none of its power since its initial release, this sometimes hard to watch but always enthralling film is standout filmmaking and the official blasting off point for one of the modern era's great filmmakers.
5 swimming pools out of 5
Directed by Denis Villeneuve, who went from this French/Canadian co-production to move onto Prisoners, Enemy, Sicario, Arrival and last year's brilliant sequel Blade Runner 2049, Incendies is the Oscar nominated film that put Villeneuve on the path he finds himself on now and remains a film of substantial power these years on from initial release.
Adapted from Wajdi Mouawad's play of the same name, Incendies is a multi-layered narrative that spans both numerous countries and numerous characters over various timelines but Villeneuve controls his film perfectly as the mystery that lays at the heart of this tale about family, war, life and death never gets muddled as we're drawn further and further into a film that wraps us up in its web and refuses to let us go.
There's not the abundance of filmmaking and visual flair that Villeneuve has started to become known for over his more recent Hollywood productions but Incendies power comes almost exclusively from Villeneuve's deft hand with his performers, his handling of a script that other filmmakers would struggle to bring to life and his ability to slowly ebb out more information as we go, that by the time we come to realise just what lays in store for the films characters, the power of Incendies becomes even more apparent.
Saying to much about this story would be a disservice to a film that takes many various turns and pivots. Essentially at its core, a story of both twins Jeanne and Simon Marwan trying to uncover the secret of their father they've never met and find a brother they never knew they had after their Middle Eastern born mother Nawal passes away, Incendies becomes so much more than a typical family drama as it showcases time in the conflict of the Israeli and Palestinian Holy Wars, as well as the twins journey back to their country of nationality.
The film in many ways showcases a different side to Villeneuve and proves the director is just as at home handling a $150 million plus Sci-Fi for a major Hollywood studio as he is behind the camera of a small intimate drama that is driven purely by its narrative and characters. Proof the filmmaker is a man of many talents and a director to be cherished by those that love cinema.
Final Say -
For any fans of Villeneuve's work, world cinema or powerful character driven dramas, then Incendies should be a film you seek out as soon as possible. Losing none of its power since its initial release, this sometimes hard to watch but always enthralling film is standout filmmaking and the official blasting off point for one of the modern era's great filmmakers.
5 swimming pools out of 5
How stupid iam to postpone this movie for 6 months watching all other stuff.... I've underrated this movie watching trailer 😑
During the reading of the will of their mother's, a twin brother and sister learn of some unusual last wishes. Amongst other requests, two envelopes need to be delivered to respectively the father of the two and a brother whom are both unknown. The quest leads the twins through the Middle East where they slowly learn of the horrific tales which is the life history of their late mother.
The movie tells a very graphic but endearing story, perfectly shot and acted allowing the viewer to get fully immersed into the journey and findings of the twins. Through flashbacks we learn about the hardship of the mother and, eventually, the fate of the father and brother. As a treat, there is a great twist at the end which is really the icing on the cake.
Highly recommended.
92/100
The movie tells a very graphic but endearing story, perfectly shot and acted allowing the viewer to get fully immersed into the journey and findings of the twins. Through flashbacks we learn about the hardship of the mother and, eventually, the fate of the father and brother. As a treat, there is a great twist at the end which is really the icing on the cake.
Highly recommended.
92/100
Did you know
- TriviaPartially based on the life of Lebanese activist Souha Béchara.
- GoofsIn Nawal Marwan's passport the birth date shows 1949 in Latin script whereas in Arabic, it shows 1953.
- Quotes
Simon Marwan: One plus one, does it make one?
- Crazy credits'Mr. Leonard Cohen I need your help, please call me." - Denis Villeneuve
- ConnectionsFeatured in The Hour: Episode #7.83 (2011)
- SoundtracksYou and Whose Army?
Written by Colin Greenwood (as Colin C. Greenwood), Jonny Greenwood (as Jonathan RG. Greenwood), Ed O'Brien (as Edward J. O'Brien), Phil Selway (as Philip J. Selway), and Thom Yorke (as Thomas E. Yorke)
Performed by Radiohead
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- La mujer que cantaba
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,800,000 (estimated)
- Gross US & Canada
- $2,071,334
- Opening weekend US & Canada
- $50,679
- Apr 24, 2011
- Gross worldwide
- $6,804,715
- Runtime2 hours 11 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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