Murder in a Small Town

I don't give any real consideration to the notion that "sleepy" when it comes to TV and movies means "boring". Yes there's a small town slow moving vibe to the pilot but what's wrong with that? American TV and films are often frenetic and loud. That also doesn't mean "exciting" or even good. I never pass up a slow moving film, it's gotta brew so the nuances rise to the top. I'm certainly happy to give this one some time. A nice blend of Canadian actors and a somewhat typical plot but I'm intrigued. The Sutherland progeny, well he has the perfect demeanor for this. I knew he was related just from the voice. If you like sleepy at its finest, check out the Jesse Stone films with Selleck. Those are the gold standard.

Review: Murder in a Small Town - A Missed Opportunity

I wanted Murder in a Small Town to be a great series. The premise had so much potential-a gripping murder mystery set in a quiet town where nothing ever happens, until it does. But after watching it, I couldn't help but feel that the writers missed a crucial opportunity to make this show truly engaging.

The biggest flaw? The pacing and believability of the murders. Instead of crafting a season-long, intricate mystery that keeps viewers hooked, the show opts for a new murder every other week. The result? A small town with an absurdly high crime rate that completely undermines the show's realism. How can we be invested in a "small-town murder mystery" when bodies are dropping at an unnatural rate? It starts feeling more like Murder, She Wrote on steroids rather than a compelling, believable drama.

What Murder in a Small Town should have done is build a single, well-developed murder case over the entire season. This would have allowed for deeper character development, better suspense, and a more immersive storytelling experience. Imagine the tension of slowly uncovering layers of a mystery, the red herrings, the twists, and the final shocking reveal-all building to something truly satisfying. Instead, we get a new case wrapped up every other episode, which makes it hard to care about any of them.

The show has potential, and it could be so much better. The writers need to step back and rethink their approach. A great mystery isn't just about the number of dead bodies-it's about making the audience care about solving the crime. Hopefully, they course-correct in the future, because there's a great show hidden somewhere in here.

I found this show going down the rabbit hole on hulu because of sonething I watched. I absolutely loved the oddity of first episode which had a great storyline. I'm loving the non traditional sorta handsome, awkward sad sac in turmoil main character. Crazy thing is that all I'm seeing is his dad Donald. He looks like him, sounds like him, walks, talks, entire demeanor is his dad...t's kinda freaky! I'm in episode 3, and its getting a little boring but I'm committed.im not sure how I feel about the love interest, seems awkward but may grow on ne. Time will definately tell since I'm only 3 episodes in.

Big city detective moves across the country and becomes chief of police in a small Oceanside town with a small number of interesting subordinates under his command. . Doesn't this make anyone else think of Jesse Stone amd Paradise. I loved all of those Selleck movies, and hope this effort pans out as successful. It seems to have all the makings and so far I am enjoying this show very much. If the writers can come up with the necessary intriguing stories, I expect this series will be successful. Makes me wonder if those writers, as well as all the actors, are watching all those Jesse Stone movies.

I can think of worse things they might do.

Murder in a Small Town piqued my interest due to Kristin Kreuk, and lo and behold, she is paired with another Sutherland lad. I love small-town settings, and a murder mystery makes for a great combination. The first episode started out nicely: there's a murder, and the next-door elderly neighbor seems to be the culprit, but how and why? I liked that they elaborated on the characters and gave them a good backstory. I also liked that the show doesn't feel like the usual flashy, slick murder-mystery theme. But what intrigued me the most is the chemistry of the two leads: two 40-somethings with past experiences and baggage, trying love for the second time. Kreuk's Cassandra is feisty and bubbly, while Sutherland's Karl is this two-shirt type of detective. Together, they turn this small-town mystery into a slow-burn romance that's worth every twist.