Insoupçonnable

I actually like the cast of this series and I might have given it an 8 if it wasn't for the sickening and gratuitous violence against women. Men don't get murdered anymore or mutilated women is just too inviting. So sick of the lack of imagination and total reliance on sex and violence.

As a fan of detective/crime dramas, 'Above Suspicion' is, and never will be, one of my favourites, and it is a show that will divide viewers. For me, it falls into the reasonably decent but not great camp, after being riveted by 'Prime Suspect' and finding several impressive things with 'Trial and Retribution' there was the air of disappointment.

Considering the mixed reviews it could have been worse. There are problems sure, the script gets the job done competently and is reasonably tight but with not much spark or fire, only really coming alive from the climactic interrogation scene onwards. The cliché-ridden characters are not yet very interesting and little is done with them, both main characters being stereotypically one-dimensional.

The flashbacks have a tendency to be clumsily inserted, the sound can be sloppy and out of synch, the relationship between the two main characters is coming across as a bit contrived and makes Langton almost too much like a sleaze and some of the shock value is unnecessarily gratuitous (not quite as bad as "Red Dahlia" though). Lastly, Kelly Reilly is not doing much for me yet, pretty if implausibly young-looking but limited in expression and pallid in presence.

For all the flaws that have been listed, there are things that are done well. The series looks great, the split screen is something that will and has divided viewers but was done interestingly and cleverly here to this reviewer, and the gritty but never overly-drab look is a good fit. The story at least didn't make me look at my watch or want to do something else, and there was some atmosphere (admittedly however there is an over-familiarity and there is a lack of suspense, which doesn't make 'Above Suspicion' as constantly gripping as it should). Despite his material not giving him much variety and such, Ciaron Hinds commands the screen very strongly.

However there are two excellent assets. Much has been said about Jason Durr, and this reviewer can only echo the near-unanimous raving over Durr's chillingly creepy performance, especially in the interrogation scene. As for the interrogation scene, that was the other highlight, nail-bitingly intense and effectively harrowing it is by far the best individual scene of 'Above Suspicion's' entire run.

All in all, reasonably decent but not particularly great. 5/10 Bethany Cox

As a fan of mystery/detective dramas, 'Above Suspicion' is yet to grip me. It is not a terrible series and does have its good points, but has several big flaws. So far "Deadly Intent" is the weakest of the three seasons seen so far (have yet to see the fourth).

Sure, it is filmed stylishly and atmospherically and the locations are used well. No drabness or choppy editing in sight. The story never makes you want to look at your watch or do something else, though it is never completely gripping. The villain has some menace to him.

On the other hand, there are still a lot wrong with "Deadly Intent". Kelly Reilly gives her worst performance of the series yet, her expression is so limited, her line delivery has little expression and she is incredibly wooden. You can never shake off the feeling that she is implausibly young either. Even Ciaran Hinds, who actually was pretty good in the first two series, is not enough to save "Deadly Intent". Again Langton is too much of a sleaze and is too cartoonish, and while Hinds is more commanding and involved than Reilly he chews the scenery here to uncomfortable and misplaced effect.

The characters fail to be interesting, instead riddled with badly written and explored clichés. The relationship between the two characters continues to be contrived. The sound continues to sometimes be sloppy and out of sync, the dialogue never sounds natural and while it has its moments the story is convoluted in places and throughout lacks tension or suspense. The ending doesn't ring true at all either.

In conclusion, didn't do much for me and manages to be weaker than the average at best previous two series. 4/10 Bethany Cox

Laura LaPlante has written many excellent scripts for British television, notably Prime Suspect and one of my favorites, the 1992 version of "Framed." Here she gives us "Above Suspicion," starring Kelly Reilly and Ciaran Hinds. The story arcs are done in a series of episodes -- the first story, about a serial killer, guest-starred Jason Durr in a fantastic performance, and the second story concerned someone who was copying the Black Dahlia murders. It was so interesting to me that the British detectives had never heard of the Black Dahlia, which in America is a famous case.

These episodes are pretty graphic. Kelly Reilly, as a woman in a man's world has a lethargic way about her, giving the impression that she can't do her job. I think this is an acting choice. - quiet, obedient, but resourceful and smart. It's not a particularly well-written role. Reilly is gorgeous, with striking coloring and a beautiful figure, and very intense eyes that seem to bore into the various characters. The script seems to depend a lot on the camera work, with her in closeup. The role definitely could be stronger.

Ciaran Hinds plays the somewhat unpleasant boss. He does a good job, almost too good because I really don't care for him.

Good enough that I would watch another episode if one came out on Netflix.

Another run-out for Ciaran Hinds, Kelly Reilly and the team, this time on the trail of the murderer of a promiscuous, drug taking young actress. As usual with La Plante, there are suspects a-plenty, sometimes there you fell just to flesh the story out and a major sub-plot with Hinds on the look-out for whoever's loose-lips cost him a coveted promotion. The convoluted plot, interspersed with a series of flash-backs, is brought, on thus occasion, I felt, to a less than riveting conclusion by the final scene, with the murderer in fact turning himself in by that point.

As for the acting, Hinds is good, perhaps helped by his more developed character, now less chauvinistic and shouty than before. Kelly Reilly as the ambitious, intuitive maverick in the pack still looks more befuddled than brainy in he part. There's some good acting in support, especially amongst the murdered girl's junkie so-called friends.

LaPlante no doubt felt at home portraying the acting world as scabrously as she does here and her dialogue for the most part rings true, but I felt an hour could have easily been lopped off the running-time and a few less unnecessary red-herrings dropped along the way which would have made the production correspondingly tighter and more compelling.