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Gururi no koto

  • 2008
  • TV-14
  • 2h 20m
IMDb RATING
7.5/10
942
YOUR RATING
Gururi no koto (2008)
Drama

In 1993 Kanao and Shoko are a Tokyo couple awaiting the arrival of their first child. Although both have studied art, Kanao works as a shoe repairman, which doesn't stretch his rather laid-b... Read allIn 1993 Kanao and Shoko are a Tokyo couple awaiting the arrival of their first child. Although both have studied art, Kanao works as a shoe repairman, which doesn't stretch his rather laid-back style, and Shoko works in a small publishing firm. Their home life is marked by some c... Read allIn 1993 Kanao and Shoko are a Tokyo couple awaiting the arrival of their first child. Although both have studied art, Kanao works as a shoe repairman, which doesn't stretch his rather laid-back style, and Shoko works in a small publishing firm. Their home life is marked by some clashes between her attempts at regimentation, including scheduling their sex life on a cal... Read all

  • Director
    • Ryosuke Hashiguchi
  • Writer
    • Ryosuke Hashiguchi
  • Stars
    • Tae Kimura
    • Lily Franky
    • Mitsuko Baishô
  • See production info at IMDbPro
  • IMDb RATING
    7.5/10
    942
    YOUR RATING
    • Director
      • Ryosuke Hashiguchi
    • Writer
      • Ryosuke Hashiguchi
    • Stars
      • Tae Kimura
      • Lily Franky
      • Mitsuko Baishô
    • 6User reviews
    • 16Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 6 wins & 4 nominations total

    Photos11

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    Top cast99+

    Edit
    Tae Kimura
    • Shoko Sato
    Lily Franky
    Lily Franky
    • Kaneo Sato
    Mitsuko Baishô
    Mitsuko Baishô
    • Namiko Yoshida
    Susumu Terajima
    Susumu Terajima
    • Katsutoshi Yoshida
    Tamae Andô
    • Masako Yoshida
    Rie Minemura
    • Keiko Ubukata
    Yôichi Nukumizu
    • Hiroto Wakui
    Takashi Yamanaka
    Takashi Yamanaka
    • Kenji Kokubu
    Yûichi Kimura
    • Natsume-senpai
    Yôsuke Saitô
    • Koji Hashimoto
    Ryô Kase
    Ryô Kase
    • Tsuyoshi Tanaka
    Ken Mitsuishi
    • Lawyer in child abduction and murder case
    Yôji Tanaka
    • Tomita
    Jirô Satô
    Jirô Satô
    • Uchida
    Eiko Shinya
    • Shizuko Saeki
    Seiichi Tanabe
    Seiichi Tanabe
    • Judge in prostitution case
    Megumi Yokoyama
    • Wealthy Mother
    Reiko Kataoka
    • Etsuko Koyama
    • Director
      • Ryosuke Hashiguchi
    • Writer
      • Ryosuke Hashiguchi
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews6

    7.5942
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    Featured reviews

    10gioconda

    Outstanding slice of life view of modern Japan

    Director obviously studied masters like Godard, Antonioni, Cassavetes, Sirk and Polanski.

    Film pace is like Ozu, in that director slowly unravels much of story in real time. So viewer feels like a character at a table sipping tea, waits impatiently for an elevator, stares in a mirror at oneself bewildered or simply passes time with the players in the film.

    Brilliant sound editing during languid intervals. Cutlets sizzle in a fry pan, water runs in a sink, tea water bubbles and boils, soft warm breath exhales hot soup. Distinct sounds create atmosphere. Carl Jung wrote that smells evoke the most profound memories, but since that's not possible in a movie, sound subliminally provokes similar strong memory response.

    The story details several years in a marriage between two artists who struggle to find a satisfying way to earn a living, deal with the tragic loss a baby, and interpersonal relationships with family, friends, employers, co-workers, in a rapidly changing society in which we are all forced to adjust in no matter what part of the globe we live. Universal issues.

    That's why this movie works.

    Brilliant in all aspects. The acting is so real you often feel as if you are watching a documentary.

    When watching foreign movies, I always take with a grain of salt the translated subtitles, but, although I don't know Japanese, the translator has a fantastic grasp of American slang.

    What does not need translating is the shot selection, the framing of actors' silent responses. Editing is as much a part of the storytelling as the dialogue. Job well done.

    Exceptionally well-made movie that shows a fascinating slice of modern life in Japan. Women wear jeans and hoodies these days, people. Yet Japanese culture is still bound with rigid and complex traditions that few Westerners can begin to understand. To watch the modern Japanese characters cope with these traditions in the modern world is something rebellious artistic types anywhere can relate to no matter in what language or into whatever culture one was born.

    Presented by the Sundance Channel. Thanks, Sundance! Thanks Mr. Redford! I'm a film nut, but I'd never heard of this outstanding film. Hope more people in the West have the opportunity to see it, as it's a great, great movie.

    P. S. Film is based on a novel, so credit for story must also go to novelist. :)
    4citronellaa

    I don't feel amazed

    Unlike this director/writer's past work, which I have been a fan of, this film I found quite lacklustre. The characters and script, from the beginning, can be disappointing, shameless, crude, negative. The aesthetics are not fantastic - plain looking interiors of offices, restaurants.

    There wasn't much of the magic tenderness I have seen in past films, more of the disappointing and flawed realities. I couldn't relate to the characters.

    The storyline is not dazzlingly original, nor particularly happy.

    Lacking something magic, lacking something beautiful.
    9kosmasp

    Lesson(s)

    This movie could be in a similar vain as some Japanese classic movies (Tokyo Story for example, pace-wise, not story-wise of course). It really is slow moving and takes time to introduce you to the two main characters.

    Even the secondary characters get screen time and you get to know them. Apart from the really nice story/character arcs you get treated to some history/crime lessons. Some events that real happened in Japan are mentioned. But they don't feel out of context, although they don't always really fit into the story, they always keep the movie flowing nicely. For (some) western audiences a few behavior mannerisms might seem odd, but I personally did like the characters, with all their flaws and quirks.
    6sitenoise

    It came, it was good, but now it's gone.

    I give this film a less than enthusiastic recommendation. It is a quality film and Lily Franky's performance is one to behold (even more so knowing this is his acting debut--I wonder how much he studied or trained). The film could have been more tightly edited. There are too many scenes of ... nothing. I understand this style is done too create an atmosphere and control a pace, and it's a style I generally like, but I think the director over did it. A little too often shots are *predictably* about nothing, slowing the pace without advancing or fleshing out the characters or story. They're just there to say ... "Nothing happens here", just like in real life. In the end, however, my only real criteria for not giving it higher marks is that I have no desire to watch it again. It came, it was good, but now it's gone.

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    Details

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    • Release date
      • June 7, 2008 (Japan)
    • Country of origin
      • Japan
    • Official site
      • Official site (Japan)
    • Language
      • Japanese
    • Also known as
      • All Around Us
    • Filming locations
      • Tokyo, Japan
    • Production companies
      • Amuse Soft
      • Bitters End
      • Eisei Gekijo
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 2h 20m(140 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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