Soeurs de sang

When a prank goes awry, a group of sorority sisters are left with a dead body on their hands. They cover up the accidental murder, but on graduation night someone begins to brutally kill everyone involved in the deadly prank.

Admittedly I went into Sorority Row with low expectations because I've always had a soft spot for the original House on Sorority Row (1983) and I feared that this would be another weak insulting remake, i.e. Black Christmas 2006 or Prom Night 2008. However I found myself rather entertained by this polished and energetic remake, it was an engaging ride all the way. Sorority Row has a typical slasher film setup, some hokey dialog, and the usual MTV-style direction, but it manages to build some good suspense and action throughout its interesting plot. Also it has some effectively funny moments of dark humor. In addition there's some flashes of nudity thrown in along with some inventive and bloody murder scenes.

Cast-wise the actors are adequate enough though their characters are typically paper-thin. The biggest standout is definitely Carrie Fisher as the amusingly tough housemother Mrs. Crenshaw. She deserved more screen time.

Over all Sorority Row is a fun slasher guilty pleasure that thankfully doesn't tarnish the memory of a horror classic. It's a worth-wild watch for horror fans, especially if you don't take it too seriously.

** 1/2 out of ****

A group of sorority girls pull a cruel prank on the brother of one of their brethren. They wind up taking the prank too far, and it goes terribly awry when one of them is killed. Fearful for their futures, they decide to dump the body down an old shaft and keep what happened a secret. Time passes and it seems that they've gotten away with it, but a hooded killer shows up on the night of their graduation party to pick off those involved.

I am not the biggest remake fan. I outright skip many of them, though I'm not as vehement in my stance as I once was. In fact, a few have actually been catching my interest more and more as of late, the other most recent example being The Uninvited, a surprisingly well-done adaptation of a somewhat overrated Asian title. Then there is Sorority Row, which garnered my attention for two key reasons; A) I am an unapologetic slasher fan and B) Margo Harshman has a role in the film.

With that said, I really enjoyed Sorority Row. I did a double-bill with Whiteout, and thankfully I decided to watch this one second, as it washed away the foul taste of that nonsensical mess. For slasher fans like myself, Sorority Row had a feeling of "old school" to it. The storyline setup, the atmosphere, the wild sorority parties... it felt like old times. Old times that were witnessed via 80's slashers, of course. Some pretty inventive kills in here too, just like in the glory days of the slasher film. No repetitive Scream or IKWYDLS type kills. And really, if you're a slasher fan, the kills are half of the fun. I also have to say that I enjoyed the dialogue in this film. It was always spot-on with the wit, always funny in a dark humor sorta' way. I actually had the opposite reaction to the characters, as the girl playing Cassidy annoyed me. Her voice just grated on my nerves for some reason. The queen bitch was a joy to watch. I thought she was thoroughly amusing. As for Margo, she was stuck with the thankless role of the group slut, but she brought her own brand of deadpan humor to the part. Her lacking amount of screen time was my biggest disappointment with this movie.

All of that aside, the killer's reveal was also disappointing. The motivation just wasn't resonating with me, and some of the theatrics seemed too in line with the lame Scream brand of villains. Still, the rest of the film was so much fun, I can't help but recommend this to other slasher fans. If you like this kind of film, give it a chance. If you don't, well, I doubt you'd be reading this far anyway. It's a slasher film, plain and simple, and one I'd give the ol' slash of approval.

Sorority Row seems to be receiving a lot of bad press for the same reasons that all slasher flicks seem to garner - it's clichéd, the characters aren't likable, the plot isn't handled well, the set-up is botched, blah blah blah. OK, these ARE fair points - there exists within this movie one too many "Hello, is anybody there?" moments, too many "Don't go in there!" moments, and let's be honest, they could have quite happily pinned the entire thing on someone else and gone to police instead of covering it up.

However, to complain about those things would be to complain about the entire purpose of the slasher genre. Besides Scream, Hallowe'en and Black Christmas, there is not a single slasher that has a shred of believability (and even Hallowe'en doesn't - Michael Myers is the boogie man for goodness sake!). We go to see slasher films to watch people get killed and don't pretend otherwise. These situations do not happen in real life, why expect any level of realism in the film?!?

So why bother going to see this? Primarily, for the kills. Out of the 10 or so murders, I'd say but only 3 are gratuitous and 2 of those are badly set up. Again, it's the same old story of bimbo/drunk frat boy wandering where they should know not to. But for the 7 or so others, they rock! The manslaughter at the beginning is pretty twisted, yet I, and many others got satisfaction watching one of those twits from The Hills getting offed and thrown down a mine shaft. Following on, a "pimped up" tyre iron is implemented to cause as much gore and depravity as possible: bottles, mirror shards, cars, flare guns, axes, fire-extinguishers, shotguns and the bird cane from the original all are used at some point to bring the death count to a total Rambo would be proud of. One of my favourite set-ups in the movie comes after the party, when they are aware that somehow, someone knows about their little secret. In an intense scene involving many bubbles - because in the World of the Greek Letters, you are more likely to find a jacuzzi than a room full of mannequins - one of the 5 get caught out in it. The build up ranks with that of Annie in Halloween or CC in Scream 2 - after the girls receive another threatening text, they realise that one of their names was missing from the list and before they know it, the missing girl is running, screaming through the courtyard towards them. Although the scares are few and far between, that scene had me ducking. The murder weapon, that tyre iron, is set to become iconic if it garners any sequels (which, undoubtedly it will).

The main characters may not be the most interesting, and two of the girls really are just plain boring, but there are 3 who stand out in my mind: Jessica, Cassie and Ellie. Jessica, the bitchy queen, is played with fervour by Leah Pipes: she relishes every mean phrase, never misses a chance to put someone down, and when she stumbles across the dead body of a sorority sister, her first remark is "God, she looks terrible!" delivered with a dead pan attitude that just rocked. The fact that, unfortunately, she is governed by a bloke is a shame, but she redeems herself towards the end, staying true to her bitchy, selfish nature. Ellie, although a walking cliché in a horror movie, is played really rather well by Rumer Willis. A girl falling apart at the seams as she tries to cope with her part in the accident, she goes from slightly shaky to worried to paranoid to hysterical to catatonic. Yet she maintains some integrity and humour and has quite possibly the funniest moment during which the girls are trying to stop her from finding out that Megan just might not be dead. Finally, Briana Evigans is such fun to watch. Although her character has no right to feel better about herself over what happened and she certainly is no Sydney Prescott or Laurie Strode, Briana brings out of Cassie a feisty, tough girl who can actually be rooted for towards the end. The other 2 VERY good reasons to watch this movie are as follows: gratuitous cat fights (in a burning house with a psycho killer running around none-the-less!) and Carrie Fisher blowing her kitchen to smithereens with a shot gun, all the while taunting the masked killer with lines such as "Come to Mama."

All in all, Sorority Row is not a good film but it is sheer entertainment. What it lacks in plot and credibility it more than makes up for in style. it's also the first remake that I've had pleasure watching due to it's total carelessness of where it's origins lie. I'd give it 6 out of 10. (yes I am aware I've awarded it 10 out of 10 but that's because I feel bad that morons would mark it so harsh on its lack of plot... seriously)

This movie doesnt have the best avg ratings but for the genre it is really well done.

Acting: This is a slasher after all so they do well at portraying stereotypes and the conventions. You get a sense of feeling for them and enjoy their relations.

Cinematography/special affects: Really nice gory scenes and creative kills in this one. Camera shots are decent and you get a sense of tension which is really important for these types of movies.

Story: I really really enjoyed the plot of this. It was unique, interesting and kept me glued the whole time watching. Yeah some scenes arnt the best but most of them are awesome. Beginning, middle and end were conventional but unique and made to stand out among its rivals. Many people compare this with "scream" and "I know what you did last summer", both classics.

Summary: Very decent horror/slasher flick, high up there with the greats. It must be said that slasher films arnt for everyone. But if you like them than you'll most likely really enjoy this one.

So another horror remake? Shocker ... though not exactly literally. What it is though is beautiful. Especially if you do like women. There is not much acting necessary (which doesn't imply the people involved are not able to do so), just having to look good and scared. All of them are good in that regard.

I haven't seen the original (or I don't remember it?), but the premise is pretty simple. As another reviewer wrote, you could say, just another slasher. The effects/murders are pretty good, so you get your moneys worth from that. Thrills are decent enough, though you do know where it is heading and characters still "act" dumb/irrational, as they always do in those movies