Darfur

I was quite surprised by what I saw when watching this film. It turns out to be pretty straightforward in educating the public of the possibilities of what is happening in the African area between the Sudanese and militia Janjaweed. The film opens with reporters going on an excursion with the assistance of the nation of Africa's captain as both a guide and chaperone. They run into a small village on their way to a place pretty far off and distant in the desert. The two easily identifiable stars in this film are Billy Zane and Edward furlong. The two heros are virtual unknowns. It turns out that the janja weed militiamen raid these villages for sex and acknowledgement of existence...they want to be feared and revered as very very important and are told to the viewer that they are a threat to any public villager closeby the Sudan country. For some reason it seems to explain that the main two differences between people of that region are African and Arab. so the heightened climax of the film happens after the Janjaweed encounter the Americans and the African captain at this small village in Darfur...not too far away from Sudan.The Janjaweed then wreak havoc and the Americans are frightened away Until two of the crewmembers decide that there will be unnecessary bloodshed and that they feel that they could at least assist in battle to protect some of the innocent lives that will be killed by the Janjaweed raiders. Its a very violent film.

With depressing regularity, the behavior of humans on this planet devolves into something so far removed from those qualities which are supposed to set us apart from the other species that it truly boggles the mind. This movie is an attempt to portray one of those instances of inexplicable behavior, the Darfur Genocide, and it does an excellent job of it.

The cover art on the Video release is deceiving, you will not see Billy Zane as an action hero, ala Bruce Willis in Tears of the Sun or Leonardo DiCaprio in Blood Diamond - there is more than enough "action" in the second half, however.

This is also not The Killing Fields or Hotel Rwanda; it is somewhat more creative and poignant than those classics because it relies on unscripted dialogue, many actual survivors as actors and because this occurrence in the Sudan is still underway at the present time, unlike the Cambodian and Rwandan instances which were brought to the screen 10 years afterwords.

What you have here instead is a somewhat raw microcosm of genocide and the confusion of the world to deal with it; brought to you in a manner which is both immersive and which raises many legitimate questions. You could close your eyes for some parts or leave it out of your DVD player altogether - but you'll be somewhat less of a human for having done so.

This is my review on Uwe Bolls movie Darfur. If you guys know anything about Uwe Boll he uses shock moments to make a movie. Let me say that this is the first thing wrong with Bolls movies. He fills the movie with blood and gore and 0 story line and 0 character development. The only reason I watched this was because i read many reviews on here that said it was good.

This movie is about American reporters who go to Darfur to document the atrocities being done to the people. They go to a small village and soon make friends with the towns people. As they are leaving they see a group of arabs who are going to the village (most likely to wipe it out) some try to play hero as others go back to camp.

This movie is just absolutely awful. There is zero character development and of course for Uwe Bolls common style of a shaking camera that is constantly moving around. You can never fully tell whats going on in the picture. It makes the movie unwatchable. The only reason for the 3 stars was because it did what it intended to do. It does shock and awe at some points but if your looking for gore skip this. 20 mins of gore 70 mins of bore. Skip this one folks

I've just finished watching this movie and I've never felt strongly enough to actually write a review or commentary on IMDb before. However, after watching this movie, I feel compelled to.

Filmed in a style that could almost be mistaken as a documentary, the actors play their parts perfectly. As was said in another review here, this movie is not about the actors but about the people of Dafur and the struggle therein.

Uwe Boll has done an amazing job here. I won't go into any detail about the movie but will keep this short and sweet. Watch this movie, you may not enjoy it in the conventional sense but it's a movie that needs to be seen. Once you've seen it, then you'll understand why.

This is my first Uwe Boll film. I have only ever heard of his movies, which mostly flop and are derided by critics and audiences. Recently, I heard about this movie, and I saw familiar faces in the cast. I wondered if this might be the film that convinces audiences that Boll has ability to make a good movie. I watched the trailer and researched production information behind the project, and all of it seemed to point towards a great film in the making. Boll appeared a calm, reflecting instructor in front of the camera. He spoke about the issues of Darfur and expressed hope that the UN and NATO would finally get involved somehow. All this added to my eagerness to see the movie for myself.

I finally got the chance today. One night in my city, special screening in the cinema, with the assistance of STAND Canada. All the profits this movie makes on this tour will help fund STAND Canada and its attempts to raise awareness of Darfur's genocide.

Let me just say, the film is shocking. The film is ghastly in its realism, and many a time came where my hand flew up in horror and I struggled to continue watching the film. Boll does not tone down anything for the audiences, and gives us a vicious film that is simple in showing us what happens in Sudan.

In the midst of this are six Western journalists, being led by a small group of military units from UA. They take the journalists to a small village where they see for themselves what is happening here in this region of the world. Darfuri speak to them in hushed voices, restraining tears or speaking with quiet resentment towards these people who promise to show the world what is happening.

Much of the dialogue was improvised, and most of the people playing the villagers are themselves survivors of Darfur. The knowledge of this lends an eerie sense of realism to the film, and it is fascinating to see how the American and British actors prepared and developed their characters in the film.

Most prominent are Malin (Kristanna Loken) and Freddie (David O'Hara). Malin is moved by the plight of the people as she asks them questions with terrible answers. Freddie observes the village and the attitude with some hint of disgust at this endless cycle of violence, where both blacks and Arabs are guilty of killing each other. As a journalist, he is relentless, bombarding the captain who is supervising them with questions on why nothing is being done, though he is himself reluctant to put himself on the line for the people. This leads to a revelation in his character that leads to perhaps the strongest performance of the journalists. O'Hara's gravelly voice and his grim face dominate the scene where he is present, and his character develops well as he is exposed to this world.

Also present are Billy Zane, Matt Frewer, Edward Furlong, and Noah Danby. They all give their characters specific quirks and opinions on the topic of Darfur. Zane is emotionally moved by the answers he gets from the villagers. Furlong's character remains aloof and tries to escape the horror of it all emotionally. Danby stares at all around him with a determination to tell this story to the world, while Frewer's character is most concerned with the safety of his camera and taking pictures for his daughter.

What happens next is evident in the synopsis; a group of Janjaweed arrive with an intent to massacre the village. The journalists must decide whether they stay and attempt to protect the villagers with their status as foreigners, or flee to tell the world of what is going on. In two of the strongest performances in the movie, we are given the Captain (Hakeem Kae-Kazim) who is ultimately responsible for the safety of the journalists, and the leader of the Janjaweed band (Sammy Sheik) who has no need for subtlety when dealing with those who oppose him.

The film is brutal, violent, and graphic. The issues it tries to show are real and the film is very effective in giving us this scene of terror and carnage. It is certainly not for all to see; do not come in expecting to feel fine walking out.

Uwe Boll gives us a mighty film about the issue of Darfur, and relating to his previous filmography, I don't care if he made ten times as many flops as he has. All that is forgotten while watching this film, at least for me.