Medianeras

The movie "Sidewalls" is very different from the movies I usually watch and to be completely honest I'm not sure if I liked it or not. I thought it portrayed real life very accurately; real like is sometimes slow and a bit dull. In real life you go through conflicts caused by others or sometimes the conflicts are within; depression, anxiety, insomnia, loneliness, etc, and I think "Sidewalls" showed that. I would prefer if the movie was in English, mainly because I focused on the dialogue and didn't see some of the detail that was put into a couple shots. However, I thought "Sidewalls" was filmed very well; I personally really like it in movies when there is a voice over with shots that complement what is being said and this movie did that multiple times. I really liked how the two main characters went to the same places, were connected in several ways (the chair, the crosswalk, etc), but they never met until the end of the movie. I think the director wanted this movie to accurately portray reality: mental health issues controlling certain people's lives, how the internet is ruining face to face communication, but can also bring people together, and how everyone, at one time in their life, will feel completely and utterly alone. I think this movie can be directed towards a wide variety; mainly teens-adults. I definitely don't think this movie is appropriate for children because of some of the content and I don't think most elders would like this movie, but besides that I think this movie is targeted to most ages. I think that "Sidewalls" was a movie; it did have some things you could learn from and say was "educationally", but I do think it is more for pleasure. Overall, I do think "Sidewalls" was a good movie; I would suggest it to a friend and may even watch it again myself.

Medianeras, directed and written by Gustavo Taretto, is an Argentine romantic dramedy that explores loneliness, disconnection, and urban life in Buenos Aires. Through the parallel stories of Martín (Javier Drolas) and Mariana (Pilar López de Ayala), the film reflects on the search for love and human connection in an environment that, paradoxically, seems designed to make them harder to find.

One of the film's central themes is loneliness in the metropolis, where high population density contrasts with emotional disconnection. Martín and Mariana live in nearby buildings but have never met, illustrating how architecture, technology, and the fast-paced nature of the city contribute to isolation. The dependence on technology for communication is a recurring theme: Martín is immersed in a virtual world, highlighting how modern technology can serve as both a bridge and a barrier in personal relationships.

The film makes poetic use of Buenos Aires' architecture, not just as a setting but as another character. The city's symmetry and verticality are reflected in the visual style, with shots that play with the asymmetry of the protagonists' lives. Images of windows, crowded streets, and structures that separate rather than unite symbolize the physical and emotional barriers that prevent human connection. Additionally, the soft color palette and carefully composed cinematography enhance the film's melancholic yet beautiful aesthetic.

Taretto also raises important questions about how modern architecture and technology impact our lives and relationships. The use of voiceover to comment on these themes is well-executed, offering an intimate and poetic reflection that complements the visual storytelling.

Ultimately, Medianeras is a film that sensitively and humorously captures contemporary loneliness, exploring the longing for connection in an increasingly fragmented world.

Two young adults live lonely, isolated existences in modern Buenos Aires and repeatedly fail to meet each other despite living on either sides of a street.

Javier Drolas is a web designer living in a cluttered, one room apartment. He doesn't like to go outside and only does for his therapy appointments and to walk the dog his American girlfriend left with him when she returned home for a visit and never came back. He has a brief sexual relationship with a young, emo dog walker, but it's not very satisfying.

Pilar López de Ayala is a young architect working as a window dresser. She has a series of unsatisfying relationships and is happier relating to the mannequins she keeps in her apartment.

The film teases several meetings between these two, but along the way, muses on life in modern Buenos Aires, a city that has grown so fast that it's a mishmash of haphazard architectural styles and most people live in tiny apartments in giant high rises. The growth of online relationships and slow death of personal, physical ones is killing the romantic lives of young people like our protagonists.

It's a very slight, but quite engaging film. You never doubt that a film with this light a tone will end with these two meeting, but it's a pleasant journey. Gustavo Taretto telescopes his indebtedness to Woody Allen by having our protagonists both watching the climax of "Manhattan". This film is more like "Annie Hall" with a steady narration by both leads and a blend of many styles ... animation, on screen graphics and many other gimmicks are dropped in.

A Spanish 500 Days of Summer mixed with a more urban and up to date You've Got Mail. I liked this film a lot. I watched on a whim, this being the first movie I've actually watched fully subtitled and I've got to say, personally it made the experience of the movie that much more enjoyable.(I think it added a feeling of being connected, seeing that there are people out there from a different culture feeling and hurting and living just like me) Now even though dialogue is primarily in Spanish, English songs are used and this also brought an even more familiar tone to the movie as a whole. I connected with both the main characters in the film. Their feelings of loneliness on the inside, yet, still going on with their day to day all while being mixed with their phobias, longings, quarks, and vulnerabilities. This movie works, it works on every cylinder. Beautifully shot and beautifully written.. Watching this will not be a waste of your time.

As soon as the movie began, I was hooked. The gorgeous shots of the buildings of Buenos Aires had my eyes glued to screen. As the story began, I was welcomed into the lives of Martin and Mariana, two people living in isolation from the big crowded world just outside their door. With the comforting mood of the movie, I felt as though I was there with them, living a peaceful and quiet existence, completely cut off from the busy and fast paced world surrounding me. It was nice. I felt relaxed and at ease as I watched the two characters struggle with relationships, phobias, and just life in general. If I were to use one word to describe this movie, it would be beautiful, but not just because of the gorgeous cinematography. I thought the movie was beautiful because it was real. It told a story about two imperfect characters living imperfect lives in their imperfect homes because that's what life is, imperfectly beautiful.