Life Partner

Rumi Jaffery made his directorial debut with the disappointing'God Tussi Great Ho', thankfully his 2nd outing 'Life Partner' doesn't remind of his previous work.

First things first: Don't watch 'Life Partner' with huge expectations, chances r you might turn it off. If you watch it with limited expectations, your bound to have a good time... to an extend!

The first hour doesn't work, that's mainly because the story hardly moves. The film takes off when Prachi Desai enters the scene. The second hour is interesting and has a silly, but gripping climax.

The music is good, with every song keeping the mood alive. While the Rumi Jaffery's writing is faulty at times. As a director, he does what his script demands.

Performance-wise: Prachi Desai, undoubtedly is the life of 'Life Partner'. She looks damn cute and delivers a natural performance from scene A to Z. The second in command is Fardeen, who excels throughout. Tusshar is decent, while Genelia D'Souza hams. Anupam Kher, Vikram Gokhale and Darshan Jariwala are perfect in their parts. Veteran Comedian Jagdeep does a hilarious cameo as Fardeen's ill client. Amrita Rao is wasted. And last but not the least Govinda. He's first-rate in an extended special appearance.

On the whole 'Life Partner' may not be the best film to watch on a Sunday, but not the worst either! Average.

There are different types of comedies. What the audience has been subjected to for over a year now has been the inane slapstick comedy that causes irritation, instead of evoking laughter. Subtle humor has been the hallmark of Kishore Kumar, Amol Palekar and Vinay Pathak's films. Then there are those comedies which may be witty, yet silly and genuinely funny at the same time. If your taste in such comedy could devour Partner and No Entry among recent examples, then acclaimed writer Rumi Jaffrey's 'Life Partner' will tickle your funny bone while also providing you with some rational drama that often jumps to melodramatic levels. Nevertheless, the film is better than one would expect…..

Karan (Fardeen Khan) plays the lover boy whose love marriage turns him into a house-man of sorts, Bhavesh (Tusshar Kapoor) plays the orthodox Gujju who will abide by the archaic customs established by his conventional father (Darshan Jariwala) while Jeet (Govinda) plays a relentless divorce lawyer to whom marriage is the biggest mistake that one can make. In a turn of events, Karan marries his spoilt rich girlfriend, whose father's negligence in training her led to her disastrous experiments in the household. Bhavesh goes to Gujarat to find a suitable bride but ends up marrying his father's childhood friend's daughter Prachi and Jeet disappears from the screen momentarily.

Genelia's disasters at home and excessive indulgence with inactivity frustrate Karan who is working hard to maintain their lifestyle. Prachi's father (Vijay Gokhale) is an open-minded rich Gujarati businessman who is deeply rooted to the culture but respects the independence and choices of his daughter. His principles are in direct conflict with those of Bhavesh's father and it leads to some realistic and likable scenes. While the film doesn't clearly take sides for or against marriage per se, it is Govinda's witty dialogue that makes you want to do so.

The film is well written by Rumi Jaffrey and he successfully breaks away from the stereotypes of inane slapstick comedies to give us something more to reflect upon. The screenplay and editing truly hammer the film but the appropriate usage of witty dialogues draw correct emphasis on situations rather than those double meaning retarded jokes we have been subjected to.

Pritam's musical score consists of a garba melody, Aage Aage that reminds us of some hit folk song and Kouke koyaliya which has been rendered in such a horrifying manner by Shreya Ghoshal that it bec0mes enjoyable for a while…. Only for a while. Govinda has not had been able to replicate Partner's success over the past couple of years but when it comes to a comic interpretation of society's stresses, there is hardly a better actor for Jeet's role. His performance comes with his trademark style of hilarious expressions, distinct dialogue delivery, one-of-a-kind dancing and exemplary comic timing that elevates a funny dialogue to a higher level. Fardeen Khan gives one of his best performances in the type of role that he is becoming increasingly comfortable with. Tusshar does not give one much to write about but he does justice to his character and he takes the joke on his sister and father in good humor! Anupam Kher and Vijay Gokhale are maestros in their business and therefore, as reliable as always. Among the ladies, Prachi Desai stands out with her convincing performance as a modern housewife yearning to break apart from the strange traditions that threaten to destroy her married life. While Life Partner may not be the best comedy of all time but surely, it is, of recent times. Worth a watch to rid the mind of all the hyped concoctions of the so called 'new cinema' and totally unlike many 'leave the brains at home' type Govinda movies that we have seen before.

• 6.52 on a scale of 1-10.

The film portrays the various stages of relationships, from courtship to marriage, and highlights the importance of trust, love, and understanding in a relationship. The movie is filled with hilarious moments and witty dialogues that keep the audience entertained throughout.

The performances of the cast are top-notch, with each actor delivering their best. Govinda's comic timing is impeccable, while Fardeen Khan and Genelia D'Souza's chemistry is.

Overall, "Life Partner" is a funny, heartwarming, and entertaining movie that can be enjoyed by audiences of all ages. It's a perfect film to watch with family and friends, and it will leave you with a smile on your face.

This movie brings back some memories of an era that has gone by and one which consists a message that has been added in with some humour.. Three friends, one involved in selling spices, the second who works for an International company and a third, a divorce lawyer – who will stop at nothing to get some business, don't have any marital problems until they tie the knot and its when they approach marital life from different angles and how they handle the situation that each one of them is in that makes it interesting.

Starring Govinda, Genelia D'Souza, Tusshar Kapoor, Fardeen Khan, Prachi Desai, Anupam Kher and Amrita Rao, this is directed by Rumi Jaffrey, while Javed Akhtar pens the lyrics and the music score is by Preetam.

It's nice to see Govinda back in a role that he is good at – comedy and serious and in a role that demands both comedy and serious as do Fardeen Khan and Tusshar Kapoor and Genelia D'Souza.

Gone is the era which showed marital problems and couples splitting up but Rumi Jaffrey brings back that era and has also added some humour, though it is restricted, to this and this is what makes it worthwhile to watch. A couple of songs, which have been penned in by Javed Akhtar, are worth listening.

This is one movie that can be said that is one that can be watched with family members at any time.

The basic premise is regardless of love-marriage or arranged marriage, divorce is the final destination for sure as much as death or taxes. Govinda keeps popping-in and out at regular intervals on the screen to prove his point, add fuel to the fire in the lives of couples and keep his chimney burning.

The casting is perfect. Govinda reprises Partner Salman Khan. Fardeen & Genelia are well suited for the modern couple while Tushar & Prachi for the traditional. Anupam Kher was wasted. Vikram Gokhale had an extended special appearance. Darshan Jariwala gets in the skin of the character as orthodox patriarch.

The songs are just about okay, Pritam should stop using too using too much of English language in a Hindi film.

In his second outing Rumi Jaffery attempts a David Dhawan/ Priyadarshan. Having established himself with the credentials of a writer, Rumi seems to have a bit lost when it comes to wielding the megaphone. The basic flaw apparently is the slow screenplay. In addition, a taut job was warranted by the editor. The tongue-in-cheek humour was pretty much coming. It also takes a perfect dash of slapstick to strike a balance for a good comedy, which was missing too (should have taken cue from David Dhawan/ Priyadarshan). Having said that there is better quality of tongue-in-cheek humour on telly, so how do you make a movie stand a notch above? Abbas-Mustan as producers should have kept a tab on the proceeding.