A hard-core New York Giants fan struggles to deal with the consequences when he is beaten up by his favorite player.A hard-core New York Giants fan struggles to deal with the consequences when he is beaten up by his favorite player.A hard-core New York Giants fan struggles to deal with the consequences when he is beaten up by his favorite player.
- Awards
- 1 win & 5 nominations total
Sidné Anderson
- Hospital Doctor
- (as Sidne Anderson)
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- Writer
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Featured reviews
In his directorial debut, Robert Siegel shows that his true talent still lies in his writing. The tone of Big Fan feels very similar to Siegel's past writing venture, The Wrestler. In both films Siegel proves that he is able to craft a story that feels so rooted in the real world that at times it can feel as if you are simply a fly on the wall watching these events unfold. The only problem with this is that the real world can be boring, and without the direction of Darren Aronofsky to help bolster it, Big Fan occasionally slips into this category.
Big Fan follows the life of Paul Aufiero (Patton Oswalt), a devout New York Giants fan, and parking garage attendant. Paul plods along through his life, living with his mother (Marcia Jean Kurtz) in Staten Island, working nights at the parking garage, and finishing everyday by cranking one out before he falls asleep. We soon see that the only thing that Paul really cares about is football, or more specifically, the New York Giants. Paul meticulously crafts rants about why his Giants are "destined" for glory and calls in to a local late-night sports radio show where he is a known contributor and enemy of Philadelphia Eagles fan, Philadelphia Phil. Paul seems happy with this life and only asks that come Sunday he can put down another win for the Giants. Things then take a turn for Paul as a night out with his best friend Sal (Kevin Corrigan) results in a sighting of his favorite player Quantrell Bishop (Jonathan Hamm). The two follow Bishop through Staten Island eventually coming to a Manhattan strip club. In the club Paul finally builds up the guts to go over and talk to Bishop and in a drunken state Bishop misinterprets something Paul says and beats him to a pulp. The rest of the film follows Paul and his struggle to figure out his life as everyone around him tries to get him to sue, and imprison his hero, all while his Giants stumble and fall from their path to "destiny".
The acting in this film is its true saving grace. Oswalt proves that he is so much more than the voice of the rat in Ratatouille. He becomes Paul, leaving the audience completely convinced that the Giants truly are this man's reason for living. Also of note is Kevin Corrigan. Corrigan is continuing to be "that guy" in movies. He is probably best known as Eddie on TV series Grounded for Life, but he has also popped up in movies like True Romance, Goodfellas, The Departed, and more recently Superbad and Pineapple Express. The guy is a great actor and really deserves a lot more credit than he gets. With the character of Sal, he really is the only character to stick by Paul throughout the entire film, and he is completely believable the entire time. Not once is the audience left to wonder why Sal is supporting every decision Paul makes. Corrigan never makes us feel that he is just the token best friend in the movie. Sal supports Paul because that is who he is and we never doubt that. Corrigan truly deserves to get a lead role in a film so that he can really show people what he can do.
The comparisons between Big Fan and The Wrestler are unavoidable. Both were made on a small budget, take place in lower middle class urban neighborhoods, and deal with sports. Unfortunately for Siegel, where Aronofsky succeeded with The Wrestler, Big Fan seems to falter. The direction is not bad; it just causes the film to sag in spots. I was bored during some long stretches of the movie that made me feel like I was watching the most mundane moments of Paul's day. The visuals often leave something to be desired, making the viewer feel like the film was a few steps away from being great.
Big Fan manages to combine just the right amount of comedy in what is most definitely a drama. The acting is surprisingly good, with both Oswalt and Corrigan turning in great performances. Siegel shows us again that he is a great writer and has a gift when it comes to crafting believable real life dialogue. The direction causes the movie to be boring in some parts most likely due to this being Siegel's first outing. Even if you are not a football fan, which I am not, you will be able to enjoy this movie. And maybe next time you hear a crazed fan on a radio call-in show, you will feel a little differently.
Big Fan follows the life of Paul Aufiero (Patton Oswalt), a devout New York Giants fan, and parking garage attendant. Paul plods along through his life, living with his mother (Marcia Jean Kurtz) in Staten Island, working nights at the parking garage, and finishing everyday by cranking one out before he falls asleep. We soon see that the only thing that Paul really cares about is football, or more specifically, the New York Giants. Paul meticulously crafts rants about why his Giants are "destined" for glory and calls in to a local late-night sports radio show where he is a known contributor and enemy of Philadelphia Eagles fan, Philadelphia Phil. Paul seems happy with this life and only asks that come Sunday he can put down another win for the Giants. Things then take a turn for Paul as a night out with his best friend Sal (Kevin Corrigan) results in a sighting of his favorite player Quantrell Bishop (Jonathan Hamm). The two follow Bishop through Staten Island eventually coming to a Manhattan strip club. In the club Paul finally builds up the guts to go over and talk to Bishop and in a drunken state Bishop misinterprets something Paul says and beats him to a pulp. The rest of the film follows Paul and his struggle to figure out his life as everyone around him tries to get him to sue, and imprison his hero, all while his Giants stumble and fall from their path to "destiny".
The acting in this film is its true saving grace. Oswalt proves that he is so much more than the voice of the rat in Ratatouille. He becomes Paul, leaving the audience completely convinced that the Giants truly are this man's reason for living. Also of note is Kevin Corrigan. Corrigan is continuing to be "that guy" in movies. He is probably best known as Eddie on TV series Grounded for Life, but he has also popped up in movies like True Romance, Goodfellas, The Departed, and more recently Superbad and Pineapple Express. The guy is a great actor and really deserves a lot more credit than he gets. With the character of Sal, he really is the only character to stick by Paul throughout the entire film, and he is completely believable the entire time. Not once is the audience left to wonder why Sal is supporting every decision Paul makes. Corrigan never makes us feel that he is just the token best friend in the movie. Sal supports Paul because that is who he is and we never doubt that. Corrigan truly deserves to get a lead role in a film so that he can really show people what he can do.
The comparisons between Big Fan and The Wrestler are unavoidable. Both were made on a small budget, take place in lower middle class urban neighborhoods, and deal with sports. Unfortunately for Siegel, where Aronofsky succeeded with The Wrestler, Big Fan seems to falter. The direction is not bad; it just causes the film to sag in spots. I was bored during some long stretches of the movie that made me feel like I was watching the most mundane moments of Paul's day. The visuals often leave something to be desired, making the viewer feel like the film was a few steps away from being great.
Big Fan manages to combine just the right amount of comedy in what is most definitely a drama. The acting is surprisingly good, with both Oswalt and Corrigan turning in great performances. Siegel shows us again that he is a great writer and has a gift when it comes to crafting believable real life dialogue. The direction causes the movie to be boring in some parts most likely due to this being Siegel's first outing. Even if you are not a football fan, which I am not, you will be able to enjoy this movie. And maybe next time you hear a crazed fan on a radio call-in show, you will feel a little differently.
Simplicity is a rare commodity in today's fast moving, conglomerate world, but for Paul Aufiero (Patton Oswalt) there's only one thing that matters in his life. Everything else is irrelevant in comparison and it isn't his wife, or his child, or his family in general; it is the American Football team the New York Giants. As the self-proclaimed 'biggest Giants fan ever' Paul lives, breathes, shouts, screams, and sleeps everything about the team. He even situates a poster featuring his favourite player Quantrell Bishop (Jonathan Hamm), the Giants quarterback, above his single-bed. But when an opportunity arises to meet Quantrell, the player mistakes Paul for a stalker and violently strikes out causing his instant hospitalisation. Once released he has to come to terms with the fact that his simple, linear life is now starting to crash around him, like a fumble in the final moments of the Super Bowl, as his family, the media and the team all want a piece of the Giants 'Big Fan'.
Written and directed by Robert Siegel on a minimal budget, 'Big Fan' is a surprising independent gem that attains the majority of its prowess from an outstanding offensive performance by Patton Oswalt as the man who lives for the Giants. His support is monumental as he travels week in and week out to merely sit in the car-park outside Meadowlands Stadium and watch the game on a portable TV with his right-hand fan Sal (Kevin Corrigan). While he spends his job as a parking attendant writing up witty remarks to use on the Sports Dogs nightly call-in Sports show – of which one participant called Philadelphia Phil becomes Paul's nemesis over-time. There banter over the airwaves becomes one of the biggest driving forces of Paul's life while he isn't thinking about the next game. But after the assault takes place, his loyalty, and in turn his life starts to become torn apart. His family want him to turn the event in an opportunity to sue the player; the local authorities want him to press charges against quarterback, while the team are on a losing streak as Quantrell has been suspended while the investigation is on-going. All the while, all Paul wants is to support the team and nothing more. He doesn't have the greed and the ambition that others do. To him the Giants are his life-support machine, and if you take those away he would flat-line in an instant.
While Oswalt's performance is mesmerising, Robert Siegel's writing and direction must also be commended. His script is honest and straight-to-the-point, he captures it captures all the awkward events of Paul's life perfectly, including the argument between the brothers on the toilet. While he uses the space of the world around him perfectly to capture Paul's subtle isolated life brilliantly and at the same time Siegel also uses the, sometimes overtly exaggerated, close-up shot to portray the characters emotions within this one man's own perfect universe. 'Big Fan' is low budget, high impact film that thrives off a gleaming central performance by Patton Oswalt, and is definitely one of the best independent films of the last couple of years.
Written and directed by Robert Siegel on a minimal budget, 'Big Fan' is a surprising independent gem that attains the majority of its prowess from an outstanding offensive performance by Patton Oswalt as the man who lives for the Giants. His support is monumental as he travels week in and week out to merely sit in the car-park outside Meadowlands Stadium and watch the game on a portable TV with his right-hand fan Sal (Kevin Corrigan). While he spends his job as a parking attendant writing up witty remarks to use on the Sports Dogs nightly call-in Sports show – of which one participant called Philadelphia Phil becomes Paul's nemesis over-time. There banter over the airwaves becomes one of the biggest driving forces of Paul's life while he isn't thinking about the next game. But after the assault takes place, his loyalty, and in turn his life starts to become torn apart. His family want him to turn the event in an opportunity to sue the player; the local authorities want him to press charges against quarterback, while the team are on a losing streak as Quantrell has been suspended while the investigation is on-going. All the while, all Paul wants is to support the team and nothing more. He doesn't have the greed and the ambition that others do. To him the Giants are his life-support machine, and if you take those away he would flat-line in an instant.
While Oswalt's performance is mesmerising, Robert Siegel's writing and direction must also be commended. His script is honest and straight-to-the-point, he captures it captures all the awkward events of Paul's life perfectly, including the argument between the brothers on the toilet. While he uses the space of the world around him perfectly to capture Paul's subtle isolated life brilliantly and at the same time Siegel also uses the, sometimes overtly exaggerated, close-up shot to portray the characters emotions within this one man's own perfect universe. 'Big Fan' is low budget, high impact film that thrives off a gleaming central performance by Patton Oswalt, and is definitely one of the best independent films of the last couple of years.
Big Fan stands as a profound and thoroughly remarkable character study marked by a magnetic performance of Patton Oswalt. He excels as Paul Aufiero, a life-long fan of New York Giants being brutally hit by one of Giants' top players in a strip club. Oswalt is equally sympathetic and believable starring as this deeply troubled character. His performance is the chief, but thankfully not the only reason to see Big Fan. Writer-director Robert Siegel regards the sports fanaticism as an addiction and that gives his film the necessary gravitas: its power and its credibility. The script is devoid of clichés with many well-observed situations thrown in and several ingenious twists you won't see coming. As a result, you observe Paul falling into decay with great anxiety combined with care. Siegel crafts a subversive comedy, funny and bleak in equal measures. It also works as a peculiar take on the pathology of sports mania.
Well Patton Oswalt is a funny guy. I like his comedy and he's got a unique personality. This film is not exactly funny. It's written by the guy who wrote The Wrestler and its similar to it in many ways. He also directs for the first time and it's like he just followed the same mood that Darron Aronofsky used. Here we got the guy who's a football nut calling into to a radio show to boost his ego because he lives with his mom, he has one friend he hangs out with and they go to watch football in the parking lot of the NY Giants because they can't afford to get in. He's the Big Fan of the quarterback of the Giants and calls in to the local radio show to talk trash about any team playing them. Especially the Philly Eagles. HE practices his calls while working his crappy job as a parking lot attendant. The film drags a bit and the highlight is when he confronts a Phillies fan with a grudge. He's a loser going nowhere. And that is his goal. As well as that of the film. Now, where the Wrestler told an underdog story about a guy trying to get back in the game after his life turns out bad and lonely. This film is about resisting any change no matter how sorry the situation. I so want to like Patton doing a dark comedy, a little more humor and some kind of character build would have helped and proved Patton can act. It fizzles away before I can even decide what to think about it.
I never knew this movie existed until Howard Stern mentioned it on his show last week. I'm glad he did because this was a good movie. Patton Oswalt is once again type-cast as the geeky guy who lives with his mom except this time he's a huge football fan. Michael Rappaport basically just plays himself, a mean spirited jerk, and Kevin Corrigan is once again type-cast as the barely noticeable, somewhat supportive best friend. Despite the three main actors not stretching at all for this movie, it still works somehow. Though I must say that Satan from Your Pretty Face Is Going To Hell was disappointing as the police detective. This is definitely a movie you should see.
Did you know
- TriviaDirector Robert Siegel has said that between takes in the strip club, while other members of cast and crew were enjoying the company of dancers, actor Patton Oswalt was watching episodes of John Adams (2008) on his iPod in a private room.
- GoofsWhen Paul is reading the newspaper about the Giants' actions regarding the suspended player, two short paragraphs are repeated several times to give the appearance of more news copy.
- Quotes
Paul Aufiero: He was rusty.
- SoundtracksOoh Poo Pah Doo
Written by Jessie Hill
Performed by Mitch Ryder & The Detroit Wheels
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Music Group Film & TV Licensing
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Details
- Release date
- Country of origin
- Official site
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- Also known as
- Paul Aufiero
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $234,540
- Opening weekend US & Canada
- $24,266
- Aug 30, 2009
- Gross worldwide
- $234,540
- Runtime
- 1h 28m(88 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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