IMDb RATING
5.2/10
9.4K
YOUR RATING
A young girl wakes up in a casket with a head injury and no memory of her identity. She quickly realizes she was abducted by a serial killer and she must fight to survive.A young girl wakes up in a casket with a head injury and no memory of her identity. She quickly realizes she was abducted by a serial killer and she must fight to survive.A young girl wakes up in a casket with a head injury and no memory of her identity. She quickly realizes she was abducted by a serial killer and she must fight to survive.
- Awards
- 3 nominations total
Seri DeYoung
- Bound Girl
- (as Seraphine DeYoung)
Mark Bentley
- Sheriff Bates
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
That second star is for Stephen, who was the one character that made this monstrosity slightly bearable. Not that he's much of a character, but at least his particular brand of idiocy is the sort that draws a grudging smile out of a horror fan. He certainly has the best lines of anyone in the movie. A car in a horror flick that can only go forty miles an hour is a new one on me, and kind of funny.
Also mildly hilarious is the fact that the convenience store is clerked by a Justin Bieber look-alike.
Apart from that, there is absolutely nothing to see here. The gore gets points for being the right color, texture and coming with a minimum of stupid slurpy noises... it LOOKS better than average, but the killer and the director screw it up by not really seeming to understand how a knife is actually used. (But then, I like for the execution in excessive gore to make SENSE if at all possible--helps justify it. What can I say, I'm picky.) People who only care about the blood'n'guts bit will like it well enough.
The plot is virtually non-existent; the heroine, while not unlikeable, has no personality and is impossible to give a crap about; the acting is god-awful even by horror's already-low standards; the characters' decisions are stupid even by horror's already-low standards... and possibly worst of all, the final confrontation with the killer sickeningly reminds one of the one in "The House By The Cemetery."
Nasty... just nasty.
Also mildly hilarious is the fact that the convenience store is clerked by a Justin Bieber look-alike.
Apart from that, there is absolutely nothing to see here. The gore gets points for being the right color, texture and coming with a minimum of stupid slurpy noises... it LOOKS better than average, but the killer and the director screw it up by not really seeming to understand how a knife is actually used. (But then, I like for the execution in excessive gore to make SENSE if at all possible--helps justify it. What can I say, I'm picky.) People who only care about the blood'n'guts bit will like it well enough.
The plot is virtually non-existent; the heroine, while not unlikeable, has no personality and is impossible to give a crap about; the acting is god-awful even by horror's already-low standards; the characters' decisions are stupid even by horror's already-low standards... and possibly worst of all, the final confrontation with the killer sickeningly reminds one of the one in "The House By The Cemetery."
Nasty... just nasty.
A woman wakes up in a "dead box" (what most of us would call a coffin) and has no memory of how she got there or who she is. But she quickly discovers a man with a metal face is seriously interested in killing her, which isn't something she's particularly looking forward to. Will she be able to escape and find the answers she's looking for, or is her running just a delay?
The soundtrack music was provided by Deadbox and Suicidal Tendencies. I'm familiar with the latter, but not the former, and I have to give them a fair amount of credit for this film's mood. The opening scene and music really sucked me in, and I can't say I recall any opening having such a strong effect since the Nine Inch Nails' beginning of "Seven". Well played, maestro.
The director of this piece is Robert Hall, probably best known as a special effects artist. Not surprisingly, this film has pretty much the best gore effects ever. Okay, a slight exaggeration -- but not much. One scene where a man's face gets sliced clean off? Gloriously sadistic! The only film in recent memory I can compare this to is Ryan Nicholson's "Gutterballs", though there is a marked difference -- Nicholson goes for grit, Hall goes for shock and awe.
The killer, ChromeSkull, is both cool and cheesy -- he writes his own name on his car? I find it hard to believe a guy who does that remains uncaught. Especially a guy who films himself killing -- in the open sometimes -- and dresses like Destro. But he's a menacing figure, and far more threatening than Jason or Michael simply for his pure intensity. This is the kind of killer "Hatchet" promised us, but couldn't deliver.
Many of the classic horror clichés are here -- no phone, no gas, the killer tracks victims for miles. I almost wonder if this was done intentionally to be a bit over the top, because if not I think the writer (also Robert Hall) tried to hard to be clear about the peril. This many obstacles in one film takes the "isolation" factor and makes it more of a hilarity factor. I had trouble taking this film completely seriously.
"Laid to Rest" is likely to be overlooked by many, which is a shame. I freely admit I was not overly excited upon seeing the unoriginal skull and crossbones cover. My expectations were somewhat low, and I fear others will walk past this one in the video store, as well. Don't. Unlike other mask covers (this means you, "Bryan Loves You") this one is the real deal. I don't know if it's worth a purchase, but neglecting to rent it would be a mistake for any slasher fan -- a fatal mistake.
The soundtrack music was provided by Deadbox and Suicidal Tendencies. I'm familiar with the latter, but not the former, and I have to give them a fair amount of credit for this film's mood. The opening scene and music really sucked me in, and I can't say I recall any opening having such a strong effect since the Nine Inch Nails' beginning of "Seven". Well played, maestro.
The director of this piece is Robert Hall, probably best known as a special effects artist. Not surprisingly, this film has pretty much the best gore effects ever. Okay, a slight exaggeration -- but not much. One scene where a man's face gets sliced clean off? Gloriously sadistic! The only film in recent memory I can compare this to is Ryan Nicholson's "Gutterballs", though there is a marked difference -- Nicholson goes for grit, Hall goes for shock and awe.
The killer, ChromeSkull, is both cool and cheesy -- he writes his own name on his car? I find it hard to believe a guy who does that remains uncaught. Especially a guy who films himself killing -- in the open sometimes -- and dresses like Destro. But he's a menacing figure, and far more threatening than Jason or Michael simply for his pure intensity. This is the kind of killer "Hatchet" promised us, but couldn't deliver.
Many of the classic horror clichés are here -- no phone, no gas, the killer tracks victims for miles. I almost wonder if this was done intentionally to be a bit over the top, because if not I think the writer (also Robert Hall) tried to hard to be clear about the peril. This many obstacles in one film takes the "isolation" factor and makes it more of a hilarity factor. I had trouble taking this film completely seriously.
"Laid to Rest" is likely to be overlooked by many, which is a shame. I freely admit I was not overly excited upon seeing the unoriginal skull and crossbones cover. My expectations were somewhat low, and I fear others will walk past this one in the video store, as well. Don't. Unlike other mask covers (this means you, "Bryan Loves You") this one is the real deal. I don't know if it's worth a purchase, but neglecting to rent it would be a mistake for any slasher fan -- a fatal mistake.
This is a okay slasher with a few gruesome deaths that are actually sort of creative. The movie doesn't even really have a plot, just tries to make a excuse for some blood and gore. I am usually forgiving when it comes to movies like this but the plot holes were just way too noticeable. And it never tells or shows why the killer does what he does, he just goes around filming everyone of his kills while wearing a chrome skull mask. It had a strong start though, it was actually pretty creepy but after the first scene it quickly ran out of it's flair. A young woman waking up inside of locked casket with no memory of who she is or how she got there is a unoriginal but cool concept, but after that first scene the suspense dies. I thought it would have a cool build up and a decent twist, but the twist was actually pretty stupid as well. You just end up wanting the chrome skull killer to kill everyone, cause like I said I am forgiving but the characters or victims are just too damn stupid. I guess it's worth a look though for major slasher fans or if your in a appetite for slaughter.
4.2/10
4.2/10
Laid to Rest: 7 out of 10: Laid to Rest is a real slasher film. A movie truly for hardcore horror and gore fans only and will make viewers, such as myself, who often enjoy a less serious outing really wonder if I want to see a true horror film. (Turns out I do) This film scared me in places and made me look away in joyful disgust in others. It is a film that raises the bar for horror.
On a lighter note let’s pretend you are married to a B movie actress whose claim to fame is a brief appearance as an Orion Slave Woman on an episode of The Star Trek spin off series Enterprise (Season 4 Episode 4 Borderland to be exact). She has large breasts but refuses to do a topless scene and she is seemingly challenged in the acting ability department. Oh and if she doesn’t star in your next project the audience will not be the only people to be denied a nude scene.
Solution? One brain damaged protagonist coming up.... Some people have trouble getting past the um acting of our star (and directors wife) Bobbi Sue Luther but I think poor acting is as much a part of the slasher genre as the false scare or lame back-story reveal and it good to see it represented here. (Strangely I don’t recall a false scare in Laid to Rest and what back-story reveal there actually is turns out to be fairly well done.) As if to make up for the main lead, the rest of the cast is much better than any slasher film deserves. For one thing they act like a real people would if confronted with such horror. (This is a credit to the script as well; but the cast really does sell this.) Kevin Gage in particular gives a performance that carries the film and what Lena Headey (The queen in 300 and Sarah Conner in the Terminator: The Sarah Connor Chronicles ) is doing in a slasher film like this is a true mystery.
The direction by Robert Hall is also top notch with the ability to create tension and true scares. The real star of this show however is the make-up effects that are simply out of this world and make this worth a look just for that reason. (No cheesy digital blood here) The only real negatives to the film, outside of Bobbi Sue Luther performance (which isn’t really that bad and fits a brain damaged character), is the opening credits and the ending. If you hate quick cuts, shaky cam and techno music all combined together the opening credits will put the fear of God into you. Don’t worry it stops as soon as the film proper starts. The ending is simply disappointing on a few levels. Characters act... well out of character, and the whole thing is anti-climatic and gimmicky.
Overall Laid to Rest is an excellent slasher film for those people who like that sort of thing. But be forewarned this is for fans only; if you don’t like real horror stay far away.
On a lighter note let’s pretend you are married to a B movie actress whose claim to fame is a brief appearance as an Orion Slave Woman on an episode of The Star Trek spin off series Enterprise (Season 4 Episode 4 Borderland to be exact). She has large breasts but refuses to do a topless scene and she is seemingly challenged in the acting ability department. Oh and if she doesn’t star in your next project the audience will not be the only people to be denied a nude scene.
Solution? One brain damaged protagonist coming up.... Some people have trouble getting past the um acting of our star (and directors wife) Bobbi Sue Luther but I think poor acting is as much a part of the slasher genre as the false scare or lame back-story reveal and it good to see it represented here. (Strangely I don’t recall a false scare in Laid to Rest and what back-story reveal there actually is turns out to be fairly well done.) As if to make up for the main lead, the rest of the cast is much better than any slasher film deserves. For one thing they act like a real people would if confronted with such horror. (This is a credit to the script as well; but the cast really does sell this.) Kevin Gage in particular gives a performance that carries the film and what Lena Headey (The queen in 300 and Sarah Conner in the Terminator: The Sarah Connor Chronicles ) is doing in a slasher film like this is a true mystery.
The direction by Robert Hall is also top notch with the ability to create tension and true scares. The real star of this show however is the make-up effects that are simply out of this world and make this worth a look just for that reason. (No cheesy digital blood here) The only real negatives to the film, outside of Bobbi Sue Luther performance (which isn’t really that bad and fits a brain damaged character), is the opening credits and the ending. If you hate quick cuts, shaky cam and techno music all combined together the opening credits will put the fear of God into you. Don’t worry it stops as soon as the film proper starts. The ending is simply disappointing on a few levels. Characters act... well out of character, and the whole thing is anti-climatic and gimmicky.
Overall Laid to Rest is an excellent slasher film for those people who like that sort of thing. But be forewarned this is for fans only; if you don’t like real horror stay far away.
If you are looking for some pretty graphic and realistic gore porn, this does the job. The fx are well done and really make you cringe with all the various cerated edge knife slayings. The killer is pretty cool with all his gadgets, he kinda reminds me of Deadpool from Marvel Comics (X-Men Origins: Wolverine). Accept instead of two katana blades he has two shiny knives as his main killing devices. Yeah the plot is full of gaping holes but its a fun movie if you're into this type of thing. The acting is decent, and the main female role is actually pretty humorous with how stupid some of the lines are. I recommend it for the kills.
Did you know
- TriviaLead actress Bobbi Sue Luther and director Robert Hall used to be married.
- GoofsAt 54 minutes, the survivors retrieve the cellphone that belongs to the killer. They try to call 911 but can't because the phone is locked and password protected. All cellphones even if locked can still call out to 911. It is the only feature that remains unlocked.
- Alternate versionsIn order to get a "not under 18" rating from the FSK, German version had to be censored to remove 18 seconds worth of graphic violence.
- ConnectionsFeatured in Skull (2011)
Details
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.78 : 1
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