Iron Man 2

For some reason this movie had not been getting the greatest critic reviews. I do not understand that at all. I thought the movie was very enjoyable and a successful sequel in the series.

For anyone who has seen the first Iron Man you can expect much of the same in this movie. Robert Downey Jr. plays Tony Stark like he is meant for the part. He has the same sarcastic wit and self-confidence that is evident in his other movie roles. Gwyeneth Paltrow, as Pepper Potts, has a comes more to the forefront in the sequel. I also personally love that Jon Favreau is the driver for Stark/Potts, and that he gets into the action a little bit. You have to respect the director for that, even though Jon has done plenty of acting himself.

Normally in when they replace someone in a sequel with a different actor/actress I am very upset. However, Don Cheadle replacing Terrence Howard in Iron Man 2 as War Machine/Lt. Rhodes made me happy. This is similar to what happened with Maggie Gylenhal in the Dark Night.

Samuel L. Jackson playing Nick Fury has a bigger role, and it leads all the viewers into wanting The Avengers movie to come out immediately. Scarlett Johansson also showed up with some impressive stunt work, along with her always gorgeous looks.

All in all it was a well done sequel. The plot is not too convoluted to follow. The new villain, played by Mickey Rourke, is very impressive and fun to watch. The action scenes are all entertaining but they do not completely drive the movie. The only thing that I wished for leaving the theater was a longer final fight scene.

Also, make sure to watch after the credits!! It is short, but worth it.

Reading Iron Man 2's plot summary, things sound bleak for our characters. But not at all. This is a breezy, light-hearted, inoffensive affair that saunters at a magnetic pace, with emotional discomfiting a far thought. Which is pretty refreshing, to say the least. In fact, Iron Man 2 is the complete of antithesis of recent comic book movies. For one, it certainly isn't darker than its predecessor, absent its slow-burning first half and latched-on social commentary. It also gives itself the poetic license to stretch credulity. This is a movie about a man who flies around in metal suit, blasting away multicolored-haired Russians with electric whips. Realism simply doesn't apply, and thankfully director Jon Favreau and writer Justin Theroux take affectionate liberty with the bonds of belief. Yes, Ivan Vanko can secretly build super technology unbeknownst to his suppliers. And yes, the only way to incapacitate a drunken Tony is to beat the crap out of him in a Iron Man suit. No complaints here!

Iron Man 2 is also very much Iron Man's superior, although partly by default. The first movie was stuck with a pedantic origin story. However, the sequel had no shortage of possible paths to take. Which did it choose? The way you should always go; the road of characterization. Rather than tediously expand upon its universe, Iron Man 2 simply reprises its dramatis personae and sticks them into situations graver than before, upping the ante but reiterating the overall heart and spirit of its predecessor. The characters are well-etched, each snappy exchange rendered with a mature pathos that contrasts with the spurious scenarios that they feature in between of. Iron Man 2 could easily be called a comedy, but the naturalism of the comedy is seamless; you get the sense that it would be impossible to write this movie without having these vibrant characters joke and jeer.

To bring the clever screenplay to life is the phenomenal cast. Robert Downey, Jr., as always, is effortlessly captivating. Charisma defined and an scandalously unsung master of versatility (he's not just playing himself, people!), it's no breaking news that he's still one of the most watchable actors ever. He is the perfect Tony Stark, and a more-than-worthy representative of the thinking man's action star. His chemistry with Gwyneth Paltrow as the pragmatic Pepper Pots is electric, and she too turns in a fine performance. Wistful, but by no means a damsel in distress, she is probably the realest character.

The baddies, just as essential as the hero, don't disappoint either. Another wrong from last time round successfully remedied is the lack of genuinely menacing villains. Jeff Bridges honored us with his always-welcome presence in Iron Man, but his warm affability was anything but menacing. This time, however, Mickey Rourke and Sam Rockwell (oddly, both novices to blockbuster attention) are on duty, offering more than enough bang for your villainy buck. Rourke as Anton Vanko/"Whiplash", supplements a composite of the unintentionally hokey showman, supercilious mastermind, and the seemingly unstoppable behemoth. This effectively fends off one-noteness, and Rourke perfectly embodies the duality of Vanko's deceptively boorish visage and surprisingly vast intellect, while still indulging in the welcome irreverence that comes with the comic book villain (his Russian drawl is humorous but gives him an otherworldly conviction).

Rockwell, on the other hand, is flat-out comic relief as Stark's weaselly rival – though not necessarily a threatening one – Justin Hammer. He is excellent in the part; an absolute delight to watch, whether irascibly mugging in a loss for words with his insubordinate partner Vanko or, in one of the movie's best moments, shamelessly accolading his own (faulty) inventions with juvenile zeal.

Unfortunately, with all these characters butting heads for screen time, co-stars Don Cheadle and Scarlett Johansson as Tony's pal Colonel James "Rhodey" Rhodes and eventual partner War Machine and alluring temptress of a new assistant Natalie Rushman, respectively, are given the short straw. Both are more than able of carrying a scene, but while the script lavishes Tony with many moments in which to brood his way into some fine character development, and to convey Pepper's many grievances, neither supporting character is as lucky. Cheadle's moments of potential are all obstructed by the War Machine suit, and everything otherwise requires him to lucidly voice reason as a foil to the devil may care Tony. Johansson is a non-event, her Natalie Rushman an amoral nothing role, and her Black Widow guise is not so much daring femme fatale as listless sex symbol. She acts as merely a vessel for fan service, be it in her skintight suit for the general audience or that she represents another stepping stone to an Avengers movie for esoteric comic book fans.

The movie is inter cut between the scenes of terse characterization and octane action. The latter is a dizzying combination of rapid vicissitudes and toe-to-toe skirmishes, high on CGI, low on genuine peril. In fact, Iron Man 2 could quite possibly have been a masterpiece of the genre had it lived up to its first forty minutes of exuberance and intrigue. But once the clumsy pugilism of Iron Man and Whiplash takes place, the movie falls flat. The power play is nonexistent, because it's hard to believe anyone could stand a chance against ol' Shellhead. And if no sense of alarm can be conveyed when Iron Man is caught in an unusually melee showdown, the flight sequences leave no impression. Yes, the special effects are astounding, but it's all for nothing if there's no dramatic undercurrent.

Otherwise, please, don't mistake my raving for fanboy hyperbole; Iron Man 2 is great. It's well-written, well-acted, and simultaneously a loving throwback to comic book norm and a break from recent tradition. It's a rare occurrence to be thankful for, because God knows if this follows the superhero trilogy formula, the third one will suck. Which would tragically make this movie's thrilling departure from cliché null and void.

The makers of this film held nothing back. When it works, as it does here, it rekindles even a cynic's movie love. So kudos to Downey, Paltrow, Cheadle, Scar-Jo, Rockwell, Rourke and especially Favreau. What a film! It is a sight to behold. Every scene was captivating, whether it was full on armor action or the charismatic "down time" delivered by the best cast possible. Isn't that what movies are suppose to be about? It's good to see the response to the movie has been, for the most part, positive. I've noticed that sometimes expectations are unreasonable or some fans are too attached to their comic book preconceived notions. (X-Men and Wolverine fans I'm looking right at you!) Iron Man 2 stayed close enough to its roots and I hope most judge it as a film first. If you do, I'm almost certain that everyone will enjoy it as much as I did.

It easily fulfilled and then exceeded all of my expectations. The only thing I worry about is that they may be setting expectations for that Avengers movie too high. How can it possibly live up to the standard these movies are setting and setting up????? Iron Man 2 is EVERYTHING you would want in a movie and much more! It is a special treat when a sequel reaches up and delivers an excellent film that you thoroughly enjoy as much if not more than a beloved first installment. It truly feels like they just paused and kept telling the same story but with more of an edge. Hopefully, they can do it again and skip that third movie curse. Think of it as another installment and they'll be fine. Fitting Avengers in to the mix is even more fun to think about but I heard that Favreau will be involved with that as an executive producer. So, I'm not worried. In the meanwhile, we can all enjoy this film because it stands on its own but as a great part of a running saga.

Iron Man 2 is a lot messier than its game changing predecessor as it does what too many comic book sequels do and crams too many characters into one film. There's a genuine story of addiction that has to share screen time with 2 separate villain storylines and some clunky set up for the Avengers. On top of those, there's also another plot thread involving big revelations about Tony's father and it can't all cohere but it does a really good job overall.

MCU movies almost always cast the best people in the title roles and Robert Downey Jr. In every single appearance as Tony Stark/Iron Man is the epitome of Marvel casting in full effect. Whatever issues this film has, he's never one of them as he navigates a self destructive character arc by initially pushing away those closest to him. Scarlett Johansson is equally perfect thanks to her winning combination of confidence and mystique.

Sam Rockwell is a perfect pathetic villain who absolutely should've been utilised way more in the wider cinematic universe. He nails his character's desperation to be as charismatic as Tony Stark without ever being able to come close. Don Cheadle is effortless in taking over the role of Rhodey and succeeds in making the character his own. Samuel L. Jackson instantly arrives with his trademark screen presence and Mickey Rourke does a decent job despite working with scraps.

Even though Jon Favreau's direction is understandably struggling to give every element the necessary space, the technical craft remains strong. The CGI is pretty damn good and whilst the action sequences are a little too sporadic, they definitely deliver the goods and the Monaco Grand Prix set piece has a very satisfying sense of danger and excitement. The third act battle feels slightly rushed however, it still contains plenty of thrilling moments.

Positives:

• Robert Downey Jr.
• The first act
• Ideas with potential

Negatives:

• Second and third acts
• Inconsistent story and pacing
• Villain(s)