IMDb RATING
6.5/10
5.6K
YOUR RATING
12-year-old wisecracking Gilly Hopkins finds herself shuffled from foster home to foster home until she meets Maime Trotter.12-year-old wisecracking Gilly Hopkins finds herself shuffled from foster home to foster home until she meets Maime Trotter.12-year-old wisecracking Gilly Hopkins finds herself shuffled from foster home to foster home until she meets Maime Trotter.
- Director
- Writers
- Stars
- Awards
- 1 win & 2 nominations total
Richard Topol
- Principal Evans
- (as Richard Topal)
Katherine Paterson
- Clerk
- (as Katherine Peterson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Galadriel 'Gilly' Hopkins (Sophie Nélisse) is a bitter, smart foster kid. Her social worker Ellis warns her that this is her last chance before forced into a group institution. Her new foster mother Maime Trotter (Kathy Bates) is just as tough caring for troubled W.E. and blind neighbor Mr. Randolph (Bill Cobbs). Gilly gets into trouble at school right away. She rebels against her teacher Miss Harris (Octavia Spencer). Agnes is desperate to be her friend. She gets a postcard from her mother Courtney Hopkins (Julia Stiles) and dreams of reuniting with her. She writes to her grandmother Nonnie Hopkins (Glenn Close) lying about Maime Trotter in hopes of moving in with her mother in California. She even tries to run away.
There are bits and pieces of humor. There are other bits and pieces of a heartfelt touching story. The lead Sophie Nélisse is a fine young actress. It's nice to see her continue after great work as a child actress in Monsieur Lazhar. This movie is populated by great actors. There are nicely-drawn characters and then the movie hits a speed bump. It may work for the book but it doesn't necessarily work as a movie. The audience has build up capital with these characters and they need to be around visually to reap the profits. The last act is fine but it feels emotionally empty when none of the earlier characters are around.
There are bits and pieces of humor. There are other bits and pieces of a heartfelt touching story. The lead Sophie Nélisse is a fine young actress. It's nice to see her continue after great work as a child actress in Monsieur Lazhar. This movie is populated by great actors. There are nicely-drawn characters and then the movie hits a speed bump. It may work for the book but it doesn't necessarily work as a movie. The audience has build up capital with these characters and they need to be around visually to reap the profits. The last act is fine but it feels emotionally empty when none of the earlier characters are around.
Yes it is!
It's a story about trust and love and all kinds of stuff. Also, my favorite, the importance of knowing when and how to righteously level someone.
Mostly it's the story of making a whole family from broken parts. And it's a tear jerker.
It's a story about trust and love and all kinds of stuff. Also, my favorite, the importance of knowing when and how to righteously level someone.
Mostly it's the story of making a whole family from broken parts. And it's a tear jerker.
The Great Gilly Hopkins is a beautiful, touching film that should have gotten more attention. Although a wonderful family film, I would guess it will get seen most in middle school classrooms doing a study on the book, which it follows very closely. It's not without some rough edges- -there is some language and behavior that may not be to every parent's liking, but I appreciated that it made an effort to show how a real person might react in her situation. I will say the book told this story more effectively--several scenes had more impact as written, and I felt a much greater sense of urgency in the final scene of the book than I did watching the film. Even so, I think that it's a story that will hook viewers in and keep them invested right to the end. Without being manipulative or delving into false sentiment, The Great Gilly Hopkins made me care about its characters and had me choked up more than once before it was through.
"Both of us are smart and we know it. But the thing that brings us closer than intelligence is anger."
Ready for another corny teen drama that'll move you to tears? One that has all the familiar clichés and where you'll know in advance how it will end? It's not a love story with a couple of lovebirds who first can't stand each other and in the end, in a moment of supreme bliss, they fall into each other's arms. It's also not a well-known story about a young criminal who's experiencing a drastic change of identity due to a certain trustworthy person and when he's converted he goes on a mission as a devout priest in poor Africa. No. This time it's a stubborn 12 year old girl (Sophie Nélisse) who changes foster homes one after the other because of her impossible behavior. Gilly Hopkins only has one wish. And that's to be reunited with her natural mother who left her behind while moving to San Francisco.
Then one day she's assigned to the religious Maime Trotter (Kathy Bates), who's a model of kindness and masquerades as the supreme mother-hen. Gilly does everything to come across as hateful and impossible to handle. She closes herself off, disclaims each friendly treatment, she treats W.E. (Zachary Hernandez) in a denigrating way, imitates in a ridiculing manner Maime's use of affectionate words, makes no effort to integrate and even steals from the nice neighbor Mr. Randolph (Bill Cobbs). In school she tries to keep up this rebellious attitude. The first school day ends already in a fight with six fellow students, she snubs at a young girl (Clare Foley as Agnes) who approached her in a friendly way and she acts aloof during lessons. It seems as if Gilly is trying to provoke with her behavior so everybody gets angry at her.
You could call her an obnoxious, disrespectful and rebellious teenage girl, to say the least. It amazes me that Kathy Bates hasn't tied her to a bed, pushed some logs under her legs and just like in "Misery" amputated her feet with a heavy ax. Despite Gilly's intense efforts to make Maime's (and others) life miserable, you can easily guess how she'll react when her wealthy grandmother Nonie Hopkins (Glenn Close) shows up and suggests to take care of her. That's the decisive moment when the rebellious girl breaks down emotionally and proves that deep down she truly has a human, sensitive heart. For most female viewers this is the right time to search for that handkerchief.
Although it's clearly a film meant for a youthful audience, I wasn't annoyed by it constantly. The way Gilly tackled the bullies at school was highly amusing. And the used subject about a teenager who wants to be united again with her natural mother (the mother's motivation to leave her, shows that she didn't have real maternal feelings) felt kind of mature. Maybe it was sort of Dickension, but I could live with that. Also, the performances were very worthwhile. Kathy Bates played a brilliant part as the caring foster mother who sees the good in every person. Her love for the outcasts in our society is endless. Therefore the goodness to invite the lonely neighbor to dinner every day. Also a splendid rendition of Bill Cobbs. Finally, Sophie Nélisse who nevertheless delivers a superb performance. Although she doesn't look 12 and isn't really sympathetic due to her behavior. The only thing that struck me was her rather rapid change of personality. The transformation from a rebel to a loving teenager was rather abrupt. "The Great Gilly Hopkins" is a perfect family film to watch together with your (older) kids.
More reviews here : http://bit.ly/1KIdQMT
Ready for another corny teen drama that'll move you to tears? One that has all the familiar clichés and where you'll know in advance how it will end? It's not a love story with a couple of lovebirds who first can't stand each other and in the end, in a moment of supreme bliss, they fall into each other's arms. It's also not a well-known story about a young criminal who's experiencing a drastic change of identity due to a certain trustworthy person and when he's converted he goes on a mission as a devout priest in poor Africa. No. This time it's a stubborn 12 year old girl (Sophie Nélisse) who changes foster homes one after the other because of her impossible behavior. Gilly Hopkins only has one wish. And that's to be reunited with her natural mother who left her behind while moving to San Francisco.
Then one day she's assigned to the religious Maime Trotter (Kathy Bates), who's a model of kindness and masquerades as the supreme mother-hen. Gilly does everything to come across as hateful and impossible to handle. She closes herself off, disclaims each friendly treatment, she treats W.E. (Zachary Hernandez) in a denigrating way, imitates in a ridiculing manner Maime's use of affectionate words, makes no effort to integrate and even steals from the nice neighbor Mr. Randolph (Bill Cobbs). In school she tries to keep up this rebellious attitude. The first school day ends already in a fight with six fellow students, she snubs at a young girl (Clare Foley as Agnes) who approached her in a friendly way and she acts aloof during lessons. It seems as if Gilly is trying to provoke with her behavior so everybody gets angry at her.
You could call her an obnoxious, disrespectful and rebellious teenage girl, to say the least. It amazes me that Kathy Bates hasn't tied her to a bed, pushed some logs under her legs and just like in "Misery" amputated her feet with a heavy ax. Despite Gilly's intense efforts to make Maime's (and others) life miserable, you can easily guess how she'll react when her wealthy grandmother Nonie Hopkins (Glenn Close) shows up and suggests to take care of her. That's the decisive moment when the rebellious girl breaks down emotionally and proves that deep down she truly has a human, sensitive heart. For most female viewers this is the right time to search for that handkerchief.
Although it's clearly a film meant for a youthful audience, I wasn't annoyed by it constantly. The way Gilly tackled the bullies at school was highly amusing. And the used subject about a teenager who wants to be united again with her natural mother (the mother's motivation to leave her, shows that she didn't have real maternal feelings) felt kind of mature. Maybe it was sort of Dickension, but I could live with that. Also, the performances were very worthwhile. Kathy Bates played a brilliant part as the caring foster mother who sees the good in every person. Her love for the outcasts in our society is endless. Therefore the goodness to invite the lonely neighbor to dinner every day. Also a splendid rendition of Bill Cobbs. Finally, Sophie Nélisse who nevertheless delivers a superb performance. Although she doesn't look 12 and isn't really sympathetic due to her behavior. The only thing that struck me was her rather rapid change of personality. The transformation from a rebel to a loving teenager was rather abrupt. "The Great Gilly Hopkins" is a perfect family film to watch together with your (older) kids.
More reviews here : http://bit.ly/1KIdQMT
This was a moving family film. I would not call it a teen movie at all. The acting is superb on all counts. The young actor who plays Gilly really makes you go from disgust to a grudging liking without changing her basic defiant and prickly personality. Although it does contain some predictible cliche's it doesn't follow a template the whole way. Octavia Spencer was wonderful in her role as the wise no-nonsense teacher. Everyone was great, but I particularly enjoyed her role. Laughter, Cheers, and Tears abound and leaves you wanting more.
Did you know
- TriviaThe author of the book Katherine Paterson has a cameo as the shop clerk in the bus station scene. The clerk tells Gilly to check out the books.
- GoofsThis movie is set in Maryland during the Thanksgiving & Christmas holidays, yet all of the trees and lawns are in full summer splendor.
- ConnectionsFeatured in Making 'The Great Gilly Hopkins' (2016)
- SoundtracksARE YOU READY
Performed by Overnight Lows (as The Overnight Lows)
Written by Jules Larson and Joz Ramirez (as Jose Ramirez)
Courtesy of Flying Trapeze Records
By arrangement with Secret Road Music Services, Inc.
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Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $97,798
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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