Follows three generations of a curse farming community that turn to human sacrifice to appease an evil that haunts the rain.Follows three generations of a curse farming community that turn to human sacrifice to appease an evil that haunts the rain.Follows three generations of a curse farming community that turn to human sacrifice to appease an evil that haunts the rain.
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It's a beautifully shot and composed indie horror film which strays from the standard, boring slasher and/or torture porn elements so prevalent in the genre and actually delivers a story! With characters and plot! It is at the end of the day a low budget film so it's not perfect but it's still a lot better than most of the crap released direct to DVD in order to keep a steady stream of new arrivals on the shelves.
Best Parts: the cinematography, score, production design and Richard Lynch and Ellen Sandweiss' acting Least Impressive Parts: Some of the CG effects aren't great, story is kinda slow and some of the other acting is a bit stiff Overall it has some flaws but makes up for them by being a tremendously ambitious and interesting classic style horror film.
Best Parts: the cinematography, score, production design and Richard Lynch and Ellen Sandweiss' acting Least Impressive Parts: Some of the CG effects aren't great, story is kinda slow and some of the other acting is a bit stiff Overall it has some flaws but makes up for them by being a tremendously ambitious and interesting classic style horror film.
Just watched this film on DVD alone in the dark and I think I jumped twice. It's very entertaining, mysterious even, but scary it isn't. And that's not necessarily a bad thing, it's a pretty decent film.
The bad:
There were quite a few amateurish shots in some of the early scenes, but not bad enough to make me stop the movie, which I will do. And the acting was horrible, (lead actress' mom was awful,as well as the little boy playing David C.'s son in the 1800's, the room mate "and" her boyfriend.) but the "real" actors gave me a reason to stick around. Some scenes had lighting issues, continuity issues: someone forgot to wipe the blood off of the crystal ball before she hit her dad with it. And actors in different positions as the shot perspectives changed. But other than that, it was a good flick. I'd probably watch it again in maybe 4 or 5 years from now.
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Set across three generations of inhabitants of the small town of Perseverance, comes a story not done justice by the flimsy direction and wooden acting. This eerie and suspenseful tale about a village haunted and cursed by wickedness contaminating their rain, ends up ringing hollow despite some good cast choices. Rain the purifier becomes the touch of death. The whole event is initiated in the late 1900s, as the village, led by Clive Jonis (played by the ever-charismatic genre old-timer David Carradine) enters into a pact with a devilish shaman. This in turns has bloody repercussions many years in the future as human sacrifices are necessitated by the need for rain.
Inside the story lurks some great potential with a creepy top-hat taking centre stage, while Tiren Jhames as the ominous Mr Saul brings the beast delivering a superb character. However, most screen times is wasted on some truly appalling child acting, who one-by-one spiral the movie into oblivion, leaving just singular moments and short-lived spine-crawling elements. Surprisingly disjointed it also features superior technical qualities depending on specific sub-stories, with acting, lighting and overall feel superior during the turn of the century story thread.
The story also becomes undone by the basic premise, which suggests that longing for life would corrupt the soul to such an extent, that mothers and fathers would willing dispose of their own kin. The concept itself seems so far-flung, thus only underlining the low production qualities, probably forced by budget limitations.
Inside the story lurks some great potential with a creepy top-hat taking centre stage, while Tiren Jhames as the ominous Mr Saul brings the beast delivering a superb character. However, most screen times is wasted on some truly appalling child acting, who one-by-one spiral the movie into oblivion, leaving just singular moments and short-lived spine-crawling elements. Surprisingly disjointed it also features superior technical qualities depending on specific sub-stories, with acting, lighting and overall feel superior during the turn of the century story thread.
The story also becomes undone by the basic premise, which suggests that longing for life would corrupt the soul to such an extent, that mothers and fathers would willing dispose of their own kin. The concept itself seems so far-flung, thus only underlining the low production qualities, probably forced by budget limitations.
The plot: A cursed town holds a lottery to sacrifice three children from every generation to ensure rain.
I was kind of excited to see a movie starring some B movie legends (Richard Lynch, David Carradine, and Dee Wallace Stone), but none of them really has all that much screen time. In fact, the movie splits its time almost randomly between half a dozen characters, each of whom wander in and out of the main plot while telling their own story. A talented writer/director could have pulled this off, but it just ends up being annoying and confusing here.
The story is a bizarre mix of Dark Romanticism tropes that never really settles down into a coherent story. There's a cursed bloodline, a small town with a hideous secret, Faustian bargains with malevolent spirits, some kind of demon guy who comes out of nowhere, exploited Native Americans, Machiavellian adults, and innocent children. Throw all these things together, with a few modern horror clichés (such as a deus ex machina in the form of a friendly dog), and you get... well... to be honest, I'm not sure what you get. The movie was so erratic, random, and disorganized that I was constantly wondering exactly what I was supposed to be taking from each scene.
If the writer/director had just settled on telling one story without spreading the exposition through three vignettes that barely even interconnect, I think he could have had something that would be remembered fondly by B movie fans. Instead, he tries to pull off something like Pulp Fiction and fails miserably.
There are some scenes that worked well, but, overall, the movie was clumsy and amateurish. As far as Shirley Jackson ripoffs go, this wasn't the worst that I've seen. It was able to channel much of her pessimism about human nature while preserving her faith in children. It also hit all the right notes that a story inspired by The Lottery should hit, though it hit them in a haphazard, lazy way, burying them under a mountain of subplots and extraneous characters.
If you're into independent horror, then you're probably pretty forgiving of even the most egregious flaws. For you, this will probably seem like an enjoyable waste of time. If you're more into mainstream, big budget horror movies, I have to warn you away from this low budget mess.
I was kind of excited to see a movie starring some B movie legends (Richard Lynch, David Carradine, and Dee Wallace Stone), but none of them really has all that much screen time. In fact, the movie splits its time almost randomly between half a dozen characters, each of whom wander in and out of the main plot while telling their own story. A talented writer/director could have pulled this off, but it just ends up being annoying and confusing here.
The story is a bizarre mix of Dark Romanticism tropes that never really settles down into a coherent story. There's a cursed bloodline, a small town with a hideous secret, Faustian bargains with malevolent spirits, some kind of demon guy who comes out of nowhere, exploited Native Americans, Machiavellian adults, and innocent children. Throw all these things together, with a few modern horror clichés (such as a deus ex machina in the form of a friendly dog), and you get... well... to be honest, I'm not sure what you get. The movie was so erratic, random, and disorganized that I was constantly wondering exactly what I was supposed to be taking from each scene.
If the writer/director had just settled on telling one story without spreading the exposition through three vignettes that barely even interconnect, I think he could have had something that would be remembered fondly by B movie fans. Instead, he tries to pull off something like Pulp Fiction and fails miserably.
There are some scenes that worked well, but, overall, the movie was clumsy and amateurish. As far as Shirley Jackson ripoffs go, this wasn't the worst that I've seen. It was able to channel much of her pessimism about human nature while preserving her faith in children. It also hit all the right notes that a story inspired by The Lottery should hit, though it hit them in a haphazard, lazy way, burying them under a mountain of subplots and extraneous characters.
If you're into independent horror, then you're probably pretty forgiving of even the most egregious flaws. For you, this will probably seem like an enjoyable waste of time. If you're more into mainstream, big budget horror movies, I have to warn you away from this low budget mess.
This movie had a well written script and outstanding special effects plus the cinematography was excellent. It also had several well known actors and they did an outstanding job along with the rest of the cast. Also on the DVD I watched there was an outstanding commentary track by the director along with animated storyboards,a deleted scene and behind the scenes footage which all worth watching.
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- The Rain Chronicles
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- Runtime
- 1h 48m(108 min)
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- Aspect ratio
- 1.78 : 1
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