L'élite de Brooklyn

Brooklyn's Finest rests on the strong character portrayals of the lives of three ordinary men struggling at different points in their careers. What they each share is the New York Police Department as a workplace.

Life isn't perfect - it never is. We always have to give something up in order to do something else - it's called choice. Therein lies man's fatal freedom.

Sal (Ethan Hawke) gave up the possibility for flash when he became a cop. He has a growing family with numerous kids but lives in a decrepit, run-down house where the wood mold is causing his pregnant wife lung problems. His NYPD salary isn't sufficient for him to move to a different abode.

Can we judge him? It is a context that bears for some humanity from our part. He will do things in the film, but it is difficult for us to point our fingers from a high horse, for we aren't in his situation. Does the end justify the means?

While doing undercover work in prison, Tango (Don Cheadle) is saved from death by an inmate, Casanova Philips (Wesley Snipes). The event forms a bond between them. Now Casanova is back out and the force want Tango to send him back in.

By taking this shortcut to Detective first grade (read: becoming an undercover agent), Tango is forced to deal with harsh consequences, namely the fact that his wife is in the process of leaving him, and that other than Casanova he has no friends.

Eddie (Richard Gere) is retiring and is a morally decadent seemingly useless member of the force. He gets teased by his younger co-worker cops, and seems fed up with his life. We see him put a revolver to his mouth in the morning.

Even though he is 7 days away from retirement he must take care of young rookies, fresh faces new to the NYPD. Eddie doesn't get along well with them.

It is unclear what happened to his wife, but Eddie now seeks solace in the womanly comforts of a lowly Chinatown hooker.

These grotesquely authentic lives are laid out with the aid of a soundtrack that simultaneously sets the pace and follows the psychological states of the main protagonists. The tone of the music will change, for instance, when a particular character is in a tight situation, a situation where he is again confronted with choice.

All the actors in this film pull off magnificently intense portrayals. Especially worthy of mention are Cheadle, Snipes, Gere and Hawke -- who once again shows that he can enter the mind of a struggling cop like no other.

A steady-paced, involving thriller definitely worth a gander. 8/10.

Brooklyn's Finest is clichéd cop film only in setup, not in execution. The scripting and a plethora of strong performance elevate the familiar veins that make up the films structure. In fact, three of the most standard-order plot lines are utilized; and undercover cop who blurs the line between righteous and corrupt, a drug cop who exhibits no blurring in his corruption and an aging veteran slugging it through his last week on the job. These cops are played by Don Cheadle, Ethan Hawk and Richard Gere respectively and each gets equal screen time in a triple thread story that eventually converge on one fateful night.

Director Antoine Fuqua's latest treads a thin line between tragic and gritty and outright depressing. This is a gloomy film to be sure, everyone is either a cop, murderer, drug dealer or prostitute (sometimes many of the above) and there is no glimpse of sunshine, so to speak, in Fuqua's Brooklyn. I am a big fan of Fuqua, from his John Woo-esquire debut with The Replacement Killers to the classic cop drama Training Day, to the very underrated Bruce Willis war actionier Tears of the Sun, he is more than a competent auteur and always brings out solid performances from his leads.

Hawk (who plays the increasingly corrupt Sal) is perhaps the strongest of three leads, but Gere and Cheadle are very convincing in their roles as well. Unfortunately, despite the admirable development of these characters, the aforementioned ordinary narrative leaves little question about where their respective paths are headed. We also get a blazing comeback from the one and only Wesley Snipes as a criminal and friend of Cheadle's Tango. Rounding off the talented main players are Brian F. O'Byrne as Sal's fellow cop and friend and Will Patton as Tango's lone remaining contact to the just world he feels is fading away. As I have iterated many times, it is the stellar work from the key players that makes Brooklyn's Finest worth your time.

The drive behind these three cops is equally compelling. Sal has 5 kids (with 6 and 7 on the way) and is swimming in debt. Through a real-estate contact he sets up a deal to move his growing family to a larger house, only if he can get the big score of drug money he needs. As the date approaches for him to come up with the money he grows increasingly desperate. Gere's Eddie is a burnt-out cop who has all but lost respect for the job, and his fellow cops have all but lost respect for him. His only remaining duty is to escort a rookie around for his final 7 days but things go far less smoothly then he could have hoped. Finally there is Tango, a UC who has lost all his ties to the real world. His wife is filing for divorce and he wants to be made detective first grade a.s.a.p. and spend the remainder of his days behind a comfortable desk and away from a life of crime. In one of the best sequences, Tango is asked why the sudden urge to get out. He tells of a night where he was pulled over by the cops for speeding and legitimately considered killing them. He wants out.

If only the despair had been laid on a little less thick and the stereotypes that make up the three main characters polished with a bit more inventiveness, Brooklyn's Finest could have been a classic in the making. Instead we get only what we would expect; a gritty, bloody and well acted police actionier.

Read all my reviews at simonsaysmovies.blogspot.com

Draws you right in from the start, builds tension to a climactic point late in the film. In the middle, you get to absorb a lot of NYC atmosphere which somewhat compensates for the formulaic nature of the film. You've seen it all before, there's no new ground, but its done in a way that will hold your interest.

Grim, adult movie themes highlight only the heavy issues that burden cops in this big city.

Cheadle, Hawke and Gere all develop very burnt-out, empty looks in their eyes that help make this film more believable than it really is. Lives have fallen apart (the personal lives of these cops). The script makes it clear that the job is rough on cop families, it makes this point almost to the point of overkill.

The women of this film are resigned to the belief that "its a man's world". They have bought this belief system almost totally. And yes I include Ellen Barkin's middle-aged super-boss-cop because she tries to be just like men in order to get to the top of this man's macho cop world/underworld environment.

Gere is subtle, very nuanced and effective in his role. Hawke is incredibly explosive in his role of a man desperately overstrung, or at least in need of a good vacation. Cheadle's mixed-up about-to-snap performance works perfectly with Snipes who gives a fine, mature, theatrical style performance. I'm ready to see more of the mature Snipes as his career progresses.

All the acting here is great and it overcomes the generally "seen it before" nature of the production. This is basically similar to Greek tragedy, so if you view it that way you won'be let down by the relentless grimness that is here from start to finish.

Entertainment value highlighted by enough tension, plus the studied pro performances rate an 8 rating from me.

Let me just say straight away that the cast of this movie contains ALL of my favorite actors. I thought I was going to be in for a treat, maybe my expectations ruined my conclusions.

The biggest problem with this film (in my worthless opinion) is that it is portrayed as dramatic and yet there just seem to be soooooo many holes in the plot that the overall impact is reduced, almost to the point of being farcical. I won't give anything away but I don't believe that 'gangsters' are THAT stupid, I watched the TV show 'The Wire', which I thought was excellent due to it's balanced perspective. This film portrays the cops as being crooked, lifeless and aggressive morons whilst the 'gangster' are simply gun toting foul mouthed idiots who struggle to walk upright, let alone be career criminals.

By the time the final scene began I found myself struggling to stay awake because the 'drama' had become so Tepid and predictable.

Very very average.

Gritty, profane, and extremely violent thriller centering around three disparate New York cops: a cynical twenty-year veteran playing out his final days until retirement while struggling to keep his sanity (Gere); a conflicted undercover torn between his commitment to the job and his loyalty to the streets (Cheadle); a desperate family man who has his morale put to the test while trying to provide a stable home for his wife and kids (Hawke); director Fuqua's attempt at a police morality tale is well-crafted, strongly acted, and sure to grab your attention with intense, in-your-face violent action, but it doesn't offer enough new insight to transcend the familiar, seen-it-all-before limitations of this genre. Hawke (reteaming with his Training Day director) stands out with an unexpectedly edgy performance. The violence—while expected for a film of this genre—is still tough to stomach at times. **½