Secret d'état

I try to see every one of Jeremy Renner's films after his great performance in Kathryn Bigelow's THE HURT LOCKER where he played a Sergeant in Iraq dismantling IED's (improvised explosive devices) in the dusty, tension filled streets of Baghdad. I will never forget a scene in the shower, water pouring over his bloodied body slowly slumping down to the ground, tears mixing in with the wet spray that was bathing his body; an attempt to cleanse his psyche of the horrors of warfare. In KILL THE MESSENGER directed by Michael Cuesta, based on a true story, Renner is in another descent - one that is politically driven - in an intense performance as Pulitzer Prize winner Gary Webb, an investigative journalist for the San Jose Mercury News writing a series entitled "Dark Alliance" on the CIA's drug dealing connection to the "Contras" in the war in Nicaragua in the 1980's. "…Webb investigated Nicaraguans linked to the CIA-backed Contras who had smuggled cocaine into the U.S. Their smuggled cocaine was distributed as crack cocaine in Los Angeles, with the profits funneled back to the Contras. Webb also alleged that this influx of Nicaraguan-supplied cocaine sparked, and significantly fueled, the widespread crack cocaine epidemic that swept through many U.S. cities during the 1980s. According to Webb, the CIA was aware of the cocaine transactions and the large shipments of drugs into the U.S. by Contra personnel. Webb charged that the Reagan administration shielded inner-city drug dealers from prosecution in order to raise money for the Contras, especially after Congress passed the Boland Amendment, which prohibited direct Contra funding…" (Wikipedia)

In this film we see the backlash to Webb's reporting including correspondents from the mighty NY Times, The LA Times and The Washington Post who had glazed over the story in their own papers; the tragic manipulation of facts in order to destroy the veracity of Webb's coverage of events. We view the absence of San Jose Mercury News' editorial support at critical moments in Webb's heroic scrutiny of the research; the Reagan Administration's financing of a war through drug trafficking pitting "truth vs. power"; the perversion of principle to the needs of "security" on the backs of the South Central Los Angeles community. One does not need to "kill the messenger" with bullets - one can do so through the media attacking the person not the story under the potent pressure of the government.

KILL THE MESSENGER attempts to portray Gary Webb in his domestic, familial role as a loving though humanly "flawed" father of 3 children, with a supportive loving wife (the beautiful actor Rosemarie De Witt) all in danger and threatened by Webb's probing into the murkiness of political sludge - the undisclosed secrets of the inner workings of government aired out inviting dirty revenge. This is also a David vs. Goliath tale - a lone person who in his "innocence" believes in the unveiling of the machinations of authority through the pen and the judiciousness of our legal system.

The portrait of Gary Webb is a tenacious and vivid study of idealism in the fight for the unearthing of corruption. I left the theater saddened and disheartened, but at the same time hopeful for those rare individuals who are fearless enough to stand up for what they believe when their support system has been paralyzed. Hard to do! They merit my deepest respect and admiration.

'KILL THE MESSENGER': Four Stars (Out of Five)

Dramatic thriller film telling the true story of journalist Gary Webb. It centers on Webb's efforts to expose the CIA's former involvement in importing cocaine into California, in order to raise funding for Nicaraguan Contra rebels. It was directed by Michael Cuesta and written by Peter Landesman. The script is based on the book, of the same name, by Nick Schou and the novel 'Dark Allaince' by Webb himself. Jeremy Renner stars as Webb in the movie and also served as a producer. The film costars Rosemarie DeWitt, Mary Elizabeth Winstead, Oliver Platt, Lucas Hedges, Barry Pepper, Tim Blake Nelson, Michael Sheen, Paz Vega, Ray Liotta, Andy Garcia and Michael K. Williams. It's a very fascinating and informative movie.

The film is set in the mid-1990s when Gary Webb first learned of the CIA's past involvement in importing large amounts of cocaine into the US. They did this in order to sell it in ghettos, primarily in California, in order to raise money for supporting Contra rebels in Nicaragua. He goes public with the story, in a series of articles called 'Dark Alliance' (which he later based his book on). As retaliation the CIA aggressively smeared Webb's name and harassed him and his family.

The film is really interesting and involving, from the opening scene almost till the last. It's fast paced and brilliantly directed, by Cuesta. Renner may not seem like much of an actor in 'THE AVENGERS' but in the right role he's fantastic; this is one of those roles. I'm a big fan of DeWitt, her part here is small but she's still powerful in it, and the rest of the cast is good as well. This is also a story I previously knew very little about, so for me it was very informative too. I definitely recommend it.

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The longer I cogitate on Michael Cuesta's KILL THE MESSENGER, the more I realise just how unobtrusively compelling this film truly is.

Inspired by the life of Pulitzer prize-winning journalist Gary Webb (Jeremy Renner) and his 'Dark Alliance' exposé on the explosion of crack cocaine in the United States (which inevitably ruined his career), the film draws attention to the power and reach of fourth and fifth estate journalism and to the subjective objectivism of its gatekeepers.

Having said all that, if you take the time to reach beyond this controversial surface story and embrace Sean Bobbitt's intimate framing and selective foci, you'll discover Gary; a doggedly passionate and humanly flawed individual whose good intention to report a story 'just too true to tell' results in an overwhelmingly biased and unfair challenge on his credibility and integrity with devastating consequences.

Renner's (THE HURT LOCK, THE BOURNE LEGACY) performance is captivating in its subtlety; allowing momentary characters including Norwin Meneses (Andy Garcia), Fred Weil (Michael Sheen) and Jerry Ceppos (Oliver Platt) to drive the story's factual elements in a similar manner experienced by Webb. The use of medium and close-up shots and oscillating lighting gives you a bird's eye view to Renner's struggles as the voraciously shocking professional and personal smear campaign takes its toll. Renner becomes more unashamedly haggard with dwindling moments of indignation on screen at each roadblock. It may also explain why Cuesta opted to gloss over the pivotal points of this sad story and tie it up in Webb's panegyric acceptance speech and closing title card.

Overall, I quite enjoyed this film and would recommend that you take some time out to see it. Sure it has its flaws –but so does Gary Webb and the story itself - but that's why it works. As Webb said on reflection 'The reason I'd enjoyed such smooth sailing for so long hadn't been, as I'd assumed, because I was careful and diligent and good at my job. The truth was that, in all those years, I hadn't written anything important enough to suppress'.

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"National security and crack cocaine in the same sentence. Does that not sound strange to you?" Kill The Messenger dives into an intense and important, often forgotten, segment of history. That being said, as the title implies, the film ultimately centralizes around reporter Gary Webb (Jeremy Renner) and what happens to him when he comes across this shocking discovery. With strong performances by the cast and a clear focus by the director, the film comes out shaky in a few parts but overall provides a riveting and respectful look at this man's life.

Jeremy Renner is the star of this story, and he performs excellently. Renner fully commits into becoming Webb. Besides decently looking like the real Webb physically, he captures a wide range of emotions that the man would have faced - from being a cool reporter to a struggling and scared husband and father. Some characters do not impress as much in their performances, but Renner is able to carry the lead role well enough to support the film.

The cinematography and visuals fit the tone of the film very well. Stylized heavily with its colors and the other external footage it uses, the film gives off an aged and exciting feel, similar to other movies from past decades. What ties it all together though is its clear focus. Director Michael Cuesta has a clear goal of what he wants the film to be about - Gary Webb. While not all the scenes succeed in contributing to that, the majority of it is cohesive enough to let audiences understand the characters without losing the intensity and action of the larger picture - the cocaine smuggling.

With its commendable technical aspects and the important subject it deals with, Kill The Messenger is definitely a film worth seeing. Jeremy Renner and the director together bring a lot to the film, and while it's not entirely superb, it gives a good two hours of entertainment that means something, especially today. RATING: [8/10]

"Kill the Messenger" is both a very gripping film and an important film. Even though I know what our government was up to in those days (as if things have changed), I could hardly breathe, anticipating what would come next in the movie. My only concern about the film is the speculation that those who are ignorant of what occurred in those days would grasp that the money from drug sales went to buy weapons (it was almost glossed over). The acting in this film is superb, with one exception (the person who played Coral Baca--way overdone and not convincing). Knowing that the film is based on true events gives it amazing heft. I think it's an unforgettable portrayal of how our government can go astray--it's history but also a warning for those of us who have been demoralized by the current state of politics and who tend to trust certain names in the media. The film should be required viewing by every member of Congress, by every high school student, by those who call themselves journalists.