La Mission

Diamonds are rare and the result of years of pressure on what many of us see as insignificant bits of carbon. Small films shine the brightest because there is enormous pressure on them to succeed and are so rare to find, but one of them bursts through like this film, we'd better be ready to witness pure brilliance and some amazing work.

Much of the success of this piece is having Benjamin Pratt as the propelling force. His perfect portrayal of a complex, tortured conservative (within his cultural boundaries) push him to emotional conflicts he might never be able to handle. The audience knows we are in for tour-de-force performance when the film shows in a very early scene an emotional confrontation between father and son, after Che discovers some hidden baggage on his son's life. The scene is violent, emotional, dark, powerful, and hard to watch, as we see two human beings who obviously love each other react in very explosive terms. Jess is his father's younger version, a strong human young man who is discovering himself is not willing to compromise his belief, much like his father clings to his traditional values. The big exception is that there plenty of darkness and suffering in Che's life. In spite of having been given a second chance, as we eventually learn through scenes that provide some family and friends' back stories. Che has seen plenty of tragedy before, but he hasn't been able to find cathartic release and holds much pain inside. Dealing with his only child's new revelations might just be enough to push him into irreparable damage.

There are some wonderful scenes in "The Mission." We're exposed to facets of a culture that very few people ever see. There are stereotypes, but also much is done to create real character out of many of the supporting characters. Che's brother parallel storyline is subtly presented to show the way this family interacts with each other and the strength of their family bonds. Che's African American neighbor is delightful and refreshing showing a strong and sensitive human being who might be the link between doom and salvation for Che.

The biggest revelation in the film is Jeremy Ray Valdez's performance as the estranged son who might not be able to reconnect with his father. Seldom one can see such a range of emotions so perfectly displayed scene after scene, matching Pratt's nearly perfect performance bit by bit. One looks forward to seeing more of this amazing actor in the future.

"The Mission" is a rich, powerful, and finely detailed movie that shows the inner workings of a segment of society rarely seen through this lens. The film is a small, intimate jewel that is both touching and enjoyable. Excellent!

"La Mission" is a project of love about the barrio neighborhood the Bratt brothers grew up in. Writer/Director Peter Bratt takes time and care to set up a strong sense of cultural pride with Aztec dancers, Catholic rituals, "slow and low" cruising in shiny low riders through the family oriented Mission District of San Francisco.

Che Rivera (Benjamin Bratt) an ex-con and recovering alcoholic, has worked hard to earn the respect of his community by going straight and being a good father to his college bound son (Jeremy Ray Valdez.) Benjamin Bratt portrays Che as the embodiment of Mexican machismo. The director presents him as a sympathetic character who was brought up to use his fists to survive on the hard streets. Che finds strength for his quest for redemption in his culture and religion. But when he discovers that his beloved son is gay, that homophobic culture drives his negative response.

Enhancing the theme is a multi-racial relationship with Che's black, culturally diverse, social-worker neighbor Lena (Erika Alexander.) Lena sees through Che's violent, macho exterior. Experience has taught her that this kind of man is incapable of changing, but she can't help but be moved by the wounded boy inside.

There is an odd visual metaphor which I believe is meant to show the contrast between past and present Chicano culture: colorful Aztec dancers perform at the shine of a murdered teen with a sign, "No more violence." I found it odd because the Aztec's practiced human sacrifice. Whether intentional or not, the Aztec dancers are a good metaphor for the theme: We need to keep what is healthy from our culture or religion and let go of what is destructive.

"La Mission" isn't perfect. A few scenes were just left hanging - especially in the romantic subplot. I didn't feel the chemistry between Che and Lena. But Benjamin Bratt delivers one of his strongest performances. The brothers have given us an authentic, loving depiction of the culture in the Mission barrio with an important theme for our times.

Movie Blessings! Jana Segal,Reel Inspiration

My family was from the Mission District when it was primarily an Irish neighborhood. Its main claim to fame was it has the nicest weather in San Francisco. I grew up during the transition from Irish to Hispanic, and had a front row seat on the ethnic diversity that took root during the late 1940's/early 1950's. While much has changed since then much has remained the same. Still has great weather and a beautiful park in its midst, right next to Mission High School and Mission Delores. The film perfectly captures the Mission District of today with its hugely Hispanic influence. It is a refreshing change from the yuppie San Francisco we usually see in movies with an emphasis on the Marina, Union Square, and Pacific Heights. The Mission is still where the working class live as it was back when I was growing up. This is a movie about working class values, family values, and machismo, with a San Francisco backdrop. The cinematography is first class with good use of closeups of people, cars, and interesting houses. The movie of course is mainly about the class of Hispanic male culture versus the gay experience in San Francisco, and it pulls that off by presenting a sympathetic view of each culture. That is not easy to do. I enjoyed this movie not so much because it was so well made but because there are so few movies that even attempt to capture a human sized story with a story about a working class neighborhood in a world famous city. This movie was different in a very good way. It was also nice to see a movie about Hispanics not centered either in L.A. or New York. The cast was uniformly excellent. There wasn't a false note in this movie. Kudo's to the Bratt brothers for having the tenacity to make this movie.

Caught this flick with a choice of almost any seat. Weird because the theater is known for showing real life, low budget, "art" and eclectic films so I expected it to be well attended at the 2:10 showing. Someone judged that the religious elements in the movie were a distraction. I don't get the same read. They seemed to fit in culturally quite well. In fact I judge there was an intent to show a paradox between passion for worship / faith reverence and passionate violence. The central theme is the breakdown between single parent father and gay son. It left room for some play around other compelling life issues. If you are shy about the subject of gay men, go see Oceans. Two hours is too long for this movie (requisite love scene was useless), but the length did not detract from the story. The ending ... go see the movie.

This movie is smart, passionate, down to earth, poignant, heartbreaking and heartwarming. Superb acting, scenery, setting and supporting cast.

Benjamin Bratt and Erika Alexander are inspired in starring roles. But the supporting cast is rich with excellent actors. The resultant effect is a true ensemble feeling. Intertwined with the main story - about a man and his high school son who is emerging as a gay man - are many subplots that help paint a richer picture of the barrio and the culture:

There are the low rider cars - colorful and flamboyant. And there is the life of the neighborhood, hanging on the stoops, getting along with the people next door.

This is a must see.