A single-parent ex-con in a tough minority neighborhood finds his personal values challenged when he discovers his son is gay.A single-parent ex-con in a tough minority neighborhood finds his personal values challenged when he discovers his son is gay.A single-parent ex-con in a tough minority neighborhood finds his personal values challenged when he discovers his son is gay.
- Awards
- 4 wins & 4 nominations total
Christopher Borgzinner
- Nacho
- (as Chris Borgzinner)
Marco Serralta
- Chuy
- (as Marcos Serralta)
Talisa Soto
- Ana
- (as Talisa Soto Bratt)
Tatiana Maricely
- Nadine
- (as Tatiana Rivas)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This underrated movie provides an insider's view of the colorful San Francisco's neighborhood known as the "Mission" - a predominantly Latino enclave in San Francisco. Inspired by real characters, it does not present the usual clichés of the ethnic minority drama by avoiding the romanticizing of this environment; it skews the typical down home ethnic wisdom favored by liberal Hollywood and does not become another histrionic sordid ghetto thriller/soap opera.
Supported by an excellent cast, Benjamin Bratt gives an astonishing performance as an intolerant bus driver, a single father who cannot accept his adolescent only son's homosexuality despite the love and pride he feels for him. The violent machismo that have shaped his life is perpetuated by the next generation of disenfranchised youth who prey La Mission.
The neighborhood is presented as an insular world almost anachronistic in 21st century San Francisco. Working class middle age men turn old cars into souped-up low-riding monsters and make fun of soy lattes and recycling, feathered Aztec dancers fill the streets with color and sound as neighbors try to maintain a sense of heritage with their indigenous past, families place flowers and pray where their children have been slain.
The movie transcends its family drama genre allowing the story to evolve at its own pace with a feeling of authenticity and honesty prevailing in every scene. Without providing easy solutions, it centers on a character whose contradictions reflect the world he inhabits. Highly recommended.
Supported by an excellent cast, Benjamin Bratt gives an astonishing performance as an intolerant bus driver, a single father who cannot accept his adolescent only son's homosexuality despite the love and pride he feels for him. The violent machismo that have shaped his life is perpetuated by the next generation of disenfranchised youth who prey La Mission.
The neighborhood is presented as an insular world almost anachronistic in 21st century San Francisco. Working class middle age men turn old cars into souped-up low-riding monsters and make fun of soy lattes and recycling, feathered Aztec dancers fill the streets with color and sound as neighbors try to maintain a sense of heritage with their indigenous past, families place flowers and pray where their children have been slain.
The movie transcends its family drama genre allowing the story to evolve at its own pace with a feeling of authenticity and honesty prevailing in every scene. Without providing easy solutions, it centers on a character whose contradictions reflect the world he inhabits. Highly recommended.
This is a fantastic film.
Benjamin Bratt gives his heart and soul in this performance as Che Riveria and Erika Alexander is stunning as Lena.
This film is rich with the colors, energy and music of the Mission district of San Francisco.
Writer/director Peter Bratt lets us into the world of a man defined by his culture. A culture that gives him a second chance at life and rewards masculinity and strength will also prove to be his downfall.
This father/son story is heartfelt. Che Riveria is a tough man but will need to dig deep to find the courage needed to prove he is worthy in the eyes of his son.
Benjamin Bratt gives his heart and soul in this performance as Che Riveria and Erika Alexander is stunning as Lena.
This film is rich with the colors, energy and music of the Mission district of San Francisco.
Writer/director Peter Bratt lets us into the world of a man defined by his culture. A culture that gives him a second chance at life and rewards masculinity and strength will also prove to be his downfall.
This father/son story is heartfelt. Che Riveria is a tough man but will need to dig deep to find the courage needed to prove he is worthy in the eyes of his son.
Even in L.A., this powerful film about Latino family culture only ran in a handful of theaters for a fewer number of weeks. Well worth looking for, LA MISSION is one of the most powerful and rewarding films I've seen in years.
Every actor, from unknown to under-rated, is perfectly cast and directed. Leading man Benjamin Bratt is given solid dialog, but in a major scene in which he has no words, his body and soul communicate all that needs to be said and more. The carefully chosen locations and intricately-detailed set design are reasons enough to shut your cell phone off and let it command your undivided attention.
Even the soundtrack which could have gone down a well-traveled "low rider" route takes you to unexpected places -- from indigenous Aztec folk music to India raga; from the 60s to the present. Both the original and adapted musical choices are just as involving as the script and plot. Yet it's not available on a soundtrack CD as of this writing.
Don't want to say more, because the film is best seen "cold" with little inside knowledge. But you will leave the theater (or your home screen) wondering why this well-crafted labor of love is such a well- kept secret.
Woefully overlooked despite solid reviews, it's 2 hours well spent -- and warrants repeated viewing for years to come.
Every actor, from unknown to under-rated, is perfectly cast and directed. Leading man Benjamin Bratt is given solid dialog, but in a major scene in which he has no words, his body and soul communicate all that needs to be said and more. The carefully chosen locations and intricately-detailed set design are reasons enough to shut your cell phone off and let it command your undivided attention.
Even the soundtrack which could have gone down a well-traveled "low rider" route takes you to unexpected places -- from indigenous Aztec folk music to India raga; from the 60s to the present. Both the original and adapted musical choices are just as involving as the script and plot. Yet it's not available on a soundtrack CD as of this writing.
Don't want to say more, because the film is best seen "cold" with little inside knowledge. But you will leave the theater (or your home screen) wondering why this well-crafted labor of love is such a well- kept secret.
Woefully overlooked despite solid reviews, it's 2 hours well spent -- and warrants repeated viewing for years to come.
This movie is smart, passionate, down to earth, poignant, heartbreaking and heartwarming. Superb acting, scenery, setting and supporting cast.
Benjamin Bratt and Erika Alexander are inspired in starring roles. But the supporting cast is rich with excellent actors. The resultant effect is a true ensemble feeling. Intertwined with the main story - about a man and his high school son who is emerging as a gay man - are many subplots that help paint a richer picture of the barrio and the culture:
There are the low rider cars - colorful and flamboyant. And there is the life of the neighborhood, hanging on the stoops, getting along with the people next door.
This is a must see.
Benjamin Bratt and Erika Alexander are inspired in starring roles. But the supporting cast is rich with excellent actors. The resultant effect is a true ensemble feeling. Intertwined with the main story - about a man and his high school son who is emerging as a gay man - are many subplots that help paint a richer picture of the barrio and the culture:
There are the low rider cars - colorful and flamboyant. And there is the life of the neighborhood, hanging on the stoops, getting along with the people next door.
This is a must see.
10aharmas
Diamonds are rare and the result of years of pressure on what many of us see as insignificant bits of carbon. Small films shine the brightest because there is enormous pressure on them to succeed and are so rare to find, but one of them bursts through like this film, we'd better be ready to witness pure brilliance and some amazing work.
Much of the success of this piece is having Benjamin Pratt as the propelling force. His perfect portrayal of a complex, tortured conservative (within his cultural boundaries) push him to emotional conflicts he might never be able to handle. The audience knows we are in for tour-de-force performance when the film shows in a very early scene an emotional confrontation between father and son, after Che discovers some hidden baggage on his son's life. The scene is violent, emotional, dark, powerful, and hard to watch, as we see two human beings who obviously love each other react in very explosive terms. Jess is his father's younger version, a strong human young man who is discovering himself is not willing to compromise his belief, much like his father clings to his traditional values. The big exception is that there plenty of darkness and suffering in Che's life. In spite of having been given a second chance, as we eventually learn through scenes that provide some family and friends' back stories. Che has seen plenty of tragedy before, but he hasn't been able to find cathartic release and holds much pain inside. Dealing with his only child's new revelations might just be enough to push him into irreparable damage.
There are some wonderful scenes in "The Mission." We're exposed to facets of a culture that very few people ever see. There are stereotypes, but also much is done to create real character out of many of the supporting characters. Che's brother parallel storyline is subtly presented to show the way this family interacts with each other and the strength of their family bonds. Che's African American neighbor is delightful and refreshing showing a strong and sensitive human being who might be the link between doom and salvation for Che.
The biggest revelation in the film is Jeremy Ray Valdez's performance as the estranged son who might not be able to reconnect with his father. Seldom one can see such a range of emotions so perfectly displayed scene after scene, matching Pratt's nearly perfect performance bit by bit. One looks forward to seeing more of this amazing actor in the future.
"The Mission" is a rich, powerful, and finely detailed movie that shows the inner workings of a segment of society rarely seen through this lens. The film is a small, intimate jewel that is both touching and enjoyable. Excellent!
Much of the success of this piece is having Benjamin Pratt as the propelling force. His perfect portrayal of a complex, tortured conservative (within his cultural boundaries) push him to emotional conflicts he might never be able to handle. The audience knows we are in for tour-de-force performance when the film shows in a very early scene an emotional confrontation between father and son, after Che discovers some hidden baggage on his son's life. The scene is violent, emotional, dark, powerful, and hard to watch, as we see two human beings who obviously love each other react in very explosive terms. Jess is his father's younger version, a strong human young man who is discovering himself is not willing to compromise his belief, much like his father clings to his traditional values. The big exception is that there plenty of darkness and suffering in Che's life. In spite of having been given a second chance, as we eventually learn through scenes that provide some family and friends' back stories. Che has seen plenty of tragedy before, but he hasn't been able to find cathartic release and holds much pain inside. Dealing with his only child's new revelations might just be enough to push him into irreparable damage.
There are some wonderful scenes in "The Mission." We're exposed to facets of a culture that very few people ever see. There are stereotypes, but also much is done to create real character out of many of the supporting characters. Che's brother parallel storyline is subtly presented to show the way this family interacts with each other and the strength of their family bonds. Che's African American neighbor is delightful and refreshing showing a strong and sensitive human being who might be the link between doom and salvation for Che.
The biggest revelation in the film is Jeremy Ray Valdez's performance as the estranged son who might not be able to reconnect with his father. Seldom one can see such a range of emotions so perfectly displayed scene after scene, matching Pratt's nearly perfect performance bit by bit. One looks forward to seeing more of this amazing actor in the future.
"The Mission" is a rich, powerful, and finely detailed movie that shows the inner workings of a segment of society rarely seen through this lens. The film is a small, intimate jewel that is both touching and enjoyable. Excellent!
Did you know
- TriviaTalisa Soto, who plays Ana, and Benjamin Bratt, who plays Che, are married in real life. They met on the set of Blood In, Blood Out (1993) where Rene, played by Jesse Borrego, stars alongside Benjamin Bratt.
- GoofsThe memorial in Che's garage indicates his wife died in 1985. The banners in the graduation scene read "La Mission High School Class of 2009". Since it is very clear Jes was a model student, it is doubtful he would be graduating high school at the age of 24 or higher.
- Quotes
Che Rivera: Stay brown.
Kenny: Can't do nothin' but.
- SoundtracksMe Rompiste El Corazon
performed by Rene Peña Govea
Music courtesy of Round World Music
- How long is La Mission?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Mission Street Rhapsody
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $1,062,941
- Opening weekend US & Canada
- $49,046
- Apr 11, 2010
- Gross worldwide
- $1,062,941
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
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