A steelworker takes matters into his own hands after police fail to find his missing brother.A steelworker takes matters into his own hands after police fail to find his missing brother.A steelworker takes matters into his own hands after police fail to find his missing brother.
- Awards
- 1 win & 10 nominations total
Zoe Saldaña
- Lena Taylor
- (as Zoë Saldana)
Nancy Mosser
- Woman at Drive In
- (as Nancy Mosser Bailey)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is one among the finest movies i have ever seen. One of the best performances by Christian Bale, Casey Affleck, Woody Harrelson. A must watch. I don't know why it's so low rated.
To be honest, after watching the trailer, i watched this movie only cause it had Bale in it. But it turned out to be surprisingly good with strong performances from everyone involved. Casey Affleck and Zoe Saldana deliver good work on screen. Woody Harelson is also very convincing as the Red neck villain. The director has managed to paint a pretty vivid picture of the environment that he wanted to portray. The storytelling is very engaging. Thumbs up to the director and his team for this effort. In the end, no review can be complete without praising the man who continues to amaze with each performance, Christian Bale. Believable and heart warming in this one. He manages to accomplish the one thing which was most needed from anyone who played this character and that is being able to get the audience to empathize with it. Bale succeeds and then some. Clearly one of his best works till date, and he has an impressive resume already to choose from. A must Watch movie of 2013.
All star cast, probably one of the best that have come together in a film. Ever. Every one at the top of their game. Score fit perfectly. It's not a Hollywood action, Not over the top and not boring either. It doesn't fixate too much on anything in particular and just tells it's story coherently. You can't get too much better than that. A script with touch of sincerity, with a director whom knew exactly where to take it, and actors and actresses able to sink into the roles and bring it to life. It's not the most amazing movie I've ever seen but it's a masterpiece of sorts, for sure.
An all-star cast, comprising Christian Bale, Casey Affleck, Woody Harrelson, Forest Whitaker, Willem Dafoe, and Zoe Saldana (wow!), is cast into the cavernous of troubles. Two brothers- one a former solider who served in Iraq (Rodney, played by Casey Affleck) and the other an impoverished factory worker (Russell, played by Christian Bale) - embark on vastly disparate paths. Their relationship has lost its bygone flare, considering Rodney's extensively damaged psyche and his desire to stray away from standard work, instead choosing to make money off of brutal street fighting and gambling. When he asininely involves himself with ruthless wagering criminals (led by Woody Harrelson), all circumstances invert and numerous lives are consequently affected.
The first half of the film carries an incredibly strong premise and features a truly gripping narrative that focuses on character development/characterization, which compellingly leads to the ultimate predicament. In essence, a major portion of the film's enticement should be accredited to the exceptionally powerful performances, and Casey Affleck remarkably fights for that recognition by showcasing his deteriorating soul. I mention Affleck specifically because he rarely receives ample praise for his impressive renditions. Furthermore, in that first half, the pacing is smooth and adequate as you sympathize with these distressed characters and are stunned by a sudden unfortunate incident after another, personalities still further strengthening. The arresting visual look of the film partially produces that final element of attraction to the end product.
As we proceed though and the midpoint sequence comes and goes, the pacing suddenly decelerates and we encounter additional characters and arcs that are frankly unnecessary and don't benefit the picture in any way. Once the credits roll, you don't feel like Forest Whitaker's character deserved the amount of screen time he ended up with, portraying an archetypal police officer and barely anything more. We're met with countless prolonged and dispensable scenes that are more stereotypical than beneficial to the film's substance and overall plot. The excitement of the first half, fueled by unpredictability and conflict, takes a nosedive and the thriller chooses to tediously capture the lengthy search for the villain alternatively. Finally, the audience is presented with an anticlimactic conclusion that again feels far too familiar and unsatisfying despite the enthralling story beforehand. There's essentially nothing unique in its final act to induce the amount of memorability that the first half accomplished since it ends like your typical run-of-the-mill revenge flick.
In sum, Scott Cooper effectively conveys the rural and destitute atmosphere, and the film is genuinely gritty and honest in its depiction of labor and the unrewarding lives that are led by courageous soldiers upon returning home. These are the lives of a considerably high percentage of America's population and the movie's thematic material speaks volumes on this controversial and profoundly relevant matter. Out of the Furnace certainly forces its viewers to react in particularly shocking sequences, eliciting a variety of emotions. Even though the film's quality noticeably degrades while it advances, this tale will undoubtedly provoke intrigue and fervor until the screen fades to black.
The first half of the film carries an incredibly strong premise and features a truly gripping narrative that focuses on character development/characterization, which compellingly leads to the ultimate predicament. In essence, a major portion of the film's enticement should be accredited to the exceptionally powerful performances, and Casey Affleck remarkably fights for that recognition by showcasing his deteriorating soul. I mention Affleck specifically because he rarely receives ample praise for his impressive renditions. Furthermore, in that first half, the pacing is smooth and adequate as you sympathize with these distressed characters and are stunned by a sudden unfortunate incident after another, personalities still further strengthening. The arresting visual look of the film partially produces that final element of attraction to the end product.
As we proceed though and the midpoint sequence comes and goes, the pacing suddenly decelerates and we encounter additional characters and arcs that are frankly unnecessary and don't benefit the picture in any way. Once the credits roll, you don't feel like Forest Whitaker's character deserved the amount of screen time he ended up with, portraying an archetypal police officer and barely anything more. We're met with countless prolonged and dispensable scenes that are more stereotypical than beneficial to the film's substance and overall plot. The excitement of the first half, fueled by unpredictability and conflict, takes a nosedive and the thriller chooses to tediously capture the lengthy search for the villain alternatively. Finally, the audience is presented with an anticlimactic conclusion that again feels far too familiar and unsatisfying despite the enthralling story beforehand. There's essentially nothing unique in its final act to induce the amount of memorability that the first half accomplished since it ends like your typical run-of-the-mill revenge flick.
In sum, Scott Cooper effectively conveys the rural and destitute atmosphere, and the film is genuinely gritty and honest in its depiction of labor and the unrewarding lives that are led by courageous soldiers upon returning home. These are the lives of a considerably high percentage of America's population and the movie's thematic material speaks volumes on this controversial and profoundly relevant matter. Out of the Furnace certainly forces its viewers to react in particularly shocking sequences, eliciting a variety of emotions. Even though the film's quality noticeably degrades while it advances, this tale will undoubtedly provoke intrigue and fervor until the screen fades to black.
This film is carried my the fabulous actors that starred in it. Having said that, it's worth watching. It could have been better but it's a good, down to earth flick.
Did you know
- TriviaAfter filming was completed, Woody Harrelson walked up to director Scott Cooper, hugged him and said "I have never wanted to shed a character so badly in my life".
- GoofsWhen Rodney fights in NJ and is knocked out, the other fighter jumps on him and keeps hitting the left side of Rodney's face. When Degroat comes in the back room following the fight, the right side of Rodney's face is most damaged. Apparently they just got the sides mixed up.
- Quotes
Rodney Baze Jr.: I should have popped that motherfucker.
John Petty: That would be the last motherfucker you ever popped.
Rodney Baze Jr.: Am I supposed to be scared of him because he sucks on a lollipop?
- Crazy creditsThis film shot entirely and proudly on Kodak Film
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #22.31 (2013)
- SoundtracksRelease
Performed by Pearl Jam
Written by Eddie Vedder, Jeff Ament, Stone Gossard, Dave Krusen and Mike McCready
Courtesy of Epic Records
By arrangement with Sony Music Licensing
- How long is Out of the Furnace?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- La ley del más fuerte
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $11,330,849
- Opening weekend US & Canada
- $5,220,288
- Dec 8, 2013
- Gross worldwide
- $15,661,554
- Runtime
- 1h 56m(116 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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