Camino

Visual artifice without depth. And the worst of all: a complete bunch of lies, and promotes hatred. First of all, we must know that all fact depicted on this film are not based on real life of Alexia, even when the director suggests that.

The one and only merit of director, Javier Fesser, is to be brother of a known radio comedian in Spain. In the other side, we have an excellent teenage actress with a brilliant future, Nerea Camacho.

The movie does not deserve to exist if it causes so much pain to the girl's family, taking advantage of his death. Artistically it certainly, does not provide such a long value.

A moving film, which is capable of provoking genuine feelings among the audience. The subject treated is, indeed, rather controvert: those who do not agree with Spain's extreme orthodox Catholic group Opus Dei will probably feel comforted by the film; those whose resilient Catholic convictions stay clear of questioning will most likely find it annoying, if not bluntly ridiculous and insulting. A certain dialog between the two poles is proposed by the film-maker, Javier Fesser, by means of which a possible virtuous in-between is envisaged. Such dialog, however, is far from being direct and: constant use is made of metaphors and imagination, resulting in a highly idiosyncratic discourse set in a universe where viewers may get lost. An excellent production with some very powerful scenes.

It is such a superb film. Very sad and depressing, but an excellent film-making and a profound, intelligent script. I can guess that the modern Spanish society does not care much for its catholic Church, otherwise this film would not have received several Goya awards. Because principally the film is an anti-organized religion/organized Church manifesto. It dares to ask the fundamental question: if God exists and is good, why so many awful things and suffering happens to good people?? If the answer cannot be found or makes no sense, then it would mean that there is no God, really. At least not a personal, omnisicient God from the New Testament, that cares about what is going on in our world, knows and is everywhere. The film also portrays clergymen as hypocrytical vultures and convents as sects. The title character is played by a talented and charming girl in early teens who I am sure will grow to be a gorgeous and brilliant actress, while the passages between reality and her troubling dreams are brilliantly made.

CAMINO is one of the most intense, beautiful, and inspiring films I have ever seen. It's incredible how a history filled with such grey, such sad characters, can come to be so categorically positive, so affirming. It's amazing that a film that takes on death in such an upfront way and so bravely can be such a passionate homage to life. The best part about the film is that it criticizes nothing, it only conveys reality, and in a surprisingly objective way. I, who consider myself very religious, find this film, in addition to being profoundly human, full of love and tenderness, a film that is also brimming with God. Of course, a God that is totally different from the one Opus Dei twists around its little finger for its exclusive benefit.

This is a very intense movie, with a wonderful cast, perfectly directed. I can understand that some people may object to the film, in which it is not telling the story the way they want to hear it or have come to believe it, but that is beyond the point of the film: it is simply telling a story, in a beautiful, tender and positive way. And we must not forget, it is BASED on a true story, but just that, based, inspired on it. What we are presented here is a version, a very beautiful one, of a similar story. I think unfortunately any movie about religion, specially when disagreeing with the faith shown in it, is meant to cause trouble within the people that want to worship in that way. That, fortunately, does not dictate the stories that can be told on a film, and this one is obviously a fantastic one. I myself am absolutely non religious, but I enjoyed the story for being so moving, and loved to see the Opus Dei side of it as I consider it interesting, as I would consider interesting a movie or documentary on a child believed to be the re-encarnation of the Buddha. But be sure, this is no Da Vinci Code here, it is not intended to make a caricature of Opus Dei, it is simply done from another point of view which adds to the interest of the movie: after all a movie about a girl saint done from the Opus Dei (or any other religion) point of view would be not only terribly propagandistic, but also much more boring.