A neurological pandemic has consumed the population. April, a secretive young girl, and Daniel, a man desperate and bereaved, come together on an isolated farm. When a mysterious stranger tu... Read allA neurological pandemic has consumed the population. April, a secretive young girl, and Daniel, a man desperate and bereaved, come together on an isolated farm. When a mysterious stranger turns up, they are confronted with a new enemy even deadlier than the one beyond the perimet... Read allA neurological pandemic has consumed the population. April, a secretive young girl, and Daniel, a man desperate and bereaved, come together on an isolated farm. When a mysterious stranger turns up, they are confronted with a new enemy even deadlier than the one beyond the perimeter.
- Awards
- 1 win & 3 nominations total
Featured reviews
But it works for the movie. Not bloody, but suspenseful and with a dramatic story, that tries to stay as real as it can be (with a story like that). The actors do a good job, carrying the job, which plays mostly at one location. It might be slow at times (or might seem not moving story-wise), but it really is good, if you let yourself immerse in it.
The premise is dirt simple: Danielle, a man who recently lost his wife and child in this national zombie epidemic, finds an empty house on his travels. He stops in for a bit and is discovered by a teenage girl named April, who has survived their on her own for many years.
The film mostly follows them in their time living together. It's a typical dynamic on paper, with Danielle being more humane and not wanting to kill the zombies, while April has no hesitation in killing them. While Danielle is fairly calm and collected, April is volatile and paranoid. Their dialogue and interaction are realistic and nuanced. Nothing feels cliché or forced here, and even the revelation of April's back story, which could've easily been over the top, is well done.
The pacing is slow and methodical. Many smaller moments, such as Danielle taking a shower when the lights go out, or April chopping wood, adds to the feeling that we're watching life unfold rather than a traditional movie. It's helped by the camera work, almost always close in, adding to the intimacy and intensity. Combined with the beautiful but foggy and desolate setting, creates a gripping atmosphere.
The film builds into one of the most intense climaxes in a zombie film since "Let Sleeping Corpses Lie", and when it was over, I wished that the film would go on longer. Not for any kind of loose ends left, but simply to see it continue.
Highly recommended, especially if you're looking for something a bit different.
This film was made in 2 weeks on a £4,000 budget. Those 2 snippets of info should have been a bit of a hint at what kind of production this was gonna be. Yeah the story runs along the lines of 28 Days Later, so what? It's not as if 28 Days Later was the first film to use the virus/living dead scenario, and I doubt this will be the last.
The story is a simple one. Virus on the loose, survivors hiding in an attempt to stay alive. If you're looking for a blood soaked zombie flick then pass on this and pick up Dawn Of The Dead. If you're looking for an indie flick that focuses more on the psychological horror of the survivor's situation then you'll enjoy this. OK it's not gonna win any Oscars, but hey, neither did The Shawshank Redemption!
It has been mentioned that the film "expects a lot from its audience", but this isn't quite true. There was far too much exposition in some scenes. The characters and their stories are simply not very interesting. It's a common thing to see in an indie, but the extent to which bad acting can weigh down even a good script *cannot* be overstated. I'm sure THE DEAD OUTSIDE will be the cast and crew's ticket to bigger/better things, but as a cinema experience it simply is not up to par.
I'll try and contextualize my score by listing scores for the last couple of indies I've seen:
RULE OF THREE (Eric Shapiro). Good acting for an indie. Reasonably good Script. Terribly shot, terrible music. 5/10
INK (Jamin Winans). Some pretty good ideas, hugely ambitious and elaborate production. Weak execution and bad acting. 5/10
SHALLOW GROUND (Sheldon Wilson). A bloody mess. Nonsensical plot. An exercise in pointlessness. 3/10
THE DEAD OUTSIDE (Kerry Anne Mullaney). A technically competently lensed film, but lacking any real focus or originality. Badly acted, boring script, repetitive sound design. 4/10
There's no action either, but if you're a fan of wobbling camera angles and flashbacks you're going to get your moneys worth here. This really is a dull movie, nothing really happens for an hour and the finale isn't interesting either. If that wasn't enough the acting is generally poor and the bleak colourless scenery gets tiresome pretty quickly.
Did you know
- TriviaShot in a mere two weeks.
- SoundtracksEvacuate
Written and Performed by The Boxer Rebellion
Used Courtesy of The Boxer Rebellion & Embargo Management
(c) The Boxer Rebellion
Details
- Release date
- Country of origin
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- Also known as
- Antes de Morir
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- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 26m(86 min)
- Color
- Aspect ratio
- 2.35 : 1