Gran Torino

Clint Eastwood is simply great both in front of and behind the camera.

Eastwood is as great as Walt Kowalski, a man who, behind his rough exterior, deeply feels the world around him. Through humor and deep emotions, this film shows us that people are complicated and life is unpredictable.

Such films are rare, and nowadays they are almost non-existent. The development of the main character and the depiction of his emotions and internal conflict are interesting, which is exactly the basis of the film.

There is also a bit of humor in the film, located exactly where it should be and thus creates that necessary balance against the cruel reality.

The script is brilliant, and Clint Eastwood turned it into a great film, managing to evoke tension and feelings, as well as the inner struggle of the characters.

The film is superbly directed and easily guides the viewer through the story. The cinematography is excellent, as is the photography. The soundtrack fits perfectly into the atmosphere of the film.

This is an old-fashioned drama with interesting characters that are not one-dimensional but complicated and layered. Unfortunately, the actor who plays the character of Thao is simply not a good actor, but the rest of the cast played their parts excellently.

I was particularly impressed by Ahney Her in the role of Sue, and Clint Eastwood is equally excellent in the role of Walt Kowalski. Also, Christopher Carley excellently portrayed the character of Father Janovich, a young and somewhat naive priest, whose character is also interesting and develops throughout the film.

A great, powerful and inspiring film.

I feel like I should let everyone reading this know of my inherent bias in favor of this film. I have seen twenty eight films from Clint Eastwood as director and have liked the vast majority of them, and loved a good number of them (my average rating for the 28 films is 7.9). Still, something felt off about "Gran Torino" based on the trailer. I read it as Eastwood trying to be 'badass' again, trying to be Dirty Harry again. "Gran Torino" is not that. Walt Kowalski may have similarities with Dirty Harry, and could possibly be read as a significantly older version of Harry (it's a stretch), but he is a distinctive, memorable character on his own, and I'd go as far as saying that it's one of Eastwood's finest performances, and one which gives him a chance to show off his dramatic and comedic chops.

I'm not going to argue that "Gran Torino" has perfect acting from the younger supporting cast. It doesn't. In fact, some of them are downright bad at times, but the film works in spite of its flaws. This screenplay was probably written with Eastwood in mind (I am not sure of the behind-the-scenes details on this) and it shows. He captures Kowalski perfectly. The film is surprisingly humorous, something that isn't being captured well enough in advertising. It's absolutely hilarious at times (watch as Kowalski attempts to make a man out of Thao by teaching him how to talk like men do), and Eastwood handles the shifts in tone brilliantly. When the film takes a dark turn towards the end I sat on the edge of my seat in suspense, fully aware of where it was heading but still mesmerized by Eastwood's tour-de-force direction. This is an artist at his prime as an actor and as a director.

Whether or not "Gran Torino" will hold up as one of Eastwood's great films remains to be seen, and the film feels like it would be good for multiple viewings. The characterization is strong and not simplistic at all, you could argue that Kowalski is just another grouchy war vet, but Eastwood's beautiful, nuanced performance as well as some neat little touches in the screenplay (particularly towards the end) which I won't discuss in detail to avoid spoiling anything (and it's really fun to watch this movie unfold, Eastwood keeps the film moving at a wonderfully involving pace) would prove you wrong. The film works on yet another level as a deconstruction of Eastwood's image. I don't mean that as a negative, it just adds to the film's strength as a character study.

It's a more intimate film than Eastwood's other film this year, "Changeling", and also on a smaller scale than many of his other films, but it's just as ambitious in many ways. This is not a politically correct film about a grouchy old racist suddenly turning into the most tolerant person around, it is a film about a man who, near the end of his life, is forced to confront his demons, and on the sunnier side about a man who finds true friendship where he least expected it. By the end of "Gran Torino" I had forgiven any flaws it might have, and was completely satisfied with the film, which far exceeded my expectations. I have a feeling that "Gran Torino", which has already been met with strongly positive reviews (but is still being described as a 'minor' Eastwood film by some), will eventually become an especially important part of Eastwood's filmography.

If Clint Eastwood had retired after Gran Torino, it might have been one of the most perfect endings to an iconic actor's career. Walt Kowalski is like Harry Callahan or number of Eastwood characters from his past only, like the vessel they're protrayed through, older. He's the crusty, cynical tough-guy who deep inside is a bit softer and has a warmer than you'd expect heart. Which is the truth we see revealed in Kowalski over the course of this movie as he befriends and helps the Hmong kid next door. There might be enough of these movies to constitute an entire subgenre of friendship films: one involving an older guy who learns a little about life while teaching a boy to be a man. It's a friendship story and even what you'd call a feel-good one despite the violence and negativity surrounding it. The film aims for authenticity though I think bits of it will be seen by posterity as dated, false hollywood depictions.

Maybe the later movies kept him busy but this is where Eastwood's career as an actor should have (and in a sense did) end.

A very touching film that brings out a different but still great side of Clint Eastwood.

seeing the trailer for this film kinda made me expect id be watching Dirty Harry in the suburbs.

What I saw was a bittersweet superbly written, well acted story of humanity and friendship,this film is something that we can all relate to in some way, and isn't Hollywooded up in anyway, the film tells it story without any un needed hidden undertones that so many mainstream directors do to films.

Eastwood is excellent as the hard nosed war vet, and his direction is perfect as always, and supporting cast did there job just fine too

Clint Eastwood was perfect for the role and as director, as he has the knack of taking a story and making a film for the audience to get sucked into the story, and not for critics to pick apart....great film making,