Amerrika

In the heartfelt indy film, AMREEKA, one of the truly standout acting finds, is the beautifully performed role of Muna, played by Nisreen Faour - a divorced Palestinian woman, with a teenage son, Fadi (played by Melkar Muallem), who decides to leave their home country, and travel to America (actually, it was filmed in Canada).

Muna has several degrees, but, due them not being accepted, she must work at a White Castle.

Her son's quiet, and, as is often the case - but worse - is picked on, as the 'new kid,' but, being Arab, at this time, the whole conflict between westerners and the Arab countries comes into play - with Fadi being use as the totem, for the 'terrorist' as well as the 'cause' another classmate's brother (a soldier) went into the military.

All through this hard, and difficult time of transition, Muna has an optimism, and chutzpa, and, a warmth, that had me wishing she was my mom.

I wasn't planning to watch AMREEKA, but, after seeing the first few minutes, I became so engrossed in this determined woman to MAKE things work out for her, and her son, I watched it through. And, am happy I did.

You will be too.

This is a great film about immigrating to North America as a divorced mother. The interactions between Mona (the mother) and Fadi (the son) are memorable; whether it be at the border at the occupied territories, in the US regarding his rebelliousness in school or confronting the attitude of US rural society.

I just viewed this film and disagree that it is a stereotype. Maybe the reviewers have not taken a good look at "real life" in North America as a newly arrived immigrant.

In this case, they are from occupied Palestine and immigrate exactly when the Bush administration declares war on Iraq. The town shuns them. No one is Iraqi, Palestine is occupied and war is on the way; so the son convinces her to leave when she receives unexpected news.

A twist and tease every step of the way and the end is most unexpected!

1st watched 1/1/2012 – 8 out of 10 (Dir-Cherien Dabis): Well made drama about a single mother and her son moving from Bethlehem in Palestine to the US, and encounter many different obstacles upon their arrival. This movie is what you'd call a slice-of-life film but focused on a situation that isn't shown much in the movies. They decide to move right in the middle of the Iraq conflict to help the son with his schooling possibilities while suspicions are high against people from their area. This is seen from the perspective of non-Muslim middle eastern folk who just want to live their lives like everyone else. The son first has to encounter being a teen at a Midwest high school where he gets into fights and then gets arrested defending his mother – so things aren't so kind for him in his new surroundings. Nisreen Faour is wonderful as the mother and the rest of the cast is spot on. The experience is not all gloom-and-doom as the mother meets a sympathetic Polish Jew who is the principal of her son's school as well as a friendly teen she works with at the local White Castle. The only real downside to the movie is that it ends too soon. You get attached to these characters and want to see more, but it ends before any major conclusions – other than the fact that life will go on and things are looking up. Don't miss this gem of a movie that deserves a sequel or maybe a reality series on a cable channel?? – Anything to bring back these characters so will can follow them to see how things turn out in the end.

I seldom comment on movies here but felt compelled to comment on this one. I say "not what you might expect" because I think a lot of people's reactions to this film are going to be heavily influenced by preconceptions about what this film is supposed to be "about." I can't blame them; if I heard that this was "a film about an Arab family's struggles after immigrating the USA after September 11th," I'd probably groan because I'd have certain expectations too. But this is not a "message" film, and if you go into it looking for messages, you're going to miss the point. Rather than political, this film is personal. You could call it simple, but it's not simplistic. Far from it; it refuses to reduce the subtlety and nuance of life to overt messages. I think that an honest, objective viewing of this movie will reveal that, the "stereotypes" and "simplifications" that some reviewers are seeing, were brought in by the reviewers themselves. This is not a perfect film, but it has a lot more depth, beauty and truth than most family dramas, and certainly more than the didactic work one might expect.

"Amreeka" has, I would say, all the freshness and the weaknesses an indie movie comes with. Being about a family of Palestinian immigrants struggling to find their way in America and facing all kind of anti-Muslim and anti-Arab stereotypes, this movie cannot escape its own stereotypes. It is a movie that looks schematic in many of its moments. Not in all moments, let's be clear on this point. It is a movie breathing of sincerity and it has a certain pathos. However, sometimes it seems that it gathers all the bad guys on one side and the good guys on the other (you can guess who are the bad guys, and who are the good ones). And after all these, the end seems idyllic; they want to send the good message so to speak, only I'm wandering whether it happens like that also in real life.

Well, one can say that this movie is dealing with a reality which is by itself schematic. This is true: bigotry of any kind is always schematic (to name the least of its sins). The problem is that a movie has an artistic reality of its own, and this artistic reality must be convincing, regardless how schematic the depicted reality could be.

The great asset of this movie is the lead actress, Nisreen Faour. She creates an unforgettable personage, with passion, with honesty, with conviction and stamina. And she is so amazing that the whole movie is contaminated by her enthusiasm and good will.

Let me mention here also Hiam Abbass , a very good actress that I have also seen in many other movies (The Visitor, Munich, Paradise Now, The Syrian Bride).