2012

Anybody going to this movie to learn about the Mayan prophecies for 2012 or for any true science, is going to be sadly disappointed. But, that is not why we go to movies anyway, is it? That is like going to see Godzilla expecting to learn something about giant lizards that vomit radioactive spray. Emmerich has taken a fictitious subject he knew would be controversial and woven some drama into it. People who tend to be slightly paranoid will no doubt be even more so after seeing the world destroyed according to interpretations of prophecy. The people who sell the books promoting the fear make money, just like the movie producers. So what? I didn't see this movie to pick up any information I haven't learned from the History Channel, nor do I believe any more than I did before, that anything bad is going to happen on December 21, 2012. Did I go expecting to be highly entertained by great CGI and action? Yes! And I wasn't disappointed! One thing many reviewers haven't been picking up on while watching this movie is the very slight tongue-in-cheekiness of the subject that Emmerich cleverly wove into the plot. He obviously doesn't believe any of the prophecy any more than most of the rest of us do. You can see it in the actors' performances too: Woody Harrelson, to wit. It is the same as a weatherman who can deliver his forecast each night without laughing because he truly doesn't know with certainty what is going to happen, but he tries to make us believe nonetheless.

See this movie if you love cinema. Enjoy the things about cinema that make it great. Take a small pillow for your butt cheeks because almost 3 hours of sitting in an uncomfortable theater seat will make you wish you had. But fear not. There is so much non-stop action you won't notice the discomfort too much.

The film has obvious flaws, trite clichés, and phony science, but if you are a fan of 50's sci-fi, you will love this movie. And remember, don't take it too seriously folks, just enjoy it. The end of the world isn't going to happen in 2012, there really aren't any giant grasshoppers, ants, or lizards roaming the Earth, and no one's career is going to end because of their role in this movie. It is Hollywood having a good time with a controversial subject. Nothing new there.

Enjoy the show!

If you've seen Independence Day, Titanic, or any recent vintage of the well-worn disaster film genre, you will not be disappointed at all with any of 2012. Its 2.5 hour+ running time moves at a great clip, and there's enough science and pseudoscience running around to give the film a certain of-the-moment wonder and clarity. The many destruction sequences throughout the film are absolutely breathtaking to behold, and one wonders if Roland Emmerich starts every film imagining how he will destroy the White House. Like all of his other films (except for The Patriot) it has big names but no huge names and really is a blast to watch. It has just the right balance of action and melodrama, often, as with all good films of this genre, in the same scene. The audience I watched it with was laughing and cheering throughout, and I'm sure it will be the definitive event movie of the holiday season, critics be damned.

I went to an advance screening of 2012 a few nights ago and I have to admit that this movie was entertaining at best and that's it. The whole movie is almost entirely comprised of special effects. Of course you'll see all of the lead characters survive scenarios that a regular human being would not. Some of the scenes are so ridiculously unbelievable that you want to laugh at the fodder that's being expected of you to believe. Emmerich certainly pushes "suspension of disbelief" to its limit.

John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.

The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.

It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.

I had a lot of fun taking my 12 year old son and two of his friends to this movie. 2012 was no more far-fetched than; e.g., Independence Day, The Abyss, Armageddon, The Core.... I could go on and on. Further, the "Gremlins"-like touches of humor made 2012 go down much easier than the afore-mentioned films, which mildly insult by pretending to be plausible science fiction. I get annoyed reading the showy displays of "brilliance" by reviewers who point out that the events are ludicrous, melodramatic, over-the-top, etc. OF COURSE THEY ARE. So was King Kong in 1933. Such critics remind me of sullen adolescents who've just learned the moon isn't really made of green cheese. I recommend they have young children and take them to a Saturday matinée featuring a Jane Austen flick. I'm sure it'll be a swell time for all.

I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.