Loin d'Eden

The content in here was pretty intense for a large part with some decent performance and dialogue in kind sprinkled between the polarizing characters and mixed with some flashy action. I'd give it a recommend if you like the genre or subject in particular otherwise I think it can be tough for a casual watch.

Throughout the movie the script portrays the two women as the most stupid beings that have ever existed... the ending even worse, what would Eleanor do with a corpse? How come there was that shooting and nobody seems to bother in the station at the end? Even a low budget movie at least some logic and common sense. Not this one...

Being familiar with Israeli cinema and hating it, I have to say that I welcomed the idea of this movie when it was announced. Among tearful melodramas, unnecessary and unfair political films, boring war pictures and idiotic romantic dramas, Kirot stood, at first, as the refreshing example of the much needed genre cinema in Israeli film industry.

Just imagine following pitch: sexy Ukrainian woman is forced to work as a prostitute after being threatened and violently beaten. Then she gets a gun and forced to become an assassin, also becomes involved in a lesbian relationship with her neighbor. But when she is given an assignment that she doesn't like, she rises against her abusers and her former pimps in old fashion bloody revenge.

Sounds great, isn't it. Juicy, violent and gory exploitation flick in potential. In some places such idea could turn out to be "Thriller: A Cruel Picture", in others it could turn to be ""Female Prisoner #701: Scorpion", even "Kill Bill", but for some reason in Israel it turned out to be "Kirot", which is more an insult than a compliment.

So maybe no one actually intended to make an exploitation flick here (and really why not?), but this is besides the point. The movie "Kirot" is a pale shadow of any good expectations I've had about the film. Instead of daring plot, bold direction and uncompromising violence all we got here is a boring story with carton characters without any ability to be liked, crude and dull direction, forceful and artificial manipulation on the viewer, and finally many rip offs and little imagination.

And although camera work is somewhat innovative, sometimes even very nice (single shots), it feels disconnected and pointless in connection to the movie itself. Because every part should work together, here each part is pulling to a different direction.

Lerner is not a good director and even worse screenwriter. His rise as the next big thing in Israeli cinema is not surprising, because he is not representing anything new, only an upgrade of the old. You can imagine how bad the old school is if even the younger upgrade still fails where the majority of world cinema succeeds for many years.

A viewer should not spend his time justifying narrative flaws and implausible events, viewer should not be forced to feel sorry for a female character for a sole reason of her being abused by a man, and a viewer should not have only that feeling alone towards her. Seriously, for each character in this film you can only have one single emotion, so underdeveloped and caricature they are. It's like being back in kindergarten when they said to you - "a cow goes moo", because this is the only thing she goes.

Instead of telling a story, defining the characters by their actions, Lerner decides it is time to play very sad piano music while showing the heroine walking on the street and crying, for like 3 minutes. Then to show the depth of her inner desires, wishes and hopes he shows her painting a sad picture on the wall with black colors. So sad (wiping tears). Instead of showing characters trying to deal with the world around them, he shows them escaping it. Instead of showing some kind of character development, because people do change under harsh conditions of reality, he decides that his characters will remain the same, keeping same faces, same attitude, same problems, same idiotic ideals. The characters are stuck in their private hell, each one of them, without any ability to evolve and change. And maybe that was the point of the movie, but doing stupid things intentionally doesn't make them smart.

Which illustrates my point exactly - Israeli filmmakers are simply unable to change, unable to adapt themselves to the current world of film goers and filmmakers. All the talking about new approach, new style, are false statements from someone who doesn't understand what does it mean to be different and innovative. Same all drama, same old forced tears, same old unconvincing conflicts and same old dramatic weaknesses.

Looking for a new path, a fresh start, a new wave in Israeli cinema is still not dead, but it sure will not start with 'Kirot' or Lerner. I am still looking for a day when Israeli filmmakers will not act like homeless beggars, going to film festivals just to collect their season donations. Still looking for a day an Israeli movie will be actually remembered one year after its release, or at least will have more than one comments page on IMDb board.

When announcing the film production Lerner said that the movie will be about two chicks and lots of guns. Far from the truth. More like a depressing love story about people accepting their fate and unable to change. How very relevant in that area of the world.

who ever thinks that the story is unrealistic, is not familiar with the Russian immigrant's life in Israel. Some of them come from Russia as teachers and then, end up as security guards and even prostitutes, just because of the Language difficulties.

this movie performs the relationship between two women who gets hit and beaten by men who has power over them. It shows both their struggle and confrontations with the men in the movie, and their special connection. And that's the reason why I like this movie, it showed how much they both hated their jobs and their lives and how much they are the same.

So, yeah, it's not a Hollywood made movie, it doesn't have great action like most thrillers ,it's not brilliant or close, but it does have good drama, good acting, good shots (in my opinion) and good story ,that I've already said.

I'm Recommending it...

The action is pretty decent and it stays true to it's origins (language wise, you will hear a few languages spoken throughout the entire movie). It has a strong leading performance by Olga K. (also known for her role in the most recent Bond movie, not that much for her Hit-man turn-up). Apart from that you have good to decent acting throughout, but a few scenes fall short of the premise.

This is a very sensible theme and the director did a decent job in portraying that. Still there are quite a few flaws (like length and dialogue choices, clichés) that might hinder you from rating this movie higher. Than again, I just read a 10/10 review and the user sounded pretty convincing. So it's up to you, if you see more than I did or agree with me