Two lowly interns at J.W. Wells and Co., a mysterious firm based in London, uncover a plot by their CEO to disrupt the ancient magical world with modern corporate practices.Two lowly interns at J.W. Wells and Co., a mysterious firm based in London, uncover a plot by their CEO to disrupt the ancient magical world with modern corporate practices.Two lowly interns at J.W. Wells and Co., a mysterious firm based in London, uncover a plot by their CEO to disrupt the ancient magical world with modern corporate practices.
- Awards
- 1 win & 5 nominations total
Karen Peart
- Dry Cleaner
- (as Karen Marie Peart)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a somewhat contradictory movie.
Unusually, I chose to watch it on impulse, out of the blue, with no prior knowledge of what it was about, other than it had an intriguing title and a good cast.
From the first few minutes and on to about 45 minutes, the script, apparent plot, and acting successfully draw you in.
Everything is set up for The Portable Door to be some intriguing, mind binding, psychological, thought provoking film for adults.
You are being taken from the seemingly innocuous streets of London to witness what goes on behind the doors of a mysterious company run by people, Waltz and Neil, whose stated intent is the secret control of the masses, and to sell that ability to the highest bidders.
Burton's confusion but initial happiness in getting a strange job in this mysterious company is well portrayed, as is his discovery of his hitherto unknown 'other world' abilities.
It feels like a very dark, sci-fi, adult Alice in Wonderland equivalent, with The Portable Door being the entrance to anywhere possible, as per the rabbit hole.
Then, just as you sense this film can really take off into deep and intriguing mind games, something happens.
To me it suddenly changes direction, backs away from being grown up, and the second half goes completely the opposite, dumping all the careful build-up, the mystery, the intrigue, and the subtlety of leaving you wondering where is this going!
And for me that is why it seems the whole first half, of potentially a great attention grabbing movie, appears to be dumped in the bin.
It's as if halfway through making it, the director was told that the studio had now given permission for a good CGI budget to be available.
So now they had to spend it.
And that is why, the film suddenly changes from an interesting subtle mind drama to an all out, in your face, no mystery, flashes, bangs, wallops, villain chasing goodie with loads of odd other creatures hanging around kids fantasy movie.
So the last half hour or so is what you expect to see anywhere else, and therefore the end result is pretty obvious from way out, rather than being a last minute cliff-hangar.
I enjoyed the first half, but disappointed with the second half.
So much potential for a really intriguing film, and then it all reverts to a flash, bang, wallop, CGI action film, which chucks all the great acting of Waltz and Neill early on, out of the window.
IMPORTANT!!!
Right at the end of the last credits featuring all the CGI creators etc.., there is a clip of a final scene showing Burton, as the character Carpenter.
What happens in that scene is strangely a precise summary of what I have written above - so much potential, but at the end not much achieved.
So do watch right to the end.
It's a fitting summary added by the Director - very telling!
Unusually, I chose to watch it on impulse, out of the blue, with no prior knowledge of what it was about, other than it had an intriguing title and a good cast.
From the first few minutes and on to about 45 minutes, the script, apparent plot, and acting successfully draw you in.
Everything is set up for The Portable Door to be some intriguing, mind binding, psychological, thought provoking film for adults.
You are being taken from the seemingly innocuous streets of London to witness what goes on behind the doors of a mysterious company run by people, Waltz and Neil, whose stated intent is the secret control of the masses, and to sell that ability to the highest bidders.
Burton's confusion but initial happiness in getting a strange job in this mysterious company is well portrayed, as is his discovery of his hitherto unknown 'other world' abilities.
It feels like a very dark, sci-fi, adult Alice in Wonderland equivalent, with The Portable Door being the entrance to anywhere possible, as per the rabbit hole.
Then, just as you sense this film can really take off into deep and intriguing mind games, something happens.
To me it suddenly changes direction, backs away from being grown up, and the second half goes completely the opposite, dumping all the careful build-up, the mystery, the intrigue, and the subtlety of leaving you wondering where is this going!
And for me that is why it seems the whole first half, of potentially a great attention grabbing movie, appears to be dumped in the bin.
It's as if halfway through making it, the director was told that the studio had now given permission for a good CGI budget to be available.
So now they had to spend it.
And that is why, the film suddenly changes from an interesting subtle mind drama to an all out, in your face, no mystery, flashes, bangs, wallops, villain chasing goodie with loads of odd other creatures hanging around kids fantasy movie.
So the last half hour or so is what you expect to see anywhere else, and therefore the end result is pretty obvious from way out, rather than being a last minute cliff-hangar.
I enjoyed the first half, but disappointed with the second half.
So much potential for a really intriguing film, and then it all reverts to a flash, bang, wallop, CGI action film, which chucks all the great acting of Waltz and Neill early on, out of the window.
IMPORTANT!!!
Right at the end of the last credits featuring all the CGI creators etc.., there is a clip of a final scene showing Burton, as the character Carpenter.
What happens in that scene is strangely a precise summary of what I have written above - so much potential, but at the end not much achieved.
So do watch right to the end.
It's a fitting summary added by the Director - very telling!
Why do people who have read the book ever bother to view a film they know from the outset they will hate because - insert whiny voice- "it's not like the book". Why not save yourself the agony.
As a counterpoint I have read the book, and thought this adaptation was most enjoyable. You can't really describe anything without spoilers. Ut it bowls along with a great sense of humour -mfor some of which paying attention is rewarded.
If you haven't read the books give them a go as there are seven in the series and explore the idea in greater details. This will be good should get round to making a sequel.
As a counterpoint I have read the book, and thought this adaptation was most enjoyable. You can't really describe anything without spoilers. Ut it bowls along with a great sense of humour -mfor some of which paying attention is rewarded.
If you haven't read the books give them a go as there are seven in the series and explore the idea in greater details. This will be good should get round to making a sequel.
I haven't read the book so I can't judge this movie on that basis. It's a nice looking film with nice photography, there's no problem with editing or pacing. Its what you'd expect from this type of film. The cast was suitably solid but for me the highlight was Sam Neill: His was a stand-out performance, an absolute delight. He just stole every scene he was in and was loads of fun. However, the movie would have been better if not for serious problems with the sound mix. The music is so overwhelmingly loud it drowns out the dialogue to the point where you're struggling to discern what is being said over the sheer loudness of the music. You might as well turn subtitles on. How does such a serious blunder occur? It seriously detracts from what otherwise might have been a more enjoyable movie.
I read a lot of reviewers comparing this movie with Harry Potter but I don't agree. The story is totally different, much weirder which was a good thing I thought. The only thing they have in common is that it is all fantasy and in this genre The Portable Door is an entertaining movie. It takes a while to understand what's going on but it's never annoying. Christopher Waltz always delivers, never disappoints. Sam Neil was also good in playing his strange character. The whole cast did a decent job making this movie interesting to follow. I can see some sequels in the future if it catches on. I'm up for it.
What fun. An enchanting film. An adult fairy tale and boy meets girl rolled up into one.
Paul's very bad day leads to an unlikely job opening at the prestigious, mysterious company, J Wells. He quickly becomes a favorite of the boss, but no one else on the hiring committee has anything good to say about him. As he proves his metal to both his new coworker and the company at large, we are taking on a fantastic journey. Imaginative sets help create magical scenes.
Christopher Walt makes a great bad guy. The cast includes Sam Neill, who always delivers. I'm sure the primary actors are up and comers, but I'm just not familiar with them from earlier movies.
Enjoy!
Paul's very bad day leads to an unlikely job opening at the prestigious, mysterious company, J Wells. He quickly becomes a favorite of the boss, but no one else on the hiring committee has anything good to say about him. As he proves his metal to both his new coworker and the company at large, we are taking on a fantastic journey. Imaginative sets help create magical scenes.
Christopher Walt makes a great bad guy. The cast includes Sam Neill, who always delivers. I'm sure the primary actors are up and comers, but I'm just not familiar with them from earlier movies.
Enjoy!
Did you know
- TriviaThe Portable Door, the first book in Tom Holt's J.W. Wells & Co. series. Publication Order of J. W. Wells & Co. Books all eight books: The Portable Door (2003), In Your Dreams (2004), Earth, Air, Fire and Custard (2005), You Don't Have to Be Evil to Work Here, But it Helps (2006), The Better Mousetrap (2008), May Contain Traces of Magic (2009), Life, Liberty, and the Pursuit of Sausages (2011), The Eight Reindeer of the Apocalypse (2023).
- GoofsThe Union flag (the British flag) to the right on the J W Wells building is being flown upside down.
- Quotes
Dennis Tanner: Did I give you permission to be down here? Let me think! No. I did not!
- Crazy creditsThe opening credits contain a fake user agreement which scrolls past really quickly. On further study the "contract" contains unusual contractual terms and funny tidbits that foreshadow the movie plot: The movie has an overarching theme about agreeing blindly to terms of service, after all.
- SoundtracksJust for You
Written by Paul Shirley
Performed by The Paul Shirley Show Band
Courtesy of Midnight Choir Pty Ltd
- How long is The Portable Door?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- La puerta secreta
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $801,082
- Runtime1 hour 56 minutes
- Color
- Aspect ratio
- 2.39:1
Contribute to this page
Suggest an edit or add missing content