La défense Lincoln

I remember that there was a time, not that long ago, when I really could not stand any movie that featured Matthew M. However, slowly and steadily, the guy started picking or getting better roles and started to gain some good movies under his belt. Even his acting skills that seemed total rubbish in movies such as reign of Fire seemed to improve massively over the course of the years. Now, you could even say that if Matthew M. is acting, the movie must be at least decent. And that's exactly what The Lincoln Lawyer is. A pretty good movie that I enjoyed to watch and would even watch a second time when my fish memory has erased the contents of it from my brain. More Matthew M., more good m.

The titular Lincoln lawyer is smooth Mick Haller who is just as smooth as Matthew McConaughey. His sleaziness is entertaining, but his lawyering is smart and intriguing. This film has pretty much the perfect mix of a smart plot, with inventive twists, amusing one-liners, and captivating thought-out characters.

Limited action and instead using characters who have an actual story, we get a film that sets itself above its competitors. A charming, but also smart and strong, Matthew McConaughey introduces us to a lawyer who has a few inner turmoils that develop along with the plot. There may be a few too many twists in the story (and with the camera), but the evolution of McConaughey's Haller is rather subtle and not cliché.

Questions of innocence versus guilt surround Louis (Ryan Phillippe) as Haller agrees to take on his case. But as the case starts to collide with incidents of the past, present and future, similar questions of guilt and innocence start plaguing Haller, his other clients, and the other lawyers. The fact that all these other characters are played by great actors only increases the entertainment value of this film. I highly recommend taking a thoughtful ride with "The Lincoln Lawyer".

Playing the title role in The Lincoln Lawyer is Matthew McConaughey so nicknamed because he conducts most of his business from his Lincoln Town Car which is chauffeured by Laurence Mason. As he has to travel to and from various courts, this makes it a whole easier. And the car and Mason thereby become a business expense. Roy Cohn would have been proud.

McConaughey is no idealist, his services come at a price. But it turns out he has some scruples and they are put to the test when rich boy Ryan Phillippe and his mother Frances Fisher hire him to defend Ryan when he's arrested for rape. He was literally caught in the act as two neighbors broke in and held him for the cops for raping Marguerite Levieva.

Due to the canons of the Bar Association ethics McConaughey finds himself in a jackpot similar to the one Al Pacino found himself when he played a young idealistic lawyer in And Justice For All. But the results are a whole lot different because McConaughey is not an idealist and he makes those canons work for him.

The film looks like the pilot of a TV series, but I doubt we'll get any of the big name stars there if such a thing comes to pass. Marisa Tomei co-stars as McConaughey's ex-wife and a prosecutor to boot. Can't imagine what broke that marriage up. William H. Macy has a key role in this film as well as a private investigator who works for McConaughey and does very well in it.

The Lincoln Lawyer is a very well done addition to the legal cinema with a cast that fills its roles out to a "T". I would really recommend renting the Al Pacino classic And Justice For All and see the very great similarities and key differences in both of these films.

Agatha Christie would be proud of the five-twist ending to THE LINCOLN LAWYER. The film is clearly top-notch and street smart. It's the most efficient, solidly crafted courtroom thriller since PRIMAL FEAR and WITNESS FOR THE PROSECUTION. It has so many twists and turns that it's likely that Agatha Christie would be proud of it.

It also reignites the career of Matthew McConaughey as an actor, not just a charismatic star. He manages to be smoothly appealing despite playing a corrupt lawyer who has no scruples in defending guilty clients as long as they provide the cash flow he demands. It's only after defending RYAN PHILLIPPE from a charge of murder and rape that he realizes he does have a few scruples left. And the plot twists provided by the screenwriter John Romano from the novel by Michael Connelly, are deftly handled for maximum shock effect. Brad Furman keeps the direction tight, forceful and swift-moving.

The cast surrounding McConaughey has been selected with care and all of them offer realistic performances. Marisa Tomei is appealing as his ex-wife who knows his shortcomings but is still attracted to him, and William H. Macy delivers a solid performance as his investigator friend. Ryan Phillippe is excellent as the client whose surface appearance belies the fact that he's as street smart as his sleazy lawyer, and FRANCES FISHER is outstanding in a small but pivotal role as the young man's protective mother.

Not since the days of PRIMAL FEAR and WITNESS FOR THE PROSECUTION has there been a more intelligent script than this one, designed to baffle and blindside the viewer in the course of unraveling some startling surprises.

By all means, highly recommended for fans of this genre.

Hey, this isn't half bad at all. I'll be honest and say I wasn't expecting much, so it was nice to be pleasantly surprised. Okay, it's no 'Primal Fear' - but it's as good as any Grisham adaptation.

The script is pacey and smart, with some excellent lines from the central character - played with just the right balance of sass and integrity by Matthew McConaughey. In fact, everyone in the cast was up to the mark - and it's always a pleasure to see Marisa Tomei up there: a fine actress who deserves to be seen more often. Willliam H Macy, too, is always worth watching.

As for the story... I thought it gave an interesting angle on the classic legal/moral problem : the failed defence in which an innocent client goes to jail, and the successful defence that acquits a killer.

I haven't read the Michael Connelly novel, but I think I will now - if only to see more of the Mick Haller character. His back-story wasn't much more than suggested in the film - lost licence, broken marriage, smartness that's a combination of natural intelligence and life at the grittier edge of things. I want to know more!

A couple of quiet spots, and a little bit of overstating the obvious (a la 'CSI'), but otherwise this is a highly entertaining film. The perfect antidote to some of the blockbusters and cartoons on offer at the moment.

8/10