La piel que habito

Pedro Almodovar is not a conventional filmmaker by any means. His films openly explore subjects many acclaimed directors fear to tread and absorb in their whole entire careers, but what is always guaranteed with Almodovar is a sense of wonderment and the unexpected, and 'The Skin I Live In' ('La piel que habito') is no different. Based briefly on Thierry Jonquet's 2003 novel 'Mygale,' Almodovar's latest film is a delightful and refreshing combination of multiple genres including drama, thriller and body horror. It's shockingly sincere, beautifully horrifying and has an appeal that will keep the audiences eyes locked towards the events on-screen until the final credits roll.

Dr Robert Lesgard (Antonio Banderas) is a renowned surgeon who is attempting to achieve a breakthrough in bio-medical sciences by creating a synthetic skin through transgenisis. Classified as a horrific mutation by some, and acknowledged by Robert as an innovation, his experiments come at a price. His human test subject is a beautiful woman named Vera (Elena Anaya) who is contained within his home, and cared for by his head servant Marilia (Marisa Paredes). Vera is not like other women, she wears a skin-coloured suit made out of fabric instead of clothes, she is constantly watched by Robert and Marilia, and she never leaves her room, which only Robert himself holds the key too. What follows is a startling journey of discovery as the narrative unravels a story of disturbing past, present and future events; transforming the lives of all those involved.

Beginning in Toldeo in 2012, Almodovar utilizes a constantly underused and under-appreciated device in the nonlinear narrative. He provides the audience with one perception of each character before returning in flashback during the second act to six years previously where further events are explained and through this, the audience's initial observations of the characters become undermined and drastically altered. He then digresses between past and present at will building a comprehensive picture of each character involved as the story develops revealing some startling and disturbing discoveries. This decision to structure the film in this way, also adequately supplements Almodovar's need to explore his key themes including sexual identity, and the nature of the moral of ethics of the human soul after it has been literally stripped bare.

Coupled with the beautiful cinematography from Almodovar's long-time collaborator Jose Luis Alcaine and an original and complimentary score by Alberto Iglesias, 'The Skin I Live In' also becomes an example of technically proficient filmmaking which works alongside the performances of the likes of Banderas and Anaya, as well as the slickly written script which keeps the audience on their toes until the final curtain has been dropped. Pedro Almodovar is undoubtedly one of the most successful auteurs of the last few decades, and with 'The Skin I Live In' he shows that he can almost touch upon a new genre, in the form of body horror genre-hybrid, whilst also retaining all the previous elements, themes and techniques which have made his films the deep-seated critically successful films that they are.

This movie is beyond my expectation with unexpected twists and turns. Who ever thought of making this kind of movie:? Taking revenge through making it scientific project.:3.

The Skin I Live In is really a film that should be seen by a very big audience, obviously it's a movie that probably doesn't appeal to a very big crowd, it appeals to an older crowd or a young hipster type crowd who enjoy foreign films. I have read the novella Tarantula that this is supposedly loosely based on, however I found that it followed the novel extremely closely, I thought a lot of the twists and stuff that were in the book would be taken out if the film but thankfully most are present and accounted for.

Antonio Banderas is so terrific as the leading man, he hasn't looked this great in screen in a long time, I think he seems more at home in his native language, and Elena Anaya is absolutely radiant on the big screen, her face just lights up the screen and she is absolutely exceptional in a very strange role. The story is really a bizarre one, it's seems like a less perverted De Sade and a more understandable David Lynch, it always takes you by surprise and it is highly original and also somewhat daring I think, and thank god a director like Almodovar decided to film it and not some silly director.

The cinematography and music is beautiful, the colours and textures in the film are picked up beautifully by the camera and the music is a great companion to each scene, it's so close to perfection in the production design department that i would go so far to say as I haven't seen a better looking film this year.

This movie is in my opinion the least accessible of all of Almodovar's films but I hope it doesn't put people off, as his touch and style is clear and present here. It's very different, strange, perverted, horrific, beautiful and always entertaining.

Enjoy :)

After losing his wife in a fire, accomplished surgeon "Ledgard" (Antonio Banderas) has been working for many years on a type of skin that can resists burns! After about a dozen of them, he might be on the cusp of a breakthrough - but just how has he managed to develop this groundbreaking fabric? We, watching, are not the only people suspicious and as his fellow scientists become more openly sceptical, we begin to discover a little more of just what he's been doing for all of these years and that's the kind of plot twist that really does make you cross your legs! This is another of those stories from Almodóvar that is really quite disturbing - but not in any kind of hysterical fashion; it's an almost perfect paced and increasingly menacing story that is gradually back-filled to powerful effect by an on-form Banderas who juggles obsession and neurosis compellingly. There's not a great slew of dialogue, just enough to keep the thing enthralling and I really did enjoy the last fifteen minutes. Not for the squeamish, I'd say - but a great watch.

Holy cow that's one messed-up story.

A Spanish mystery about a plastic surgeon who practiced skin transplant.

First of all, there were quite a lot of explicit contents here. Not sure if it's necessary.

The most fascinating part was middle part of the movie with a long flashback that showed what happened to the surgeon and how he dealt with the aftermath. And oh boy that was disturbing and gross.

Through this messed-up story was the theme of retribution and obsession. It showed a disturbing way that a person could bring about retribution.

Overall, a disturbing story with great acting. 7.5/10.