Land of Dreams

Shirin Neshat's Land of Dreams is a beautiful, witty, and fun journey of an Iranian immigrant in America, in a land where dreams and reality blend magically. The outstanding performance of Sheila Vand, Isabella Rossellini, and Matt Dillon, makes a perfect combination with Neshat's distinct and artistic way of storytelling.

It is a beautifully crafted film with stunning visuals. I strongly recommend it!

I am of the idea that a movie should tell you a story, within its own terms and following its own rules, HOWEVER, keep it coherent or adhesive and it'll all go well... also, just like Wes Anderson can only do Wes Anderson movies, or Guy Ritchie can only do Guy Ritchie movies, the Cohen brothers, Christopher Nolan, etc. Etc. *only* David Lynch can do David Lynch.

I get it, maybe the intention of the movie is it to feel like a dream, with no coherence, vague, surrealist and confusing, but you have yo bind it all together with some intent... which is, what? Otherwise, is there a porpoise, *at all*, with this movie, other than confusing its audience?

Shirin Neshat is a celebrated visual artist famous for her multi-media installations at MOMA and elsewhere. Her visual hand is everywhere in this visually stunning film realizing a script by the great late surrealist, Jean-Claude Carrière (with Shoja Ansari). True to her other films, NeshaL resists providing easy and pat interpretations of her visual images or the storyline of the film. The visual settings of the film echo the title--Land of Dreams--with floating representations, starkly engaging characterizations, and varying contrastive landscapes. Sheila Vand is the accomplished "dreamer" and dream collector at the center of the film achieving multiple characterizations in a nuanced performance. Matt Dillon and Isabella. Rossellini add polished star power to the film. Mohammad. Ghaffari stands out and is immediately arresting as a mystical guide in a commune that may or may not be real. This is a film that should be seen more than once to plumb the depths of the emotional symbolism that is at the center of all dreams.

This is a great example of how you can engage an audience without giving the whole plot away in the first 10 minutes. The Directors feed you just enough info to keep you glued to the characters as they develop and expose their motivations, their strengths, and their flaws.

The film is fueled with great performances by Sheila Vand, Matt Dillon and William Moseley as 3 very different people looking for very different answers only to stumble into a world where the answers you were searching for may not exist.

It's a complex satire that demands you pay close attention to the characters. The reward is a rich complex film that will stay with you a long time.

This is an arthouse movie that only gets bad reviews because people don't get the style. Being arthouse is not a saving grace and it doesn't excuse a badly made movie. This does not fall in this category.

The style is clear and consistent. The storytelling is unique but not random. Look forward to an intriguing journey into the quirkiness of a semi-dystopian but still charming and uplifting movie.

The acting appears wooden only as a stylistic choice. It is not. The characters are complex and immaculately portrayed.

While there is a level of political commentary, it does not dominate. This is a movie about identity, self-awareness and sticking to one's own reality, regardless of the "reality" the status quo tries to push on you.

Oh, and full of beautiful imagery in New Mexico.