1 1/2 Ritter - Auf der Suche nach der hinreißenden Herzelinde

I saw this film yesterday and could not stop laughing, as most of the crowd in the almost sold-out theatre. This is very well made and full of surprises. The cast ist first-rate, especially Tobias Moretti delivers his best performance. You can feel that they had a lot of fun in the making of it. After his mega-success with "Keinohrhasen". Til Schweiger has done it again. Production values are top notch and as good as Hollywood standarts. Cinematography and sound effects are first class. There is even a new song by New Kids on the Block. This Til Schweiger guy really knows how to please his audience. This is also a film for the whole family and for repeated viewings!

at least if you are not really into pain. Or with the Scavenger's daughter, the Scold's bridle and the Iron Maiden, they couldn't hurt quite as much as watching this insipid movie. It is based on one idea, one really simple idea: Put actors into a medieval setting, but let them talk and basically act like contemporary TV characters. You can take an old script that was too bland to even use it for a TV soap, change the parts to king, princess, knight and troubadour. That's all. Imagine the men's stupid hairdos that make them look like hillbillies - and what's funnier than that. Don't overdo it like those Monty Python guys, using gags and stuff. The viewers are already laughing about the hairdos, don't over-strain them.

That is no exaggeration. The dialog and the storyline are extremely dull. How did the writers manage it to get their script accepted? With no images to distract from the trite content this seems to be an impossible task. Yet they succeeded. They probably put an image of a medieval hairdo on every single page.

Though "1 1/2 Ritter" is an intellectual disaster, the lack of money hasn't been the problem here. The art department's work looks alright. There are lots of well known German actors - acting stupid. Is this the most embarrassing role poor iconic Udo Kier ever agreed to stain himself with? Probably not. It's still a pity. The most dignified acting is delivered by Dieter Hallervorden, who's been infamous for his silly comedies in the Eighties. Compared to "Zeroes" comedies like "1 1/2 Ritter" they don't look half bad. A good thing for Mr. Hallervorden, annoying for nearly everybody else.

The only thing remotely interesting about this movie is the startling lack of any redeeming qualities and therefore the question: How could this happen?

This Movie tries to tell the story of Lanze who is in love with the princess. One day the princess is kidnapped by the Dark Knight and Lanze starts his journey to rescue her. But he is not alone because Erdal, a turk, joins him on his journey.

This movie is not funny. OK maybe one part with Roberto Blanco but thats it. Screenedit is worst and you cant find any serial red line throw the story to follow the content. The jokes aren't good and the acting is also miserable. This movie is like a mix of Craig Mazins "Superhero Movie" and Brian Helgelands "A Knight's Tale" with typical German influences. Kind of Slapstick comedy without the comedy (like Superhero Movie).

Summary : 1 1/2 hours waste of time 3/10

I really was disappointed after watching this movie. The cast was promising, a lot of famous Germans actors and comedians are participating in this movie. Even the plot was promising but i don't know what happened. Some sequences were way too long, the beginning was lame and funny scenes weren't that funny. And this movie is NOT for the whole family, my advice: please leave your kids under 12 years at home, because an important topic is sex. I wished there were more funny moments in it. There is no spirit in this movie. Of course there were some points where i had to laugh, mostly when the character called Erdal was on screen. This was not a good German comedy.

I was incredibly surprised that I enjoyed this film, but I found it to be one of the best 'Friday Night' comedies I have seen for a long time. Even though the film is subtitled and scripted in German (never my first port of call for issues of comedy) I laughed out loud (genuinely, not the trite LOL of social media) at several points. It is an historical romp that sensitively touches on several issues and has several modern day references that could ruin a film, but actually fit in. I loved the idea of a psychiatrist analysing the German equivalent of Robin Hood and concluding 'You've got a problem!' and I thought the idea of fans of a boy band throwing their chastity belts at the singers instead of their underwear an amusing sideline. The sensitive addressing of certain issues puts this film ahead of the crass denials of The Holy Grail and other similar comedies. I also loved the idea of inviting a sympathetic gaoler - and his daughters - to your own wedding a pleasant touch. This film has touches of the Holy Grail, Robin Hood Prince of Thieves, The Man of La Mancha, Les Visiteurs, The Blackadder, Time Bandits and Jabberwocky all mixed together but given an unique feel - all in German with sub titles. I also found the slightly unusual musical score refreshingly good - I would like to know if a recording of just the score is available. The Knight of the title is a Superstar Knight who falls from favour - and is imprisoned - because he failed to protect the Princess he was meant to be guarding, but he is then given a chance to redeem himself by searching for the kidnapped princess, whom he adores. The Half-a-Knight from the title is a Christian Moorish con-man (what a concept!) whose very existence touches upon many modern issues, and whose role is sensitively played. I suspect the negative reviews are from viewers who could not see beyond the mixing of modern with medieval (there was a decision to add a New Kids on the Block concert that makes little sense apart from the comic issues that arise therefrom). Perhaps those reviewers should remember that this is a comic romp and is not intended to be historically accurate! In fact there are some interesting performances here (albeit no great acting moments), sensitive treatment of certain issues and the occasional genuine laugh-out-loud moment of real comedy. I will definitely watch this film again (and again)