La nana

The Maid, or La Nana is a Chilean film that is hard to categorize. Raquel has served an upper class Chilean family for over twenty years, and when she becomes overwhelmed by the demands of the household, they hire another woman to help with the chores. Through a sequence of different pranks, which includes locking the helper out of the house, the assistant quits. It turns out that Raquel is territorial, and possessive of her employers.

The next prospect, an older, tougher woman is more difficult to intimidate, but the maid in charge manages to also make life unbearable for her and she gives up and leaves. Raquel believes that she is part of the family because of her many years of living with them and they, in turn, feel obligated to to take care of her.

The lead actress, Catalina Saavedra, is a plump, plain looking woman who will alternately make you feel sorry for her at one moment and then want someone to do the right thing and lock up this mentally unstable creature. She is outstanding and had me convinced that she is really nuts.

Both funny and sad, The Maid is an excellent movie.

La Nana (The Maid) was written and directed by Sebastiān Silva, and tells the story of a live-in maid working for an affluent Chilean family. The movie opens with Racquel (Catalina Saavedra) sitting alone in the kitchen eating a basic meal; whilst the family she works for dine in much more pleasant surroundings. After giving this first impression of an oppressed servant, Silva then gradually reveals the much more complex relationships which are at play, and Racquel, who has worked for the family for twenty-three years, is shown as more of a troubled member of the family than an employee. As the tagline says, "she's more or less family".

Racquel has no life outside of the family home where she has worked for so long, and is suffering a kind of mid-life crisis, causing her to become ill and clash with the family. The family try to help her by bringing in extra staff, which leads to some funny moments as she tries desperately to cling on to her position at the centre of the household. Eventually she makes a friend, begins to get a life outside the home, and disaster is averted.

The direction and cinematography are wonderful here; feeling at times more like documentary than fiction. Catalina Saavedra is utterly convincing in the lead role, and is well supported by all. There's very little music in this movie, but there is a theme song call AyAyAyAy which is entirely addictive. This is definitely worth a watch!

This was one of the movies we saw at Sundance 2009. We found it to be an interesting portrayal of the relationship between a live-in maid and "her" family. The family portrayed was from Chile, and reflected the writer/director's actual family.

The maid shown in this film truly runs the household and has a strange power over the family. She knows what happens to everyone and how to sabotage them if need be. She has a love/hate relationship with most members of the family, some of it closer to hate more often than not. She also will not allow another maid to share "her" household, until she meets a certain someone. Since this is a realistic portrayal of Chilean family life, we found it fascinating to watch. Good job to all of the actors!

She's going a bit crazy. The house is her turf; and she knows how to take advantage of it. She will lock you out if she can, so pocket a spare key. Raquel! Let me in!

An amusing study of human territoriality and the limitations of one's ability to control what is thought as a possessed environment, the film explores irrational behaviors that can be remedied by tenderness and patience.

This Chilean film is among the best foreign origin films of the year. Sad, funny, charming and unpredictable. Nice job, Sebastian Silva. Catalina Saaverda is brilliant as the somewhat disturbed maid, Raquel. The film offers us just a glimpse at Chile; which looks like a nice place.

The Maid (2009)

In some ways this film is extraordinary. It's small, limited in its setting, and it has a slightly predictable inevitability. But it is so seeringly well acted and filmed with an honest small budget honesty, it's hard not to appreciate. It also deals with a huge issue in many countries--the use of household help, often now from other, poorer countries, and the ironies and sadness that goes with this class structure.

Catalina Saavedra is "the maid" in this, and like the leading role in the even more astonishing "The Hedgehog" we get inside this person's modest and seemingly invisible persona to really get them, or part of them, for a brief spell. It's moving--it made me cry--and revealing. It's not like we don't know that live-in maids lead an unfair, often unhappy life (which they disguise from their employers). But we aren't often faced with it so plainly.

This also is revealing about the standard of living in Chile, which is one of the two or three South American countries fully above the "third world" status you might think at first. The fact it did so well in the United States (earning half a million dollars) is not because it was a glimpse of a foreign impoverished country, but because it resembled so well the situation in American households. Those with maids.

See this? Yes, certainly. It has a simple cinema-verite style, not quite home movies but shot almost entirely inside the house in a shaky camera. The plot might not be enough for some viewers--after awhile it is what it is without a lot of complications. Or at least not complications we haven't seen before. What carries it is the sincerity of the performances, especially Saavedra's.