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The story of Tess Durbeyfield, a low-born country girl whose family find they have noble connections.The story of Tess Durbeyfield, a low-born country girl whose family find they have noble connections.The story of Tess Durbeyfield, a low-born country girl whose family find they have noble connections.
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If you--like me--saw a review for this film/miniseries calling it "terrible" and giving it one star, IGNORE IT. This film was absolutely stunning (there's a reason it was nominated for Best Lighting, Photography & Camera) and filled with much emotion and intensity by excellent actors. Gemma Arterton is superb as the lead role and all major and minor characters play their part with dedication and are a joy to watch.
Based on the Thomas Hardy Novel, Tess of the d'Urbervilles follows the life of young, beautiful, innocent Tess and the misfortune she faces. With unforgettable characters such as the young heroine, Alec and Angel, visually appealing landscapes and emotional intensity to soften even the toughest of critics, this film is a must-see and something you are unlikely to ever forget!
Based on the Thomas Hardy Novel, Tess of the d'Urbervilles follows the life of young, beautiful, innocent Tess and the misfortune she faces. With unforgettable characters such as the young heroine, Alec and Angel, visually appealing landscapes and emotional intensity to soften even the toughest of critics, this film is a must-see and something you are unlikely to ever forget!
Tess lives again to stir the 19th Century libidos of the males in Wessex, and to suffer mightily from the vanities, meanness and expectations of those same males.
I was sorry when this series ended and we said goodbye once again to the beguiling Tess, this time played by Gemma Arterton.
Comparisons to Roman Polanski's "Tess" are inevitable. For me that 1979 film is a masterpiece. If Nastassja Kinksi had only ever played that one role, she would still have a place in cinema history.
I was so moved by that film that I read the novel. Written for an audience that seemed to have far more time to read, I respect the screenwriters who adapted it for both efforts. This series incorporates more of the novel, but only by a bit. The 1979 film ran 186 mins and this four-part series was only about 22 mins longer.
The series captures Thomas Hardy's adulation of women. Check out this passage from the novel where Angel Clare (Eddie Redmayne) looks at Tess:
"Clare had studied the curves of those lips so many times that he could reproduce them mentally with ease: and now, as they again confronted him, clothed with colour and life, they sent an aura over his flesh, a breeze through his nerves, which well nigh produced a qualm ..."
However he dipped his pen into different ink when it came to the males; it makes you wonder which one he identified with. Nearly all the men are flawed, especially Alec D'Urbeville (Hans Matheson), Tess's nemesis and stalker. He is seen as more complex in this version, and his obsession with Tess given more shading. Alec aside, even the supposedly moral and upstanding men are seen as judgemental class snobs.
The women on the other hand, epitomised by strong, beautiful Tess, seem kinder, more pragmatic, better people.
Hardy's novel is infused with descriptions of folk song and dancing. This series has a score by Rob Lane, reminiscent of Richard Rodney Bennett's "Far from the Madding Crowd"; it has a more contemporary edge, but creates a haunting mood.
Finally, it all comes down to the actor playing Tess. Gemma Arteton is arresting with dark hair framing wide cheekbones and pale skin. We get why men are either besotted or confronted by her. She embodied the spirit of Hardy's heroine, against an impressive recreation of the period.
I was sorry when this series ended and we said goodbye once again to the beguiling Tess, this time played by Gemma Arterton.
Comparisons to Roman Polanski's "Tess" are inevitable. For me that 1979 film is a masterpiece. If Nastassja Kinksi had only ever played that one role, she would still have a place in cinema history.
I was so moved by that film that I read the novel. Written for an audience that seemed to have far more time to read, I respect the screenwriters who adapted it for both efforts. This series incorporates more of the novel, but only by a bit. The 1979 film ran 186 mins and this four-part series was only about 22 mins longer.
The series captures Thomas Hardy's adulation of women. Check out this passage from the novel where Angel Clare (Eddie Redmayne) looks at Tess:
"Clare had studied the curves of those lips so many times that he could reproduce them mentally with ease: and now, as they again confronted him, clothed with colour and life, they sent an aura over his flesh, a breeze through his nerves, which well nigh produced a qualm ..."
However he dipped his pen into different ink when it came to the males; it makes you wonder which one he identified with. Nearly all the men are flawed, especially Alec D'Urbeville (Hans Matheson), Tess's nemesis and stalker. He is seen as more complex in this version, and his obsession with Tess given more shading. Alec aside, even the supposedly moral and upstanding men are seen as judgemental class snobs.
The women on the other hand, epitomised by strong, beautiful Tess, seem kinder, more pragmatic, better people.
Hardy's novel is infused with descriptions of folk song and dancing. This series has a score by Rob Lane, reminiscent of Richard Rodney Bennett's "Far from the Madding Crowd"; it has a more contemporary edge, but creates a haunting mood.
Finally, it all comes down to the actor playing Tess. Gemma Arteton is arresting with dark hair framing wide cheekbones and pale skin. We get why men are either besotted or confronted by her. She embodied the spirit of Hardy's heroine, against an impressive recreation of the period.
What a really good production this is. Technically perfect and an excellent cast. Gemma Arterton is a super actress and for me this is the best performance of her career so far. If he could, I'm certain that Hardy would agree! Her newest release "Tamara Drewe" is taken from the Simmons comic strip which in turn was inspired by Hardy's "Far From The Madding Crowd". I read that a new version of "Crowd" is in the works - if they don't have Arterton as Bathsheba Everdene they are making a serious error in my opinion. She was born to play that role. I see that one of the reviews here is personally insulting to the actress. For shame!
I am going to be frank, without giving too much away: if you're looking for a happy, light-hearted love story, look elsewhere! That said, however, this movie is very interesting. It is, for the most part, well acted, and contains some extremely thought-provoking material. Particularly the events at the beginning of the second episode... you will understand my meaning once you have watched. It is so interesting, and often heart-breaking, to see these issues handled in society in this time period - to see the reticence and misery that must be endured. I found myself constantly wondering who was right, and who was wrong, or if anyone in the film could really be considered right or wrong. And by which standards? This is not the typical BBC love story where we love the heroes, admire their virtues, and despise the villains, while secretly amused by them. I personally found myself disliking each character very much at at least one point in the film. These characters are very real people. Each one is flawed, and each one knows it too. This makes for a remarkably interesting tale, that kept me riveted from the very beginning.
With all that said, it is exceedingly dramatic... a little overly so at times. And it is harsh... very harsh. and very raw. So yes, do watch it, but do not expect it to be a sweet, witty love story. You may expect, however, to be very impressed. After all it made me cry, and I very rarely cry in movies!
With all that said, it is exceedingly dramatic... a little overly so at times. And it is harsh... very harsh. and very raw. So yes, do watch it, but do not expect it to be a sweet, witty love story. You may expect, however, to be very impressed. After all it made me cry, and I very rarely cry in movies!
I read the book as part of my A2-Level English course, and then I saw the mini-series as both my English teacher and best friend recommended it highly. I loved the book, it is one of my favourite Thomas Hardy books, and probably the one I was devastated most by, and yes I have read Jude the Obscure. This mini-series is very evocative and just brilliant, like the book it is sad and it is emotionally devastating, as the book provides a pretty accurate depiction of what happened to servant girls who proved themselves unfaithful during the Victorian Era. The acting, period detail and writing are top-notch, and the mini-series sticks quite closely to the source material.
Visually Tess of the D'Urbervilles is very stunning. The photography is fluid, the scenery is wonderful, the costumes are wondrous and the settings are stunning. It was like coming out of a time-machine and finding yourselves in the middle of the actual Victorian Era itself. The music and sound effects really added to the atmosphere; the music especially is beautiful and haunting. The story I admit is not the easiest to get into at first, as I have said already and several others already it is devastating and sad, but it is truly effective and was told so well it did have the same emotional impact that the book had.
The direction is rock solid, and serves the actors and story well, while the writing is intelligent and avoids being clichéd. That just leaves the acting, Gemma Arterton is perfect as Tess, it is a completely different role to any other role she's played, and she conveys a sympathetic, poignant and innocent character to perfection- in the end I was hoping I would feel sorry for Tess as she goes through such a lot, and I did. Eddie Redmayne is not quite as good as Angel Clare, but he is very effective in his role, while Ruth Jones, Christopher Fairbank, Kenneth Cranham, Jodie Whittaker, Donald Sumpter et al. do superb support work, with honourable mention to Hans Matheson who was brilliant as Alec, both sympathetic and malevolent.
Overall, just a brilliant adaptation of a brilliant book. 10/10 Bethany Cox
Visually Tess of the D'Urbervilles is very stunning. The photography is fluid, the scenery is wonderful, the costumes are wondrous and the settings are stunning. It was like coming out of a time-machine and finding yourselves in the middle of the actual Victorian Era itself. The music and sound effects really added to the atmosphere; the music especially is beautiful and haunting. The story I admit is not the easiest to get into at first, as I have said already and several others already it is devastating and sad, but it is truly effective and was told so well it did have the same emotional impact that the book had.
The direction is rock solid, and serves the actors and story well, while the writing is intelligent and avoids being clichéd. That just leaves the acting, Gemma Arterton is perfect as Tess, it is a completely different role to any other role she's played, and she conveys a sympathetic, poignant and innocent character to perfection- in the end I was hoping I would feel sorry for Tess as she goes through such a lot, and I did. Eddie Redmayne is not quite as good as Angel Clare, but he is very effective in his role, while Ruth Jones, Christopher Fairbank, Kenneth Cranham, Jodie Whittaker, Donald Sumpter et al. do superb support work, with honourable mention to Hans Matheson who was brilliant as Alec, both sympathetic and malevolent.
Overall, just a brilliant adaptation of a brilliant book. 10/10 Bethany Cox
Did you know
- TriviaBBC Television's first-ever adaptation of Hardy's novel.
- GoofsThere are two musical anachronisms. First, Angel plays an autoharp which was not invented until the 1880s in Germany, and would not have been an English folk instrument at the time of TESS. Secondly, the congregation is heard singing "How Great Thou Art," which was written in Swedish in 1885, but was not commonly known in English until Stuart Hine's translation (circa 1950).
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- Also known as
- 黛絲姑娘
- Filming locations
- Corfe Castle, Dorset, England, UK(Durbeyfield cottage exteriors)
- Production companies
- See more company credits at IMDbPro
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