The Orphan Killer

A pair of young children, a boy and girl, survive a home invasion that claims their parents lives. They are sent to the standard "evil" Catholic orphanage, and the girl is adopted while the boy stays behind. As with all Hollywood movies, the orphanage is home to a lot of abuse in the name of God, and the young boy acts out violently to others around him. He also enjoys wearing masks, but hey, who doesn't? Years later, the young girl has grown into a woman who teaches dance at the local Catholic school. Im not sure how many practicing Catholics go to mass in a black micro mini and fishnet stockings - sans underwear. But hey shes pretty hot. Long story short, killer brother comes back to Church and starts offing people left and right, tracking down his sister. Lots of blood later, with the help of her police boyfriend, she has her final showdown with her long lost brother.

This isn't a badly made film, in fact, it actually is a lot better then most of the low budget slashers out there. The acting is above average and the gore special effects are also well done. One of the problems is the music, with consists of loud heavy metal blaring during the action scenes. The other problem is the story plot points. Characters who do dumb things at dumb times, etc. Lots of horror movies do this, so it can be overlooked for the sake of the movie.

The movie as a whole is watchable and even enjoyable for a bit. It is not however, anything you will remember as soon as the credits roll.

Matt Farnsworth is a hack. I haven't got a clue who finances his movies but my guess he has entered into a Faustian pact with Satan. Nobody in their right mind would give this guy money to make a film. If you think I'm being harsh then go check out "The Orphan Killer" then come back and tell me I'm wrong. It is incompetently written with a poorly defined story and no characterisation so ultimately we don't care about anything or anyone we see on the screen. Most of the ideas have been cribbed from far superior genre movies and the camera work is shambolic. We've all seen "Shaky-cam" is the "Bourne" movies, Farnsworth appears to have invented "unintentional shaky-cam" for the "Orphan Killer." It looks like it was filmed by someone on a home video-cam after they'd drunk 50 cups of espresso.

I wouldn't have bothered commenting only there is nothing worse than a film maker who goes out of their way to pull the wool over their potential audience's eyes. This is what Farnsworth has done here. This IMDb page is littered with fake reviews and fake comments appertaining to what a great movie this is and most of them have been written by Farnsworth and his cronies. If you listen to this con-man then "The Orphan Killer" is the next "Halloween" or "Friday The Thirteenth" when in truth it's the next DVD straight to the bargain-bin @ $1.99 in Walmart.

A man in a hockey mask, much like Jason from Friday the 13th, swings an axe over a scantily clad, screaming woman; and this happens before the opening credits. A man in a convertible drops off a hot blonde in front of St. Michaels Catholic School. Dressed in a mini skirt and revealing tank top, blondie forays into the adjoining church, kneels at a pew and crosses herself, bless her heart.

Next up, teeny boppers are smoking in the girls room, discussing the legend of the orphan killer. Shortly thereafter, a man in an alley is the first victim. The madman drives a large machete into his forehead. The swordsman then, for no apparent reason, places a photograph of Pope Benedict into a fire.

Back to the good catholic lass. She visits the locker room and has the good sense to remove her clothes and take a shower; cleanliness is next to Godliness, after all; and her headlights are on.

The masked mad man continues his murderous ways, using a wire to strangle a young en' at the school. A flashback to nuns beating a young boy provides clues to the reason for his violent personality.

The church is then the setting for a man receiving oral sex from a sister, and a priest is mutilated; the writer seems to have some serious issues with the ancient Roman religion.

Now to the basement, where Jason, jr. ties the hot blonde, Audrey, to the ceiling with her arms up and thus begins the real fun; sick, sick, sick, and sacrilegious at the same time. Much like the "Saw" series, don't look for any redeeming value in the orphan Killer, it's just another torture film.

Everything about this awful excuse for a movie is trash: directing, acting, editing... you name it. Total nonsense. A truly and literally horror. Someone who knows how to make a movie (from the story, which has its moments up to a point) would make this film a least watchable. I still don't believe that I've endured until the end (even with fast forwarding). I was even trying to "connect the dots" but failed. Mr. Farnsworth should never again be allowed to waste someone's money and time in this business. Really, Ed Wood was a genius compared to this. On the other hand, maybe that was the point (or excuse) for letting this trash out in the open. Maybe this is a test of some kind. Who knows. Recommendation: avoid at all costs and whatever state of intoxication you may be. Don't insult your intelligence.

The Orphan Killer can best be summed up as a mixed bag of a horror film. It has some great makeup effects, but bad camera work. It has some great scenes, but overall isn't all that good. It has an interesting concept for a story, but plot holes and unbelievability derail your immersion while you're trying to enjoy it.

The story is about two orphaned siblings, Audrey and Marcus. Audrey is adopted while Marcus is left at the orphanage. While Audrey grows up and apparently has a normal life, Marcus grows up tormented for most of his life by the nuns that run the orphanage, and is made to wear a mask due to the fact that he is dangerous to the other children, and the staff. He goes insane and wants to kill his sister, as she left him there, and film gives you enough back story to make it clear.

The movie has several flaws that include, but aren't limited to; camera work, acting, sound, too much fake blood (to the point that it's laughable), plot holes that are huge, and no real character development beyond Marcus. There is no doubt that the film is low budget, so a few of these things can be over looked, and there are some really solid moments in TOK which makes you wish that more time could have been taken with the story and some of the camera work.

The scenes between Audrey and Marcus, while they are in the basement, are done quite well in parts. The camera work, while they are on the roof of the building, is pretty well done as well. Unfortunately these moments aren't enough to make you look past the flaws, but it's worth checking out if you're really in the mood for some low budget slashing. If you're prepared to lower your expectations, when it comes to everything needing to make since, and you may just enjoy it.

5 out of 10