The slasher movie gets molested in this wickedly funny horror-thriller from Writer/Director Drew Barnhardt. Fun is the order of the day. Big Stevie's brand of fun. "Murder Loves Killers Too"... Read allThe slasher movie gets molested in this wickedly funny horror-thriller from Writer/Director Drew Barnhardt. Fun is the order of the day. Big Stevie's brand of fun. "Murder Loves Killers Too" is an off-beat twisted treat for horror fans.The slasher movie gets molested in this wickedly funny horror-thriller from Writer/Director Drew Barnhardt. Fun is the order of the day. Big Stevie's brand of fun. "Murder Loves Killers Too" is an off-beat twisted treat for horror fans.
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dunno why this has a low average score, it's a very decent low budget horror film, just the right length, an 80s vibe to it, and it's gotta be said the music and sound is ace...sometimes music makes a movie, and in this case it's very true...the same film with crap music and sound design would've been pants...there's a great little whistling motif tune running through the whole thing and giving it a cheeky slant... yep i can't really fault this film - for what it is it's a fantastic way to use up an hour and a half of your precious horror movie loving life, not too much preamble before the nastiness gets underway either - Cloverfield did the preamble really well but since then it seems that all the new big budget horror films spend a lot of time hanging about with really unlikeable characters for the first half of the movie before they start getting bumped off. Not so with Murder Loves Killers.... Overall, two severed thumbs up!
Although I've seen this referred to as being similar to Friday the 13th, this film really reminded me of The Mutilator - right down to the amount of victims and the middle aged murderer already being in the house. That said, no one here played a game of hide and seek for no reason.
Five annoying youngsters (including one whose dialogue consists of "Whoo" and "Party") head of to some cabin for a bit of boozing and the usual slasher shenanigans, not know that there's a bald killer called Steve in the house who's not averse to doing a bit of housekeeping in between murdering teenagers. At first I thought he should have paced himself as he goes through victims rather quickly, but then I realised that the film had a few tricks up its sleeve.
There's a lengthy stalking sequence later in the film, part of which seems to have been lifted wholesale from Sergio Martino's Torso (they thank him in the credits), and the last ten minutes or so come way out of nowhere. Plus the film's short and rather nicely filmed, so you can't go wrong here.
Five annoying youngsters (including one whose dialogue consists of "Whoo" and "Party") head of to some cabin for a bit of boozing and the usual slasher shenanigans, not know that there's a bald killer called Steve in the house who's not averse to doing a bit of housekeeping in between murdering teenagers. At first I thought he should have paced himself as he goes through victims rather quickly, but then I realised that the film had a few tricks up its sleeve.
There's a lengthy stalking sequence later in the film, part of which seems to have been lifted wholesale from Sergio Martino's Torso (they thank him in the credits), and the last ten minutes or so come way out of nowhere. Plus the film's short and rather nicely filmed, so you can't go wrong here.
Nothing to seek out or to avoid. A group of us made pretty much this same slasher flick back in 2004 as part of a 48-hour film competition; where we wrote, shot, and edited everything in just 48 hours. So I could relate the lameness; and I could realize just how fortunate it was that we did not have the time to put together a lot of embarrassing special features like the ones on this DVD. And I could be thankful that we had someone on the team who grasped that production design could be more than mixing up a lot of fake blood and a personalized birthday cake.
"Murder Loves Killers Too" (2009) demonstrates the old movie maker adage that you can't find a really good looking girl willing to take off her top in your movie, unless she is being paid. As the three unpaid females prance around early in the movie, it quickly becomes obvious that Lindy (Kat Szumski) is the keeper (the hot one with the great body), who should get the most screen time and should wear the least clothes; assuming the director has a clue about his target demographic. That Aggie (Christine Haeberman) fills out her jeans quite nicely and has an interesting face. And that Tamra (Mary LeGault) has a body that would benefit from more clothes and maybe a little liposuction. So guess who takes off her clothes? And guess who gets killed off almost immediately. And they wonder why these things can't find much of an audience.
There were two cool cuts to look for, one where Tamra lies down and the other where Stevie lies down; both of which then cut forward to the same shot, illustrating a passage of time without any sort of transition. Very nice.
The movie has good intentions and the cast and crew appear to have had a lot of fun making it, but it is student film quality without the strange quirks that make some of those films interesting. While the movie has some elements of obvious self-parody and is generally fun viewing, the overall production quality (from the staggeringly lame acting to the awkward and cheap staging) makes it hard to determine what is deliberate parody and what is just a mockfest moment.
Then again, what do I know? I'm only a child.
"Murder Loves Killers Too" (2009) demonstrates the old movie maker adage that you can't find a really good looking girl willing to take off her top in your movie, unless she is being paid. As the three unpaid females prance around early in the movie, it quickly becomes obvious that Lindy (Kat Szumski) is the keeper (the hot one with the great body), who should get the most screen time and should wear the least clothes; assuming the director has a clue about his target demographic. That Aggie (Christine Haeberman) fills out her jeans quite nicely and has an interesting face. And that Tamra (Mary LeGault) has a body that would benefit from more clothes and maybe a little liposuction. So guess who takes off her clothes? And guess who gets killed off almost immediately. And they wonder why these things can't find much of an audience.
There were two cool cuts to look for, one where Tamra lies down and the other where Stevie lies down; both of which then cut forward to the same shot, illustrating a passage of time without any sort of transition. Very nice.
The movie has good intentions and the cast and crew appear to have had a lot of fun making it, but it is student film quality without the strange quirks that make some of those films interesting. While the movie has some elements of obvious self-parody and is generally fun viewing, the overall production quality (from the staggeringly lame acting to the awkward and cheap staging) makes it hard to determine what is deliberate parody and what is just a mockfest moment.
Then again, what do I know? I'm only a child.
This movie is great if you are into the camp of the 80's slasher movies. It's got a humorous twist on the conventional form but is loaded with dialog that fits the genre as well as if it'd come out of an old Friday the 13th movie. The acting is very much in line with the bulk of 80's slashers but the lead girl is solid and has a great scream. The killer, hope that doesn't spoil anything, but there's a killer, pulls off the part with a funny deadpan take. The movie is scary in places, but the character keeps it pretty funny throughout. It's obviously a budget movie, but the camera work is sharp and there are some cool panning long takes and well orchestrated shots. Overall, I give it a 10 for the genre. Good entertainment.
10macntosh
When you know a movie is about a slasher and teenagers, you don't expect 'The Godfather'. What you do expect is a fun 90 minutes of blood, screams, humour and thrills. This film delivers for its intended genre and audience. For slasher films of the modern age, the gore is quite tame. The same goes for the nudity. But this film hearkens back to the late 70's and 80's when the filmmakers knew their audience. I enjoyed it because it reminded me so much of a movie I would have stayed up late to see back in the day. Yes, you can call it retro.
For the negatives, there is a very awkward scene to start the movie with a narrator, but once you get past that, it's clear sailing. I also feel the audio could be better, but it doesn't detract from the film much. Grab some popcorn and enjoy.
For the negatives, there is a very awkward scene to start the movie with a narrator, but once you get past that, it's clear sailing. I also feel the audio could be better, but it doesn't detract from the film much. Grab some popcorn and enjoy.
Did you know
- TriviaA friend of writer/director Drew Barnhardt let the filmmakers use his mountain house as a principal location in the movie.
- GoofsWhen Aggie bursts out of the trunk of the car and attacks Stevie, the trunk's door is open. However, just seconds afterwards it is closed, and no-one is seen doing it.
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- Murder Loves Killers Too
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- 1h 15m(75 min)
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