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5.4/10
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Losing his son Tom in a hit and run triggers violent emotions in Anthony, whose body begins to transform. When the driver who killed Tom reappears, Anthony mutates into a mass of metal - a h... Read allLosing his son Tom in a hit and run triggers violent emotions in Anthony, whose body begins to transform. When the driver who killed Tom reappears, Anthony mutates into a mass of metal - a human weapon fuelled by an uncontrollable rage.Losing his son Tom in a hit and run triggers violent emotions in Anthony, whose body begins to transform. When the driver who killed Tom reappears, Anthony mutates into a mass of metal - a human weapon fuelled by an uncontrollable rage.
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I recently rented Tetsuo: The Bullet Man (2009) on Prime. The storyline follows a father who loses his son in a tragic accident. Shortly after the tragedy, he sees the driver from the accident that killed his son. This triggers an outrage inside him, causing a chemical reaction that transforms him into a metal killing machine out for revenge.
This film is written and directed by Shin'ya Tsukamoto (Tetsuo: The Iron Man) and stars Eric Bossick (Equals), Tomorô Taguchi (Tetsuo: The Iron Man), and Yutaka Mishima (Silence).
The opening credits and introduction always get me fired up for another Tetsuo movie. This film features elite cinematography and has a unique, artistic flair. The background soundtrack and sound effects are once again top-notch. This film introduces new weapons, body configurations, and an entirely new premise. I enjoyed the new movements and the gore; the kills are always cool, but at times the film feels too clean and polished. I also felt they could have done more with the main character. The conclusion was solid and a fitting ending to the trilogy.
In conclusion, this may be the weakest film in the Tetsuo trilogy, but it is unique and entertaining enough to make it worth a watch. I would score this a 6.5/10 and recommend seeing it once.
This film is written and directed by Shin'ya Tsukamoto (Tetsuo: The Iron Man) and stars Eric Bossick (Equals), Tomorô Taguchi (Tetsuo: The Iron Man), and Yutaka Mishima (Silence).
The opening credits and introduction always get me fired up for another Tetsuo movie. This film features elite cinematography and has a unique, artistic flair. The background soundtrack and sound effects are once again top-notch. This film introduces new weapons, body configurations, and an entirely new premise. I enjoyed the new movements and the gore; the kills are always cool, but at times the film feels too clean and polished. I also felt they could have done more with the main character. The conclusion was solid and a fitting ending to the trilogy.
In conclusion, this may be the weakest film in the Tetsuo trilogy, but it is unique and entertaining enough to make it worth a watch. I would score this a 6.5/10 and recommend seeing it once.
Why the hell ppl in a Japanese sci-fi horror movie talk english? That was a mistake and disappointment and as much as I am a huge fan of first tetsuo I didn't like the last one very much. There was a big gap between first and last and that's a shame.
On a positive note, this movie does not resort to using CGI or other crappy special effects. The costume did the job well enough for this movie.
Sound was one of my first issues with this film. The background "music" was mostly someone beating the hell out of a metal trash can or banging a pipe wrench against a jungle gym at the park. There was some metal rifts that were pretty loud. Then the dialog would come in and either I was suffering from deafness or the actors would whisper their lines.
I never have been a fan of shaky cam filming, but this goes way beyond shaky cam to earth quake cam. At no point can I remember any scene that didn't move and flash. If you are epileptic you may have a seizure prior to the credits. The noise, flashes, and bombarding images are just like some hardcore death metal videos.
It takes forever for the origins to be discovered and then the last 20 minutes of the film the "bad guy" -with poor motive- gives the Bullet Man just 60 seconds to kill him... some how 20 minutes = 60 seconds doesn't seem to fit.
Overall a poor movie, I have watched worse. Maybe it would be better as an anime or if I was a big fan of the creator of this film.
Sound was one of my first issues with this film. The background "music" was mostly someone beating the hell out of a metal trash can or banging a pipe wrench against a jungle gym at the park. There was some metal rifts that were pretty loud. Then the dialog would come in and either I was suffering from deafness or the actors would whisper their lines.
I never have been a fan of shaky cam filming, but this goes way beyond shaky cam to earth quake cam. At no point can I remember any scene that didn't move and flash. If you are epileptic you may have a seizure prior to the credits. The noise, flashes, and bombarding images are just like some hardcore death metal videos.
It takes forever for the origins to be discovered and then the last 20 minutes of the film the "bad guy" -with poor motive- gives the Bullet Man just 60 seconds to kill him... some how 20 minutes = 60 seconds doesn't seem to fit.
Overall a poor movie, I have watched worse. Maybe it would be better as an anime or if I was a big fan of the creator of this film.
OK it seems that Shinya Tsukamoto decided to update his series even more to modern times and also put himself in the movie again. I guess you could say this was a revamp of the first, but a different story. But here is the thing. When he made a classic, he was limited to what he could use making him use his brain. Using todays technology could sometimes screws up a great thing. I am not saying this is a bad film though. Some good things about it was the nice grim colors to give it a creepier feel and the story was not confusing. But becoming the bullet man in this film was way over the top and it got to the point where it was really crazy; then calm. Yes it ended calm which was strange. Eric Bossick was a pretty decent actor and the only one I really cared about. He would make an excellent superhero. In fact this was not so much horror as it was action. A couple bad things. The story was a bit over the top and the voices were really hard to understand at points. Other than that, it was a decent film.
Similar to the first two movies, Bullet Man is an alternate retelling of the same story. (avoiding spoilers) The protagonist is alienated in the big city, and "something" triggers a mechanical mutation which results into a physical transformation. Plotwise its what you'd expect in a Tetsuo-film.
Bullet Man is certainly among Tsukamoto's most experimental films, but in a completely different way, due to its casting decisions, and the bold choice of shooting the dialog entirely in English(with few exceptions), unlike Takashi Miike's Sukiyaki Western Django, the dialog in this movie is in fact comprehensible. Its very obvious that Tsukamoto was aiming for a broader audience, but it didn't work quite as well.
I must admit that I was skeptical to Bossick in the lead role, but he is actually very well casted, his character is different from Taguchi, but still similar, he is a bit more stable, but furious at the same time.
Akiko Monou as Bossick's wife on the other hand doesn't work that well, its a dull performance mostly because of her dialog being in English. The chemistry between the two leads isn't present either, but this gets better as the film progresses, and then there is good old Shinya Tsukamoto as " The Guy " you'd be disappointed that he doesn't reprise his role as the metal fetishist, but he still play a pretty bad-ass character, and its a great performance.
The digital look of the film is not working in its favor at all, yet there are lots of trademark shots from the previous films, like the close ups of machinery etc, and Chu Ishikawa's industrial theme, are all present, and its shot in the same frenetic manner, but the gritty, and raw 16mm look is absent.
The Bullet Man, seems more like an American remake of the first film, it has this mainstream feel to it, and doesn't rely that much on symbolism and metaphors, like the first two films. Another big letdown is, this time there is no mutated counterpart for protagonist to fight, instead we have a bunch of army guys.
I would still recommend this to all Tsukamoto fans. It's different, and not among his best, but that doesn't necessarily mean that its bad. Check it out. 6/10
Bullet Man is certainly among Tsukamoto's most experimental films, but in a completely different way, due to its casting decisions, and the bold choice of shooting the dialog entirely in English(with few exceptions), unlike Takashi Miike's Sukiyaki Western Django, the dialog in this movie is in fact comprehensible. Its very obvious that Tsukamoto was aiming for a broader audience, but it didn't work quite as well.
I must admit that I was skeptical to Bossick in the lead role, but he is actually very well casted, his character is different from Taguchi, but still similar, he is a bit more stable, but furious at the same time.
Akiko Monou as Bossick's wife on the other hand doesn't work that well, its a dull performance mostly because of her dialog being in English. The chemistry between the two leads isn't present either, but this gets better as the film progresses, and then there is good old Shinya Tsukamoto as " The Guy " you'd be disappointed that he doesn't reprise his role as the metal fetishist, but he still play a pretty bad-ass character, and its a great performance.
The digital look of the film is not working in its favor at all, yet there are lots of trademark shots from the previous films, like the close ups of machinery etc, and Chu Ishikawa's industrial theme, are all present, and its shot in the same frenetic manner, but the gritty, and raw 16mm look is absent.
The Bullet Man, seems more like an American remake of the first film, it has this mainstream feel to it, and doesn't rely that much on symbolism and metaphors, like the first two films. Another big letdown is, this time there is no mutated counterpart for protagonist to fight, instead we have a bunch of army guys.
I would still recommend this to all Tsukamoto fans. It's different, and not among his best, but that doesn't necessarily mean that its bad. Check it out. 6/10
Did you know
- TriviaThe only "Tetsuo" film in which male genitalia isn't shown.
- ConnectionsFollows Tetsuo (1989)
- SoundtracksThe Theme for Tetsuo the Bullet Man
Written by Trent Reznor
Performed by Nine Inch Nails
Produced by Atticus Ross
Mixed by Blumpy
Courtesy of Sony Music Entertainment
- How long is Tetsuo: The Bullet Man?Powered by Alexa
Details
- Runtime1 hour 11 minutes
- Color
- Aspect ratio
- 1.78 : 1
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By what name was Tetsuo: The Bullet Man (2009) officially released in India in English?
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