12 Rounds

If you can just avoid asking "how?" you might enjoy this film as an exciting collection of action scenes. The villain does bad things, and the hero John Cena manages to save the day (as expected). Reality and logic are overlooked when they are in conflict with a good action scene. The fact that the action in this film could never, never ever happen is beside the point.

Very little time is spent on character development, since all you need to know is who the villain is. You find this out within a minute or two, and you can then switch off your brain for the rest of the film.

This film is immune to criticism. John Cena does not have any big acting scenes, and might even be capable of passable acting. However, he's not called upon to do much acting. His execution of the stunts and action scenes is amazing.

How can anyone complain about an illogical plot when the film was produced by the WWE and stars a professional wrestler? The movie was filmed entirely in New Orleans,and makes terrific use of dozens of locations. I probably gave it an extra point or two for this.

The scene with the "runaway streetcar" has got to be an in-joke, because the "real" Canal Street streetcar cannot travel more than a half-block at a time at a very, very slow pace. It is frequently blocked by vehicles stopped across its tracks. The havoc (if not revenge) wreaked on vehicular traffic by this runaway streetcar has got to bring delight to any local streetcar rider.

The movie has a good idea and some really seat-gripping excitement. It reminds me of Die Hard with a Vengeance but even more exciting. The plot is good with enough twists to keep everyone's interests.

I have only one negative thing to say...and this is that I hate the type of camera work in this movie. It seems to be the latest rage in movies...to have jerky-action shots. Personally I think it looks amateurish and makes the watcher slightly nauseous. What a shame to do that to such an exciting film.

Even with that type of photography, I would still recommend this film and have done so. I had never seen any advertising for this film and would not have gone to see it had I not looked up a synopsis of it.

If you shuffled together the scripts for Speed and Die Hard 3, and split it in two you'd have Daniel Kunka's script for 12 Rounds. The similarities are striking, and too numerous to list. But as a crash-and-burn action film it is very entertaining, has many exiting scenes, and features a charismatic villain. Unfortunately, John Cena, as the troubled hero, is about as emotive as a draft excluder (one of those long, stuffed snakes...remember those?). Cena is likable, but he's very, very, very far from being an accomplished actor.

One year after busting an international terrorist, New Orleans cop Danny Fisher is thrown into an impossible gauntlet when the criminal breaks out of jail. He must survive twelve rounds of increasingly difficult challenges in order to save his kidnapped girlfriend. The crook himself is Miles Jackson (played nicely by Aidan Gillen), a criminal mastermind who plays the deadly game fast and loose. As I said, he's a great villain, and one that you might partially side with after the accidental death of his girlfriend during the opening.

Renny Harlin has been slumming it for a while now. Ever since Cutthroat Island tanked he's had a hard time keeping his career afloat. When one watches all of his movies from different eras it becomes clear that the man has no style of his own and simply emulates whatever the current trend happens to be. His effort in 12 rounds is merely a pastiche of all the usual CSI/Michael Bay moves. The camera never sits still, regardless of whether or not it's appropriate to the scene. Trevor Rabin provides a rather generic score, but has a couple of nice, repeating themes that bring more emotion to the scenes than Cena is able to show.

12 Rounds will never win awards or even earn itself any particular distinction among action movies, but when you're having this much fun, who cares?

Renny Harlin has been relatively quiet these days, but I won't be shy in stating for a fact that I had enjoyed some of his action movies in the past, with the likes of Die Hard 2 (despite all the loopholes), Cliffhanger with Stallone, Driven (also starring Sly) and The Long Kiss Goodnight even. Despite being better known for duds starting with Cutthroat Island, Mindhunters and even The Covenant which turned out to be a comedy, 12 Rounds turned out to be better than expected, also because John Cena looked the classic action hero that Hollywood so sorely misses.

No, I'm not a WWE John Cena wrestling fan, because my interest in WWE was left back when it was known as WWF, and like The Rock (now wanting to be known simply as Dwayne Johnson), Cena follows in his footsteps in making that leap to the big screen. While his first outing as The Marine was pretty much straight to DVD fare, this one was designed for the big screen with its big set action pieces befittingly challenging the big man, and having an old hand of action at the helm helped to bring out some enjoyable moments despite clichés abound.

As the trailer would already have suggested, Danny Fisher (Cena) is a beat cop who gets in the way of a heist by international arms trader Miles Jackson (Aiden Gillen who was just a mile wide of being a memorable psychopathic villain), and in his pursuit causes the latter's main squeeze to die in a traffic accident. Ridden with rage, Miles remembers his pursuer so that he can exact revenge when he breaks out of prison. Only that he harbours some diabolical plot to play with his prey, hence the kidnapping of Danny's girlfriend Molly (Ashley Scott) and the devising of 12 rounds of city-wide games with the overcoming of each round leading Danny closer to his girl.

So begins a running around New Orleans to perform the usual one-man cop stunts that calls for everything from intellect to brute force. It could easily fit into the Die Hard franchise, or Speed for that matter as one sequence in a bus would have me reminisce. In shows like these, things do get a tad convenient, and though I tried to examine just a little bit more into it, the plot still made some sense and held some water. In some moments it seemed like it's paying its own tribute to the emergency services of New Orleans post-Katrina, with the police, fire and medical departments featured prominently as occupations of choice of its characters.

12 Rounds is rip-roaring fun. As an action film, it has enough thrills and spills if you'd just park aside believability for a minute, and bask in the possibility of one man saving the world only because it got personal stakes involved, coming complete with obnoxious FBI agents who think they know the world. Sprinkled with some light touches of humour, the body count here is surprisingly low, which in some way gave a breathe of fresh air instead of subscribing to the mantra that the more gruesome or gritty, the better.

But if there are qualms, it's directed more at the technical areas, like the lapsing into the shaky cam, where I had thought to roll my eyes and exclaim that Renny should have bought a bloody tripod for his DOP. Also, the editing probably needed to rethink his quick cuts in the final action sequence in closed quarters, as well as some cheesy lines where it's not warranted (I swear if I hear one more "wrong place, wrong time" comment...)

However if you go at this with expectations set low, you might just come out with a grin at the end of it. I'll be anticipating more John Cena movies to come, and will probably go dig at his older film as well, but here's hoping that he doesn't go the way that most action stars do - easy come and easy go - that he gets some longevity at the box office, before being unceremoniously pushed aside (if it does happen, like Seagal's career) to the straight to video shelves.

Gripping, original action movie with the wrestler John Cena desperately trying to find the means avoid his girlfriend to be murdered . Exciting screenplay that dispenses absurd excitement as well as amusement . Excellent thriller full of intrigue and tense, this is a fast-paced, stylized action-suspense film. The tension of this picture keeps snowballing as the clock ticks ever close for killing his lover .Detective Danny Fisher (John Cena) discovers his love interest (Ashley Scott) has been abducted by a ex-con (Aidan Gillen) tied to Fisher's past, and he'll have to successfully complete 12 challenges in order to secure her safe release. The tale appears to unfold in real time as the many stirring and intense scenes will verify. Most unusual is the device of having the victim play desperado and hunt the killer, and saving his girlfriend , as time runs out.

This mindless, interesting and ingenious film is packed with thrills, suspense, tension and lots of interminable action. Enjoyable battle of wits between two main characters, Cena and Gillen , based on risked circumstances work out pretty well . Witty argument that dispenses excitement as well as entertainment . Casting is frankly well, John Cena is fine as tormented and intrepid cop , Aidan Gillen steals the show and takes honors as psychopath who attempts to turn the tables on the victim before he can chase him and a gorgeous Ashley Scott . Plus, a good secondary cast, such as Brian White as his best friend , Steve Harris as FBI agent and Nick Gomez among them. Adequate musical score accompanying the action by Trevor Ravin and inventively photographed , using Steadicam or hand-held camera by by David Boyd reflecting splendidly New Orleans streets .The motion picture is professionally directed by Renny Harlin , he's expert on action genre such as ¨ Cliffhunger , Die hard 2 , Deep blue sea , Driven , Long kiss goodnight¨ and many others . Rating : acceptable and passable thriller movie . The picture will appeal to frenetic action buffs .