The Last Stop in Yuma County

You've seen this movie before, this doesn't really do anything new that those haven't done. It's well acted, tightly and competently written, and rather predictable. They try to throw a wrench at the end, but eh, I've seen enough of these types of movies before. The "sweater unraveling movie".

You start out with a loose thread, and the initial pull on it; "No Gas at the Gas Station, since they're in a super remote area, and no gas for the next 100 Miles." Then more and more people come to pull on that loose thread speeding up the destruction of that sweater, 'til it's a pile of yarn. There's your movie.

Its strength is in the acting, and doing CRISP, CLEAN, BELIEVABLE DIALOG and ACTIONS. No one really behaves in a way that doesn't make sense, all actions taken in this movie makes sense and the results of those choices also makes sense. It's a tight and clean script. Which also what makes it mediocre. It's a little too by the books and safe. They realize that by the end and TRY, but fail, TRY to throw a slight curve ball, but you as a wise audience member calls it from a mile away.

You watch this once, and you're good. You won't feel like you were robbed of your time, but ONCE is more than enough. There aren't clever clues foreshadowing the next move in the series of events, hidden in the scenery. It bears everything out in the open.

...I was really surprised the movie was this good. Its premise is simple. Small diner in middle of nowhere. Where nothing really happens. Life is a cup of coffee and you live on.

The assemblance of character cast was interesting. No big names, just simple people that made it work. They are good at what they do. They entertain us, that made the difference. It gave the moments grit from all sides of life. Crooks, geeks, elderly, blue collars..etc.

Directer did great job, keeping us idling along just right. It never got boring. Kept us waiting for what could or would happen next.

Ambiance worked great. Dry, hot, desolate weather. How can anyone live here? But they do.

Very enjoyable, flick.

... and i mean this in a far more positive way than it sounds!

A slow-burning B-movie with a single-setting scenario and American Rust atmosphere, Yuma County introduces lovably one-dimensional characters (again I mean well, they are so by design) - right until the plot decides to have a lil bit of macabre fun and put them in the most complex, unresolvable, dilemmatic (most often life or death) situations. The second half of the movie recompenses for the viewer's patience with the first: it is dark and hilarious and sad and unnerving, and more; there's twists and turns worthy of a James Patterson novel, and soon enough it all escalates faster than you can say -escalation-...

In short: One can see where the good ratings throughout come from. This is an enjoyable little gem of a movie that also doesn't overstay its welcome. Technically and acting-wise it does a fine enough job as well.

Summary: The movie is entertaining with a theme of western slow burner. But does not go beyond a good one time watch.

Details:

• The western vibe with desert, dust, heat, guns, bad guys, is all spot-on and gets you hooked into the story

• In the beginning the slow-burn is good but soon the movie picks up pace and there are lot of small twists and turns

• But you dont really feel bad for any character or emotionally moved/attached(except maybe for the scenes with baby) or have deep philosophical state of mind at any point in the movie or in the end.

• it has traces of Tarantino style western, coenesque theme of idiocy meeting evil with surprising coincidences/accidents but fails to match up to their level.

• Basically its a movie about greed which keeps you glued when its on but after watching the movie you are underwhelmed and forget this movie quickly.

At an isolated rest stop in Yuma County, Arizona in the 1970s, several characters are forced to wait at the nearby diner after the resupply truck for the gas station is running late including two bank robbers who stole $700,000.

The Last Stop in Yuma County is the feature debut of writer director Francis Galluppi who began his career in music before transitioning to film with short films High Desert Hell and The Gemini Project. A passion project for Galluppi, he spent years trying to get the film made with a larger studio only for disagreements between the financiers and Galluppi over the direction of the material to stonewall progress. After that point Galluppi accepted the offer of his executive producer, James Claeys, who sold his home in order to acquire the film's estimated $1 million budget. Using a roster of smaller names and character actors to fill out the cast, the film was a true independent project with the cast mainly coming together through goodwill and shared passion. The film has received a lot of considerable acclaim with director Sam Raimi so impressed with the film he personally hired Galluppi to direct a film in the Evil Dead series. The Last Stop in Yuma County is a solid showcase of Galluppi's strengths as a writer director who creates an engaging thriller with a limited location, talented cast, and guerilla ingenuity.

The Last Stop in Yuma County's premise is simple in that it takes a bunch of different characters with big personalities and builds tension in a small location using the old standard of the "money in a bag". Galluppi does a nice job of establishing his characters who range from overworked waitresses and hard luck traveling salesman to bank robbers on a hair trigger or youthful crooks who fancy themselves as romanticized versions of Charles Starkweather and Caril Ann Fugate while ignoring what happened to them. The cast made up mostly of smaller character actors do well with the mateiral including Jim Cummings' unnamed knife salesman who's very much a wrong man at the wrong place at the wrong time or Richard Brake and Nicholas Logan as the bank robbing duo who start on simmer until building to an explosive release. The film stays great for 70 minutes but once it reaches its conclusion it does kind of feel like Galluppi struggled to wrap the film up in a way that was up to the level of its first two thirds. There's nothing really wrong with the film's ending as it's more or less the old ironic standard that's been the basis for this kind of story seen as far back as The Treasure of Sierra Madre, but it does feel like a case where it's kind of stretching itself in order to get to that point.

The Last Stop in Yuma County is an effective small scale thriller that uses its limited resources and location to strong effect using characters with strong personalities to create a tense thriller that works its way up from simmer to a boil. I personally wasn't a fan of the third act as I felt it paled in comparison to the first two thirds, but it's a strong and effective showcase of Galluppi's abilities as a writer and director.