Harry, a broken man struggling to come to terms with the murder of his wife and daughter is living a hallucinatory life. When he discovers the whereabouts of the killers he awakens from his ... Read allHarry, a broken man struggling to come to terms with the murder of his wife and daughter is living a hallucinatory life. When he discovers the whereabouts of the killers he awakens from his grief to destroy those who destroyed his lifeHarry, a broken man struggling to come to terms with the murder of his wife and daughter is living a hallucinatory life. When he discovers the whereabouts of the killers he awakens from his grief to destroy those who destroyed his life
Anton Valensi
- Emile
- (as Anton Saunders)
Tommy Pitiris
- Pawn Shop Owner
- (as Thomas Pitiris)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A fantastic revenge thriller that uses literally every penny of its micro budget perfectly, as throughout this looks visually as well put together as any other multi million dollar Hollywood production. The way it unravels is nothing other than completely gripping as it is a fine example of pure unencumbered story telling that shows the audience the unfolding evens a lot more than it tells them. Performance wise its top of the line, with Con O'Neill giving one of the most timid, yet still perfectly relatable killer performances, but is the smart direction that sets itself apart as it's faultlessly sharp and immensely effective. A gritty must see that is high brow genre movie.
All the way from across the pond comes a brutal and bloody piece of modern filmmaking.
The lead, Con O'Neill is totally flawless. He portrays A REAL GUY, not an unbelievably clever, or tough cliché. He does not give you anything that the character wouldn't do. This quality of acting is across the whole board. The casting of the movie is dead-on.
This is an intense, refreshingly ORIGINAL tough ride, from start to finish. You are right there with the lead, going through what he is going through, knowing what he knows, and not knowing what he doesn't know...
The lead, Con O'Neill is totally flawless. He portrays A REAL GUY, not an unbelievably clever, or tough cliché. He does not give you anything that the character wouldn't do. This quality of acting is across the whole board. The casting of the movie is dead-on.
This is an intense, refreshingly ORIGINAL tough ride, from start to finish. You are right there with the lead, going through what he is going through, knowing what he knows, and not knowing what he doesn't know...
The person with the better weapon and the element of surprise, gets to tell the truth. Because they have the power, and the truth hurts like a broken bone. In the underworld of London, only the possibility of revenge and the telling of such truths stir an impoverished loner named Harry. It likewise motivates his intended target. In a brutal spree, Harry struggles to gain the upper hand over his adversary. In this insightful, vicious and unconventional tale, there are surprising twists and turns. Harry learns some uncommon and profound good sense. Capable acting, an enthralling story and intriguing sights and sounds, kept me at the edge of my seat.
The Europeans have a knack of gripping you in films about lonely disconnected characters who are suffering some sort of crisis who then emerge from ashes of some sort of grief and then seek revenge and it usually takes place slowly and VISUALLY and this is a fine example of that.
Telling a story in pictures seems to be something American film makers have forgotten, they are riddled with tons and tons of dialogue, Irving the explainer film making.
In this film you are given the info and you put the pieces together yourself, treating the audience with respect in that they have some intelligence.
The whole dream thing did occur to me but I continued watching, that shot of the beach at the end could be heaven or it could be just a shot of a beach.
Telling a story in pictures seems to be something American film makers have forgotten, they are riddled with tons and tons of dialogue, Irving the explainer film making.
In this film you are given the info and you put the pieces together yourself, treating the audience with respect in that they have some intelligence.
The whole dream thing did occur to me but I continued watching, that shot of the beach at the end could be heaven or it could be just a shot of a beach.
Vengeance is Mine makes it look so simple and effortless. Maybe it's because it is in fact simple and effortless. Con O'Neill the lead looks like a blend of a lawyer and an accountant and he is an inept protagonist that the film explores in all its consequences that other movies skip with an archetype that's usually hugely muscled and wielding machine guns on both arms.
It's subversive and the ending pays off with a gorgeous finale. While some would get tired of the spare and simple plot, it allows the stakes to rise in a true way and the only thing that is missing is a little more juice on all the cast of characters as the film chooses to not speak unless it really has to which I actually liked. However, the authentic leads acting wins you over where the writing is deliberately minimal.
Vengeance is Mine reminds me why I have always loved looking for more obscure and smart indie cinema.
It's subversive and the ending pays off with a gorgeous finale. While some would get tired of the spare and simple plot, it allows the stakes to rise in a true way and the only thing that is missing is a little more juice on all the cast of characters as the film chooses to not speak unless it really has to which I actually liked. However, the authentic leads acting wins you over where the writing is deliberately minimal.
Vengeance is Mine reminds me why I have always loved looking for more obscure and smart indie cinema.
Did you know
- TriviaVengeance is Mine, a passion project for the director, was made quickly before a larger project he is shooting (a modern day loose adaptation of The Count of Monte Cristo), the intent was to shoot a small contained film quickly with minimal dialogue, using the latest light weight equipment and scaled down crew.
- GoofsThe hit and run took place five years before the film is set . On the headstone of the wife and child it says they died in 2014 however the car that hit them was clearly registered as a 2019 plate.
- SoundtracksGo n'Éirí and Bóthar Leat
Performed by Graham Sweeney, Diarmuid Gielty, Laoise Kelly and Tiarnan Ó Duinnchinn
Composed by Graham Sweeney
- How long is Vengeance Is Mine?Powered by Alexa
Details
Box office
- Gross worldwide
- $1,215
- Runtime
- 1h 19m(79 min)
- Color
- Aspect ratio
- 1.85 : 1
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