A.R.M
- 2024
- 2h 30m
IMDb RATING
7.1/10
9.3K
YOUR RATING
Set in the Northern Kerala in 1900, 1950 and 1990, three generations of heroes, Maniyan, Kunjikelu and Ajayan, try to protect the most important treasure of the land.Set in the Northern Kerala in 1900, 1950 and 1990, three generations of heroes, Maniyan, Kunjikelu and Ajayan, try to protect the most important treasure of the land.Set in the Northern Kerala in 1900, 1950 and 1990, three generations of heroes, Maniyan, Kunjikelu and Ajayan, try to protect the most important treasure of the land.
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- 9 nominations total
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Featured reviews
With a budget of just 30 cores, the makers have done an excellent job. It was an incredible theatre experience. The debutant director has a promising future in directing more films within this genre and beyond. The acting and presentation was good. The movie was well paced. The highlight of the movie is Tovino's Beast like character. A flexible performance from tovino. The action scenes are fast and fantastic . Other characters have also presented a credible performance. Exploration of Northern Kerala folkfares has been put to good use. Experience of the climax sequences was exceptional . The back ground score keeps the movie engaging. Altogether , ARM is an epic adventure movie that provides an immensely enjoyable experience.
The film sets the tone right from the beginning, with Mohanlal's introduction and Mala Parvathi's engaging narration of the grandmother's story.
Once immersed in this atmosphere, the fictional village of Chiyothika and its surroundings feel like our own.
Jithin Lal and Sujith Nambiar astonish us with their writing and direction, displaying a finesse that belies their newcomer status.
The humor woven into this fantasy-myth narrative owes much to Deepu Pradeep's contributions to the screenplay.
This team has seamlessly brought together the various elements of such a film to create an impressive whole.
The artistic direction stands out, vividly portraying the fictional village of Chiyothika, its temple, and its people across three distinct time periods.
While unfolding the story with the lightheartedness of a grandmother's fable, the film also explores the caste system persisting through both monarchic and democratic eras.
Beyond the narrative, Tovino Thomas captivates with his electrifying performances and commanding screen presence.
Portraying three distinct characters-Kunjikelu the warrior, Maniyan the thief, and Ajay the electrician-Tovino embodies each role with unique looks, expressions, and body language.
His dedication and preparation for these roles are evident in his flawless performance, with Maniyan's character deserving special mention.
Maniyan's appearance, expressions, body language, and dialogue delivery surpass even the other two characters, making him unforgettable.
Aishwarya Rajesh and Kriti Shetty, though in lead roles, leave a limited impression beyond their fleeting appearances.
On the other hand, Surabhi Lakshmi excels in her role, especially as Maniyan's wife, delivering a performance that elevates her character beyond mere support to Maniyan.
The chemistry in the Maniyan-Nanu combo scenes is so vibrant that Tovino-Jagadish's duo takes a backseat.
Jomon's cinematography, Shameer Mohammed's editing, Dibu Nainan's music, and other technical aspects significantly enhance the film's theatrical experience.
Ultimately, ARM triumphs by narrating a grandmother's tale/fable from start to finish with technical brilliance, adhering to its core essence throughout.
Once immersed in this atmosphere, the fictional village of Chiyothika and its surroundings feel like our own.
Jithin Lal and Sujith Nambiar astonish us with their writing and direction, displaying a finesse that belies their newcomer status.
The humor woven into this fantasy-myth narrative owes much to Deepu Pradeep's contributions to the screenplay.
This team has seamlessly brought together the various elements of such a film to create an impressive whole.
The artistic direction stands out, vividly portraying the fictional village of Chiyothika, its temple, and its people across three distinct time periods.
While unfolding the story with the lightheartedness of a grandmother's fable, the film also explores the caste system persisting through both monarchic and democratic eras.
Beyond the narrative, Tovino Thomas captivates with his electrifying performances and commanding screen presence.
Portraying three distinct characters-Kunjikelu the warrior, Maniyan the thief, and Ajay the electrician-Tovino embodies each role with unique looks, expressions, and body language.
His dedication and preparation for these roles are evident in his flawless performance, with Maniyan's character deserving special mention.
Maniyan's appearance, expressions, body language, and dialogue delivery surpass even the other two characters, making him unforgettable.
Aishwarya Rajesh and Kriti Shetty, though in lead roles, leave a limited impression beyond their fleeting appearances.
On the other hand, Surabhi Lakshmi excels in her role, especially as Maniyan's wife, delivering a performance that elevates her character beyond mere support to Maniyan.
The chemistry in the Maniyan-Nanu combo scenes is so vibrant that Tovino-Jagadish's duo takes a backseat.
Jomon's cinematography, Shameer Mohammed's editing, Dibu Nainan's music, and other technical aspects significantly enhance the film's theatrical experience.
Ultimately, ARM triumphs by narrating a grandmother's tale/fable from start to finish with technical brilliance, adhering to its core essence throughout.
~ A. R. M is a fantasy action film directed by Jithin Lal who has done a fantastic job in his debut film itself. It's a film which follows three characters across three generations ; Kunjikelu , Maniyan and Ajayan which are all played by Tovino himself and one powerful statue that is heavily involved in the lives of the three men. The story was really engaging and it felt like a folktale , it was like one of those muthashi kadhakal. Tovino was an absolute standout among the ensemble cast featuring many great talents who has also done a great job. It was Tovino's potrayal of Maniyan that I loved the most. The film is in 3D and the 3D was superb, they have done a good job on it. Considering it's 30 crore budget it looks visually stunning and has better or as good VFX than a lot of films that are made over 200 , 400 crores. The technical aspects of the film was outstanding especially the VFX work , cinematography, background score , action choreography and the colour grading giving it a fantasy and retro vibe. It was a totally worth watch in the theatre as it had everything it had promised and I am so glad that finally Malayalam cinema got a big budget fantasy film right.
The film ARM is a cinematic work belonging to the Adventure action thriller drama genres, which was directed by Jithin Lal.
The film's narrative is focused on three characters: Kelu, Maniyan and Ajayan. The narrative is rooted in the concept of a chiyothivilakku, which is a figurine of a deity that is worshipped. The construction of the edifice was undertaken with the use of unnatural elements, a practice that was customary for the kingdom of Edakkal. In the event of the kingdom facing adversity, a warrior of Haripuram, Kelu, versed in the intricacies of weaponry, intervened to thwart the antagonists and requested the chiyothivilakku as a gift from the kingdom. The king bestowed the gift upon Kelu. The artefact was conveyed to Haripuram, where a temple was constructed for the purpose of housing the chiyothivilakku. Prior to his demise as a result of the plague, he ascertained that the chiyothivilakku bestowed upon him by the king was a counterfeit, and that the original was still in the possession of the royal palace. Kelu concealed this information from all other parties, and consequently met an untimely demise. Maniyan is a renowned thief in Haripuram who possesses both magical abilities and expertise in the use of weapons. The entire community endeavoured to apprehend him. However, this attempt was unsuccessful. Maniyan appropriated the chiyothivilakku from the temple in retribution for the humiliation inflicted upon his wife by certain members of the local community. It was at this point that he became aware of the lack of originality in that work. He proceeded to the palace, and following his successful completion of numerous challenges, he stole the original Chiyothivilakku from the palace. The item was stored in a highly confidential location. Subsequently, he was apprehended by the local populace and propelled from the precipice. The third character is Ajayan, who is the grandson of Maniyan. Ajayan is employed as a mechanic. Due to his lineage being that of Maniyan, he is not predisposed to embodying the role of the thief. He has a romantic interest in Lakshmi, who is the daughter of the primary figure in the village. He leads a modest existence, yet the villagers persistently associate him with criminal activity. He encountered significant challenges in maintaining his residency there. Subsequently, an individual by the name of Sudhevan arrived in the village with the intention of photographing the local festival. Nevertheless, his true intention is to steal the chiyothivilakku. Subsequently, it became apparent to him that the object in question was a counterfeit of the chiyothivilakku. He caught Ajayan and issued a directive for the original to be located. Despite conducting a thorough search of the entire village, the item could not be located. During the festival period, Ajayan encountered challenges in his relationship with Lakshmi, and was subjected to false accusations of theft. These difficulties mirrored those experienced by Maniyan, who also fell into a similar situation. Following a meticulous search, Ajayan successfully located the original chiyothivilakku. It is evident that, as a consequence of this, he was able to claim a favourable certificate from the villagers.
The narrative was of an excellent standard, both in terms of its composition and direction, and the cinematic experience it provided was also of a high quality. The integration of visual elements and musical scores is noteworthy, with the performances by the cast being of a particularly high standard. This film has been found to be one which can be watched once without losing its appeal, and it has also been determined that it can be recommended to others.
The film's narrative is focused on three characters: Kelu, Maniyan and Ajayan. The narrative is rooted in the concept of a chiyothivilakku, which is a figurine of a deity that is worshipped. The construction of the edifice was undertaken with the use of unnatural elements, a practice that was customary for the kingdom of Edakkal. In the event of the kingdom facing adversity, a warrior of Haripuram, Kelu, versed in the intricacies of weaponry, intervened to thwart the antagonists and requested the chiyothivilakku as a gift from the kingdom. The king bestowed the gift upon Kelu. The artefact was conveyed to Haripuram, where a temple was constructed for the purpose of housing the chiyothivilakku. Prior to his demise as a result of the plague, he ascertained that the chiyothivilakku bestowed upon him by the king was a counterfeit, and that the original was still in the possession of the royal palace. Kelu concealed this information from all other parties, and consequently met an untimely demise. Maniyan is a renowned thief in Haripuram who possesses both magical abilities and expertise in the use of weapons. The entire community endeavoured to apprehend him. However, this attempt was unsuccessful. Maniyan appropriated the chiyothivilakku from the temple in retribution for the humiliation inflicted upon his wife by certain members of the local community. It was at this point that he became aware of the lack of originality in that work. He proceeded to the palace, and following his successful completion of numerous challenges, he stole the original Chiyothivilakku from the palace. The item was stored in a highly confidential location. Subsequently, he was apprehended by the local populace and propelled from the precipice. The third character is Ajayan, who is the grandson of Maniyan. Ajayan is employed as a mechanic. Due to his lineage being that of Maniyan, he is not predisposed to embodying the role of the thief. He has a romantic interest in Lakshmi, who is the daughter of the primary figure in the village. He leads a modest existence, yet the villagers persistently associate him with criminal activity. He encountered significant challenges in maintaining his residency there. Subsequently, an individual by the name of Sudhevan arrived in the village with the intention of photographing the local festival. Nevertheless, his true intention is to steal the chiyothivilakku. Subsequently, it became apparent to him that the object in question was a counterfeit of the chiyothivilakku. He caught Ajayan and issued a directive for the original to be located. Despite conducting a thorough search of the entire village, the item could not be located. During the festival period, Ajayan encountered challenges in his relationship with Lakshmi, and was subjected to false accusations of theft. These difficulties mirrored those experienced by Maniyan, who also fell into a similar situation. Following a meticulous search, Ajayan successfully located the original chiyothivilakku. It is evident that, as a consequence of this, he was able to claim a favourable certificate from the villagers.
The narrative was of an excellent standard, both in terms of its composition and direction, and the cinematic experience it provided was also of a high quality. The integration of visual elements and musical scores is noteworthy, with the performances by the cast being of a particularly high standard. This film has been found to be one which can be watched once without losing its appeal, and it has also been determined that it can be recommended to others.
My rating is 7/10.
To me, ARM is an effort movie in malayalam in the fantasy segment. How thoughts/ambitions of our ancestors travelled through generations and its significance in the present moment is crafted appealingly.
Some procreation is meant to gain respect for their families/communities or to break the chains time had put on their heals.
Glorified theft, but who is right...?? Is the question here in this movie.
There are many secrets to unlock for the present generations which is kept it for the same purpose by our predecessors. The rightful always finds its way to find the treasure behind the secrets inorder to live with glory/respect/pride...!!
****Songs (especially Angu vaana) and BGM are good.
***Fight sequences are entertaining.
***Performance of Maniyan couple was the highlight.
***There is romance in this movie.
To me, ARM is an effort movie in malayalam in the fantasy segment. How thoughts/ambitions of our ancestors travelled through generations and its significance in the present moment is crafted appealingly.
Some procreation is meant to gain respect for their families/communities or to break the chains time had put on their heals.
Glorified theft, but who is right...?? Is the question here in this movie.
There are many secrets to unlock for the present generations which is kept it for the same purpose by our predecessors. The rightful always finds its way to find the treasure behind the secrets inorder to live with glory/respect/pride...!!
****Songs (especially Angu vaana) and BGM are good.
***Fight sequences are entertaining.
***Performance of Maniyan couple was the highlight.
***There is romance in this movie.
Did you know
- TriviaThe film was originally shot in 2D and converted to 3D format.
- Alternate versionsThe UK release was cut, the distributor chose to remove a scene of violence in order to obtain a 12A classification. An uncut 15 classification was available.
- How long is A.R.M?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Ajayante Randam Moshanam
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- ₹600,000,000 (estimated)
- Gross worldwide
- $1,950,747
- Runtime
- 2h 30m(150 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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